Cette terre qui est mienne

This is not available on video, as far as I can determine, and if it does eventually become available, be sure that the CinemaScope ratio is reproduced. Winton Hoch and Universal-International's master of the color cameras, Russell Metty, did some fine location work on this one, having been granted access to over a dozen properties in northern California's world-famed Wine Country. Their work made the use of Technicolor and CinemaScope more than worthwhile.

The story is a bit pulpy but it's not that badly spun out and, surrounding Mr. Hudson, U.-I.'s all-time box-office draw, there are some fine actors, including Dorothy McGuire, the always regal Claude Rains (playing an autocratic patriarch), and the lovely Jean Simmons, fresh from a number of above-the-title roles in Twentieth-Century Fox CinemaScope costumers. Hugo Friedhofer underscores the plot's halting progress with his usual taste and finesse. I'd forgotten he had written this score (I did see it first-run.) until a broadcast some time ago on American Movie Classics (failing, once more, to "letterbox" it. Wish I could sue them. One thing is for sure...I make a point to avoid purchasing anything offered by the advertisers who now clutter up their broadcasts ad nauseum.) Friedhofer's contribution lifts this film into the Class "A" category, something that cannot be said of many U.-I. releases during the Fifties.

When this film was about to be released a friend and I, up from southern California for a brief vacation in San Francisco, suddenly found ourselves in the midst of a stop on a press junket for this film. There, just a few feet away from where we stood, was Mr. Hudson towering over the diminutive Miss Simmons. I recall the patience they exhibited as they posed for numerous pictures, while answering reporters' questions. If there was any security around for the stars' protection, we weren't aware of it...a far cry from what we might observe in these paranoid times.

If the director and other participants had done as well as Rock Hudson to make a good story out of this, it would have been a real success. Had forgotten just how handsome and talented he was. Sure do miss special actors like Mr. Hudson. Saw this movie last night, 5/9/02, and enjoyed it. Even if it was mediocre, it was far better than the trash filmed today.

The patriarch of a winemaking dynasty in 1931 Napa Valley welcomes his pretty young granddaughter from England--she thinks she's there for a visit, but her grandfather is plotting to marry her off to a cousin in order to absorb vineyard holdings and keep the winery in the family for future generations. Meanwhile, another cousin has an eye for the girl, though he's in the middle of a devil's bargain between Chicago gangsters and bootleggers ("modern dealings") due to the current Prohibition, all behind the old man's back. Wooden adaptation of Alice Tisdale Hobart's novel "The Cup and the Sword" is an exposition-heavy soaper full of hotheads spouting off, and Rock Hudson explaining everything to Jean Simmons (and to the audience) to keep her up to speed on the cast of characters, their functions and relationships to each other. If this story were to work at all, Hobart's book should have been thrown out or rethought altogether. There are too many people here with different agendas, too much conniving and manipulation, and melodrama as thick as a wine vat full of rotting grapes. Casey Robinson is responsible for the pedantic screenplay, which isn't much better than director Henry King's execrable staging (check out that welcoming dinner for Simmons, with everyone at one long table facing a swimming pool). The film, which gets off to a poor start with an awful theme song composed by Jimmy Van Heusen and Sammy Cahn, has been produced with considerable polish, and it certainly benefits from Claude Rains' performance as grandfather Phillipe. Otherwise, overwrought and occasionally laughable. *1/2 from ****

Set during the last years of Prohibition, This Earth Is Mine tells the story of the Rambeau family of the Napa Valley, prominent wine makers who are having a rough go of it during those years. Family patriarch is Claude Rains who through arranged marriages has gained control of a good deal of the real estate in the valley.

Rains reminds me a whole lot of Melvyn Douglas in Hud, an honorable man, possibly too honorable. Even though Prohibition is killing his business, he's surviving on selling his grapes to make jelly and grape juice, he won't sell to bootleggers to make illegal wine. Not like he's got control over what happens to his grapes once they are sold, but Rains has an exaggerated and somewhat naive morality.

Those arranged marriages aren't always the happiest ones either. Kent Smith is married to daughter Dorothy McGuire an iron willed lady, but who was in love with Anna Lee the wife of a son of Rains and the two of them had a not so discreet affair that produced Rock Hudson. He's the black sheep of the family and his parentage is just not discussed in polite company.

But all that makes it OK for Hudson to get romantically interested in Jean Simmons the daughter of another son of Rains who is over in the United Kingdom. She's come to the USA to be the arranged bride of another landed wine family Francis Bethencourt who once considered the priesthood.

Hudson has no such scruples about who the grapes are sold to. He organizes some of the smaller growers to sell their crops to bootleggers and some of those who resist get the usual gangster treatment. All this threatens to tear the Rambeau family apart and that's without going into what's going on with Rock and Jean.

I compared Claude Rains to Melvyn Douglas in Hud and truth be told Rock Hudson's part was probably better suited to someone like Paul Newman. But I don't think either of them could have lifted this story above the soap opera level. This Earth Is Mine tries for an Edna Ferber epic like quality and misses.

But for those of you who like this sort of stuff you could have seen all this and more on the Eighties prime time TV soap opera Falcon Crest where they had a matriarch of a wine growing family, Jane Wyman, who weekly was involved in some machinations trying to control all the people around her.

This Earth Is Mine does boast some beautiful scenery of the Napa Valley and Henry King as director does do his best to breathe credibility into an unbelievable story.

The story of This Earth Is Mine is very interesting, and it marks a new topic not yet seen in films as of 1959: wine. While Sideways has brought a new love of wine to modern audiences, back in 1959, moviegoers didn't know their way around wineries. It must have been extremely exciting and educational to see the inside of real wineries: casks, caves, tasting rooms, etc. Filmed on location, this movie brought an up close view of Napa to the rest of the country. Beringer, Stags' Leap, Paul Masson, Beaulieu, Mayacamas, Inglenook, Schramsberg, and eight other Napa Valley wineries let Hollywood add authenticity to this movie.

Claude Rains plays the patriarch owner of a Napa vineyard. I love seeing Claude in such a meaty role nearly thirty years after The Invisible Man. When he talks about his love for the land and the history in the soil, it brings tears to his eyes (and to ours). His daughter Dorothy McGuire (with an excellent, completely believable performance) is devoted to his care and to working the land, especially because her childless marriage to Kent Smith is fraught with problems. Kent has an illegitimate son with the invalid Anna Lee: Rock Hudson. And when the long-lost granddaughter Jean Simmons moves to Napa, she might go against her better judgment and fall for the rebellious Rock.

Doesn't that sound interesting? And that's just the beginning. This is one gigantic soap opera with double-crosses, deceit, forbidden love, secrets, passion, and violence. Set during Prohibition, it's fascinating to see what a family winery handles their situation. I look at it as a story of loyalty, sometimes tested, broken, and kept. If you like sweeping sagas, you've got to check this one out. 1959 was a contentious year, and the Members of the Board here at Hot Toasty Rag reluctantly didn't include This Earth Is Mine with a Best Picture nomination. It really is a wonderful movie, though, and if there were less competition, it certainly would have been honored.