Duel dans la boue

A TCF western means it's well produced on a bigger budget than most oaters. On the whole, it's a good movie, a little slow and talky, but then the story's a strong one. I like the way we follow Lat's (Murray) climb up the economic and social ladder. He's a 19th century entrepreneur, starting out with very little but with some good moneymaking ideas for becoming a rancher. Still, he needs start-up money, which he gets from dance hall girl Callie (Remick), who he romances.

With money in hand, he embarks on becoming a success, along with buddy Tom (Whitman). The trouble is that success causes him to lose some perspective, and he starts looking down his nose at Callie and Tom, and romancing society girl Joyce (Owens). Thus his challenge is not only in confronting bad guy Jehu (Egan), but in recognizing the moral debts he owes to those folks who helped him along the way. Thus, the story is more rewardingly complex than with most westerns.

Murray's boyish charm reminds me of a young Jimmy Stewart, and wisely the script doesn't require him to be the toughest guy in town. The movie also looks like an effort at promoting him into a studio star since he gets a lot of screen time on top of a strong supporting cast that ranges from a poignant Remick to the always commanding Dekker. There's also some of the most compelling scenery this side of the Happy Hunting Grounds (too bad IMDb doesn't credit the locations!). On the whole, it's a good western if you don't mind a lot of talk along with some good action, especially the dramatic lynching scene.

This well characterized Western from Pulitzer award winner A.B Guthrie monumental bestseller deals with an ambitious cowboy (Don Murray) will stop at nothing to achieve his aims , and paying a heavy price to get a wealthy ranch full of cattle . As he arrives in Montana , to get what he wishes , fame and fortune by creating a powerful ranch , including using the affections of two attractive girls . Helped by a rich banker (Albert Dekker) and an old friend (Stuart Whitman) , both of them antagonise a flashy rancher/gambler (Richard Egan) . Meanwhile , the stubborn cowboy falls for two beautiful damsels (Lee Remick and Patricia Owens).

A simple and excessively romantic Western drama with little action and not much shooting . It is more a loving drama than the typical Western . Don Murray gives a lively acting as an upright but extremely ambitious young who to get his objectives falls for two women , the prostitute Lee Remick and the niece of a wealthy banker , Patricia Owens. Murray grapples rather unsteadly with his role once it has progressed to become an US senator. A young and gorgeous Lee Remick is pretty good as a whore who attempts to take a honest way on her thunderous life . Richad Egan also takes advantage from a rare villain character , as he often plays good guys . Satisfying support cast plenty of prestigious secondaries such as : Stuart Whitman , Harold J Stone , Royal Dano , Robert Adler , Jean Willes , and the veteran Albert Dekker . Interesting and well structured screenplay by Alfred Hayes and Guthrie , based on a successful bestseller by A.B. Guthrie . It contains a colorful cinematography by Charles Clarke , including wonderful landscapes . And a sensitive and rousing musical score by Leigh Harline , adding marvelous songs performed by Ned Washington .

This modest drama/romance/Western picture was professionally and firmly directed by Richard Fleischer , though slowly filmed, as I miss more action and shots . Richard was a prolific craftsman who made a lot of films in all kinds of genres throughout a long career in which he was able to endow with a wealth of personal detail . As he directed adventures: Vikings , 20000 leagues under the sea , Red Sonja , Conan the destroyer , Mandingo , Ashanti , Doctor Dolittle , The prince and the pauper ; Thrillers: Mr Majestick , The Don is dead , The new Centurions , Million dollar mystery ; Historical : Barabbas ; Terror : Amityvile 3 the Demon ; Musical : The jazz singer ; Wartime : Tora tora tora ; Sci-Fi : Soilent Green ; Crime : 10 Rillington Place , The Boston strangler , Compulsion , See no evil ; Noir film : The narrow margin , The clay pigeon , Armored car robbery , Follow me quietly , Trapped . Rating : 6/10 acceptable and passable . Well worth watching .

These Thousand Hills casts Don Murray as a young cowboy who arrives in Montana broke but with an idea. Rather than have cattle feed on the open range in winter left to the elements, he wants to grow and store hay for winter feed. In order to do this he romances two women, banker's niece Patricia Owens and saloon girl Lee Remick. Murray's both a hard worker and a fast worker.

This film highlights a growing trend in the Fifties toward adult westerns. They wouldn't yet show it on television, but that Lee Remick is a prostitute is not left to any imagination. In fact even though Remick gave Murray the seed money for his ranch, Murray then objects to pal Stuart Whitman marrying one in Remick's friend Jean Willes.

And Murray's attentions to Remick among other things have made him a bad enemy in saloon owner Richard Egan. Basically you have all the ingredients of the story of These Thousand Hills.

The film really belongs to both Murray and Lee Remick who gives quite a portrayal of a battered woman, again most unusual for any picture in the Fifties let alone a western.

As entertainment the film still holds up well today, but I'd keep it from the littlest ones.

Terrific production values. Great cast. Lackluster script. Terrible soundtrack. Something missing. Too clean and tidy. Not realistic in a strange sense. A melodrama western? Not a bad film just not a really good one and certainly not as good as it should have been given the great cast. Lots and lots of clichés. Main character is not really likable. Many loose ends. Underdeveloped characters. Worth watching for Lee Remick and Patricia Owens.

I can't put my finger quite on the reason why this film falls flat. There just isn't any sizzle or scenes that grab you. Perhaps it is because the role of Latt (the main character) is not sympathetic. He seems to change from a decent guy to a heel almost overnight, forgetting about his true friends. Then he redeems himself instantly at the end. People don't change back and forth and back again like that.

These Thousand Hills is a melodrama dressed up as an epic Western in the tradition of The Sea Of Grass (see my review). A sprawling, handsome production with an engrossing story line, it incorporates many traditional western elements, including a cattle drive, a horse race, a nice girl-naughty girl rivalry, and a climactic showdown. Well-turned-out sets and authentic costumes compliment the scenic, on-location, wide-screen, color cinematography. These fetching production values are all wrapped around a rags-to-riches story emphasizing drama and character development rather than action. All about a dirt-poor young cowboy (Don Murray) determined "to make something of himself" no matter how much suffering he has to endure himself or how many friends he has to step on to get to the top.

This picture's best asset is the beautiful, vivacious, and talented Lee Remick, as the good-hearted saloon girl who gives Murray his start. Only third billed behind Murray and Richard Egan, she seems to be the real star of the show. It's a shame she couldn't have had a leading man of matching charisma and talent. Don Murray surely runs a good race with Richard Carlson as the blandest leading man of all time. His lack of virility must shoulder much of the blame for why this well-mounted Western ultimately lacks punch, along with the usually exciting Richard Fleischer's flabby direction, and a less than inspired adaptation of A. B. Guthrie's novel by screen writer Alfred Hayes. Fortunately the rest of the cast helps to make up for Murray's inadequacy. Egan, usually wooden in his more frequently seen heroic roles, is quite spicy here as a sneering villain. A fine cast of supporting actors, all familiar faces in the celluloid West, includes Albert Dekker, Harold J. Stone, and Royal Dano. Brawny Stuart Whitman has a major role as Murray's shady but loyal pal. It would have been a much better picture if he had had Murray's role.

As it was These Thousand Hills was not bad. It was fun to watch for the fine production values, the engaging if slow-moving story, and Lee Remick, who both looked good and acted well. Unfortunately it never lived up to the promise of the exciting bronco-busting and horse racing scenes in the opening reels. Solid, if uninspiring entertainment from an era when Holloywood was starting to forget how to make them like they used to anymore.