Duel dans la boue

Lat Evans (Don Murray) is an ambitious lonesome cowboy who is figuring on hanging around for a while in Fort Brock, Montana… He is a good name back home… He is out to make it mean something here… He saves some money and wants to buy a ranch… So he went to the bank to see about making a loan… But Marshal Conrad (Albert Dekker) can't afford to back gamblers… For him, it's too much of a risk… He advises Lat to get himself some security—a piece of land, a deed, something to put up—then they'll talk about a loan…

But Callie (Lee Remick), the dance hall girl, who is doing it to keep him with her, gave him her savings—with the promise to pay it back— to buy the ranch he wants…

Meantime another girl appears, the pretty Joyce (Patricia Owens)… She's the niece of the banker… Tidy, educated, she has been to college and all that… Of course Lat owes his start to Callie but he got to finish by himself… What he wants is a starched wife and a starched home and a starched reputation and Callie is spoiling his chances of getting it…

Murray is fine as the man with a future… He doubts if he goes in there his political chances are finished…

Lee Remick hasn't cared for anybody in such a long time… She's honest enough to say she's not worth risking anything for…

Richard Egan is the man who breaks his word, double-crosses his friends and beats up his woman…

Filmed in CinemaScope and color, this big-scale Western is very entertaining with enough action around

These Thousand Hills casts Don Murray as a young cowboy who arrives in Montana broke but with an idea. Rather than have cattle feed on the open range in winter left to the elements, he wants to grow and store hay for winter feed. In order to do this he romances two women, banker's niece Patricia Owens and saloon girl Lee Remick. Murray's both a hard worker and a fast worker.

This film highlights a growing trend in the Fifties toward adult westerns. They wouldn't yet show it on television, but that Lee Remick is a prostitute is not left to any imagination. In fact even though Remick gave Murray the seed money for his ranch, Murray then objects to pal Stuart Whitman marrying one in Remick's friend Jean Willes.

And Murray's attentions to Remick among other things have made him a bad enemy in saloon owner Richard Egan. Basically you have all the ingredients of the story of These Thousand Hills.

The film really belongs to both Murray and Lee Remick who gives quite a portrayal of a battered woman, again most unusual for any picture in the Fifties let alone a western.

As entertainment the film still holds up well today, but I'd keep it from the littlest ones.

This well characterized Western from Pulitzer award winner A.B Guthrie monumental bestseller deals with an ambitious cowboy (Don Murray) will stop at nothing to achieve his aims , and paying a heavy price to get a wealthy ranch full of cattle . As he arrives in Montana , to get what he wishes , fame and fortune by creating a powerful ranch , including using the affections of two attractive girls . Helped by a rich banker (Albert Dekker) and an old friend (Stuart Whitman) , both of them antagonise a flashy rancher/gambler (Richard Egan) . Meanwhile , the stubborn cowboy falls for two beautiful damsels (Lee Remick and Patricia Owens).

A simple and excessively romantic Western drama with little action and not much shooting . It is more a loving drama than the typical Western . Don Murray gives a lively acting as an upright but extremely ambitious young who to get his objectives falls for two women , the prostitute Lee Remick and the niece of a wealthy banker , Patricia Owens. Murray grapples rather unsteadly with his role once it has progressed to become an US senator. A young and gorgeous Lee Remick is pretty good as a whore who attempts to take a honest way on her thunderous life . Richad Egan also takes advantage from a rare villain character , as he often plays good guys . Satisfying support cast plenty of prestigious secondaries such as : Stuart Whitman , Harold J Stone , Royal Dano , Robert Adler , Jean Willes , and the veteran Albert Dekker . Interesting and well structured screenplay by Alfred Hayes and Guthrie , based on a successful bestseller by A.B. Guthrie . It contains a colorful cinematography by Charles Clarke , including wonderful landscapes . And a sensitive and rousing musical score by Leigh Harline , adding marvelous songs performed by Ned Washington .

This modest drama/romance/Western picture was professionally and firmly directed by Richard Fleischer , though slowly filmed, as I miss more action and shots . Richard was a prolific craftsman who made a lot of films in all kinds of genres throughout a long career in which he was able to endow with a wealth of personal detail . As he directed adventures: Vikings , 20000 leagues under the sea , Red Sonja , Conan the destroyer , Mandingo , Ashanti , Doctor Dolittle , The prince and the pauper ; Thrillers: Mr Majestick , The Don is dead , The new Centurions , Million dollar mystery ; Historical : Barabbas ; Terror : Amityvile 3 the Demon ; Musical : The jazz singer ; Wartime : Tora tora tora ; Sci-Fi : Soilent Green ; Crime : 10 Rillington Place , The Boston strangler , Compulsion , See no evil ; Noir film : The narrow margin , The clay pigeon , Armored car robbery , Follow me quietly , Trapped . Rating : 6/10 acceptable and passable . Well worth watching .

This relatively early exercise in applied psychology by Richard Fleischer was based on a novel by A. B. Guthrie Jr in which rising young star Don Murray played an aspiring social climber with serious childhood issues who courts working girl Lee Remick before cruelly discarding her when she becomes a social embarrassment after initially making the innocent enquiry "Is she anybody's in particular?"

Murray initially naively assumes she's a nice girl since she dresses in green, but that dress has been paid for by Richard Egan, who shows what an utter heel he is by destroying a birthday cake among sundry other misdeeds.

I do agree with the other user's comments. While it was a treat to see the lush cinematography and beautiful landscape, two lovely redhead girls, and a behind-the-scenes look at a bygone era, this is one of those movies that leaves too much up in the air. You wonder whether Callie will be found not guilty at her trial, or whether the fistfight or Lat's seeing Callie will result in a hindrance to his professional or personal life. The film was OK as far as it went, but the filmed seemed to end halfway through.