IMDb RATING
5.6/10
1.7K
YOUR RATING
The nations of the Earth unite in a common cause to fight off an invader from outer space.The nations of the Earth unite in a common cause to fight off an invader from outer space.The nations of the Earth unite in a common cause to fight off an invader from outer space.
- Awards
- 1 nomination total
Ryô Ikebe
- Maj. Ichiro Katsumiya
- (as Ryo Ikebe)
Kyôko Anzai
- Etsuko Shiraishi
- (as Kyoko Anzai)
Harold Conway
- Dr. Immerman
- (as Harorudo Konwei)
Elise Richter
- Sylvia
- (as Erisu Rikutâ)
Hisaya Itô
- Kogure
- (as Hisaya Ito)
Nadao Kirino
- Gravity Man
- (as Hiro-o Kirino)
Kôzô Nomura
- Rocket Commander
- (as Kozo Nomura)
Takuzô Kumagai
- Alien
- (as Jirô Kumagai)
Katsumi Tezuka
- Alien
- (as Katsumx Tesuka)
Mitsuo Tsuda
- Air General
- (as Mitsuo Isuda)
- …
Osman Yusuf
- Bystander
- (as Osuman Yusefu)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Saw this when I was 11 years old, I recall the rocket fighters sent up by the Earth Forces are based on the X-15 rocket plane. One thing I remember-and it moved me at the time, and is one of the movie's strengths-is the scene where the earth space ships go past the area where the space station was destroyed-and you see the bodies of the crew. The action moves at a brisk pace, no long winded speeches or philosophizing. The SFX are pretty good for the time. As a side issue, I got a chuckle when I saw "Star Wars" in 1977, I recognized the "futuristic weapons" as being models of British Lee Enfields, German MG-42 machine guns, Heckler & Koch submachine guns.
Ishiro Honda is the Steven Spielberg of Japan in that he created a huge body of work...big, exciting, fantasy movies of such number, quality and iconic value that he stands head and shoulders above his peers.
This film is among Honda's lesser known works, and is a rarity in that there is absolutely no Kaiju in this film, not even a robot Kaiju such as seen in the better-known 'The Mysterians'. And, in terms of the fantastic cinema of Japan, this is one of the more serious science fiction creations of the period, although containing many inaccuracies that would be glaring to anyone with the slightest familiarity to the work of George Pal.
This film features creative and interesting FX that vastly outshine most of what the US was producing at this time, and might even have the most complex miniature sets and sequences of anything produced by Toho during the classic period. There are large scale space ship dogfight sequences that anticipate Star Wars, which was done 17 years later.
The plot, while not profound, is sufficiently interesting and entertaining and the actors are good enough to make this an enjoyable escapist film. Thematically, this is classic Invasion Literature, with few new wrinkles thrown in...definitely straightforward, Honda doesn't give us anything ambiguous or subversive to chew over.
Any fan of old-school scifi and Kaiju films is liable to enjoy this one very much, it's just an impressive spectacle.
This film is among Honda's lesser known works, and is a rarity in that there is absolutely no Kaiju in this film, not even a robot Kaiju such as seen in the better-known 'The Mysterians'. And, in terms of the fantastic cinema of Japan, this is one of the more serious science fiction creations of the period, although containing many inaccuracies that would be glaring to anyone with the slightest familiarity to the work of George Pal.
This film features creative and interesting FX that vastly outshine most of what the US was producing at this time, and might even have the most complex miniature sets and sequences of anything produced by Toho during the classic period. There are large scale space ship dogfight sequences that anticipate Star Wars, which was done 17 years later.
The plot, while not profound, is sufficiently interesting and entertaining and the actors are good enough to make this an enjoyable escapist film. Thematically, this is classic Invasion Literature, with few new wrinkles thrown in...definitely straightforward, Honda doesn't give us anything ambiguous or subversive to chew over.
Any fan of old-school scifi and Kaiju films is liable to enjoy this one very much, it's just an impressive spectacle.
Some really neat miniatures, beautiful matte paintings, and a very cool lunar set, are the highlights of this movie. It's fun entertainment for the first half, but becomes especially enjoyable midway through once our heroes land on the Moon.
As other reviewers have noted, this movie seems to have influenced Star Wars, in particular a couple of shots during the climactic battle in space, which seem as though Lucas might have lifted them from a print of this film and dropped them right into A New Hope.
As other reviewers have noted, this movie seems to have influenced Star Wars, in particular a couple of shots during the climactic battle in space, which seem as though Lucas might have lifted them from a print of this film and dropped them right into A New Hope.
I saw this film in 1960 playing with "The Time Machine" as a double feature. Though not as rich in story line as "The Mysterians" this film really takes off when the two Speep earthships go to the moon to battle a base set up by the planet Matal who also fly "Mysterian" style flying saucers. On the moon the action really starts with marvelous raygun battles between the enemy and earth forces. The earth forces possess a marvelous heat ray cannon as well as smaller but potent raygun rifles. Later in the film, the earth forces battle invading flying saucers and a mother ship with X-15 styled fighter craft equipped with heat ray guns. The finale with the mother ship's ray gun destroying Toyko is done quite well.
For the time this film was made, the special effects are quite good. Considering my nickname is ray-gun 3, this is a ten star IMDb vote scale film in that department. I think the best scene in the film is on the moon where one of the crew stays behind with his ray rifle destroying flying saucers so the earth force can get away in their Speep spaceship. This scene is one of the best piece of special effects I have scene in this type of movie. A thought to remember is the film was made 17 to 18 years before "Star Wars". An outstanding accomplishment by Toho studios.
For the time this film was made, the special effects are quite good. Considering my nickname is ray-gun 3, this is a ten star IMDb vote scale film in that department. I think the best scene in the film is on the moon where one of the crew stays behind with his ray rifle destroying flying saucers so the earth force can get away in their Speep spaceship. This scene is one of the best piece of special effects I have scene in this type of movie. A thought to remember is the film was made 17 to 18 years before "Star Wars". An outstanding accomplishment by Toho studios.
I saw "Uchu daisenso" or as it was titled when I saw it, Battle in Outer Space" when I was a kid- a long time ago. Now of course the inevitable comparison to modern space operas will reduce the impact of this simple picture, but taken in the context in which I first viewed it, this was a really cool movie. For starters, it was in glorious color, a rarity in sci-fi in the late 50's I can tell you. I saw a lot of horror and sci-fi movies when I was kid and color was rare. And like most Japanese sci-fi imports of the time this was the whole world united against the invading alien hordes. Yeah a little like Independence Day but In "Uchu daisenso" the United Earth already existed. It didn't take an invasion from outer space to unite the planet. Good (relatively speaking!) effects, a noble if simple plot, combined with beautiful Eastmancolor and this was the perfect drive-in movie.
Did you know
- TriviaThis film was the first Japanese science fiction film which had the original Japanese cast and crew listed on the posters and other advertising material in the United States.
- GoofsThe funniest bits are the gravity antics. When the first scout ship turns off the thrusters and the crew all unfastens their safety belts, one of them flies up to the ceiling. He is so surprised, clearly no-one told this astronaut that there was no gravity in the spacecraft. They help him down and the chief tells him that there is no gravity in the ship. Then they all begin walking around completely normally.
- Alternate versionsThe final 16mm prints struck for U.S. television distribution had the final third of the film letterboxed for the widescreen Tohoscope format.
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: Battle in Outer Space (1966)
- SoundtracksBurlesque-style Rondo
Composed by Akira Ifukube
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Battle in Outer Space
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 30m(90 min)
- Sound mix
- Aspect ratio
- 2.35 : 1
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