Le testament du Docteur Cordelier

When the lawyer Joly (Teddy Bilis) receives the testament of his friend and psychiatrist Dr. Cordelier (Jean-Louis Barrault), Joly realizes that he is giving all his fortune and assets to his unknown patient Opale. When Joly learns that Opale is an evil man, he believes his friend is being threatened or blackmailed by Opale. Soon Opale murders a man on the street and the psychiatrist Dr. Lucien Séverin (Michel Vitold), who has a beef with Dr. Cordelier due to his experiments. After a party at Dr. Cordelier's house, his butler Désiré (Jean Topart) summons Joly since Dr. Cordelier has locked himself in the laboratory and now he is screaming in pain. Joly and Dr. Cordelier's employees break in the laboratory and find Opale inside. He asks to everyone but Joly to leave the laboratory and gives a tape to the lawyer to learn what happened with Dr. Cordelier.

"Le testament du Docteur Cordelier" is a film by Jean Renoir that retells the same story of "Strange Case of Dr Jekyll and Mr Hyde" (1886), by Robert Louis Stevenson, but set in Paris in the 50's. Maybe in 1959 it was a good movie for television, but today is a predictable rip-off of the famous novel. My vote is six.

Title (Brazil): "O Testamento do Dr. Cordelier" ('The Testament of Dr. Cordelier")

GPeoples-2 Made a comment about the lead actor's "rudimentary's make-up". The fact is Barrualt used no make-up, or camera tricks in his transformation. Barrualt was one of the most respected mime artists ever to live, displaying his talents in "Les Enfants du Paradise", and this brilliant film. His transformation is absolutely brilliant, and quite shocking to watch. Jean Renoir was one of the best directors who ever lived, and the fact that he made this brilliant made for TV film so late in his career, 1959, is a testament to his talents as a director and storyteller.

If you can get a hold of this film I don't think you'll be disappointed.

I can see what everyone who enjoyed the movie sees in the film. There are quite a lot of good intentions in this one. Still the execution (I guess because it was made for TV) is not up to other Renoir movies. It also has dated quite badly. On the other hand, I watched the dubbed version, so I can only criticize the voices that were used, but I can also say that the body acting wasn't up to any good.

It's a shame that this didn't work for me, as it did for some people here, because I love quite a few Renoir movies and I was looking forward to this one. Yes there is a twist to the story, but I actually don't think it is that big a deal. Just because other movies who have adapted this, haven't gone that route (if you wanna know what this is based on, read the other reviews, many do write about it, I don't want to spoil it, in case you wanna watch the movie).

This is the only version of "Dr. Jekyll and Mr. Hyde" that enables the viewer to watch the story as if it were new. It's the only one in which the fantastic events proceed from commonplace surroundings: it's set contemporaneously and shot like a documentary program. It's also the only one in which the two characters are believably distinct: one would never guess that the fussy, ascetic Jekyll and the careless, garish Hyde could be the same man. It's the only version that makes clear Jekyll's hypocrisy, which was the point Stevenson was emphasizing and which I never understood before: what Jekyll's friend can't understand--the reason Jekyll blocks the investigation of Hyde's crimes--is not that the criminal has some hold over him, but that he himself is the criminal and is protecting his own good name. Barrault's make-up as Hyde is rudimentary compared to the elaborately gruesome make-ups of the other versions, but what he makes of the character is far more meaningful. This Hyde is comic until he turns violent; he's a cross between Chaplin's tramp, a juvenile delinquent of the 50's, and an aboriginal--figures that can all be seen as embodiments of anarchy. He does exactly as his impulses compel him. Jekyll does the same--but while his patients are anesthetized, so they won't know. This version of "Jekyll", without special effects or filmic style and in modern dress, is the only serious one. I think Stevenson would have respected it.

This is a rather unusual but successful take on the famous Dr. Jekyll and Mr. Hyde story, written by Robert Louis Stevenson, that was first published in 1886.

In this French take on the story the story and settings are changed to the more 'modern' France of the '50's. But don't worry, they didn't changed the main character much, only his name. As a matter of fact Opal is perhaps far more brutal and a bad guy than his predecessors from earlier Dr. Jekyll and Mr. Hyde movies.

The movie is more of a thriller and mystery movie than an horror. In that regard "Le Testament du Docteur Cordelier" already works as a surprising and effective movie. It provides the movie with some nice twists (especially obviously when you aren't yet familiar with the story of Jekyll & Hyde) and original moments. Yet the movie never truly manges to captivate the viewer with its story. It's too lacking in suspense for that.

Still "Le Testament du Docteur Cordelier" remains a far better than average movie. This is mainly due to its fine visual style which suits the movie well and the professional directing from acclaimed French movie-maker Jean Renoir.

Jean-Louis Barrault gives a fine performance as Dr. Cordelier/Opale, although he plays Opale a bit too much like a drunk. It doesn't however makes his performance any less powerful- or believable. Most of the other actors also give a fine performance, although however some of them are really below par.

Still all in all "Le Testament du Docteur Cordelier" remains a good and surprising enough movie to satisfy its viewers. Far from the best Dr. Jekyll and Mr. Hyde movie but a more than good and above all, original attempt, from Jean Renoir, nevertheless.

7/10

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