La Plus Grande Aventure de Tarzan

This is easily the best Tarzan movie ever made.

Four British villains raid a settlement to obtain explosives for use in a diamond mine. In doing so they kill two men, so Tarzan sets off on pursuit of them.

George Scott is a perfectly cast as the title character. Both handsome and masculine in equal amounts. Anthony Quayle is the main villain of the movie Slade and he is aided by a pre Bond Sean Connery as O'Bannion in one of his first decent roles.

The stock footage, which plagues so many Tarzan movies by sticking out like a sore thumb is evident here, but it's not as distracting. We get to see Cheetah, but it's only briefly and instead of Jane we get two very attractive women Sara Shane and Scilla Gabel.

The action scenes are well executed and over all it's a well directed movie.

Tarzan's Greatest Adventure is directed by John Guillermin who also co- adapts the screenplay with Berne Giler from a story written by Les Crutchfield. Based on characters created by Edgar Rice Burroughs it stars Gordon Scott, Anthony Quayle, Sara Shane, Al Mulock, Sean Connery, Niall MacGinnis and Scilla Gabel. Music is by Douglas Gamley and cinematography by Ted Scaife.

When a native village is robbed of explosives and a couple of men are killed, it soon becomes apparent that the gang was led by a man called Slade. The mere mention of this name is of great interest to jungle man Tarzan (Scott), who promptly sets off in pursuit to settle an old score...

You can't reason with an idiot!

There's no Jane and Cheetah is barely in it, but this Tarzan "adventure" is all the more better for it. With Sy Weintraub producing, he was determined to steer Tarzan in a new cinematic direction, with a bit more mud, blood and literacy, Tarzan became as much for the adults as it was for the kids.

Actually the title, whilst true in the pantheon of Tarzan movies, still conjures up images of a kiddie friendly Tarzan, a more fitting title would have been Tarzan's Grudge! What unfolds in the story is a vengeful pursuit by Tarzan of a gang of diamond hunting crims led by a scarface Anthony Quayle. He uses his jungle whiles and hunting skills to pick them off if the opportunities arise, all the while accompanied by the foxy Angie (Shane) who literally dropped out of the sky and into the life of the loin cloth wearing one. Tarzan talks and isn't indestructible, but we still know there is savagery in the man, while on the boat up river the gang are an assortment of scallywags beginning to implode; which makes for rather good entertainment.

Film is infused with all the formulaic perils of jungle dramas (and comedies actually) past and present, reference crocodiles, spider, snake, quicksand, booby traps et al, but here it is definitely more fun and thrilling than annoying and cornball. Yes there is still some cheapness, with back screen projections, interwoven animal film footage and you really don't think Scott would be wrestling with a real life crocodile do you? But there's an edge to the narrative and it's great to see. Also helps to have a decent cast of actors on patrol as well, with Quayle leading the way as a broody bastardo. While Scott, looking in great shape and not unlike Kerwin Matthews, seems to be relishing the chance to play a Tarzan with grit and gumption.

The rope swings and famous yell are still here, but this is a much better and badder Tarzan and hooray to that. 7.5/10

When producer Sy Weintraub took over the reins of the "Tarzan" franchise, in 1958, he set as his goal the dream of Edgar Rice Burroughs and countless fans of the Jungle Lord over the years; a return to the character as originally envisioned in Burroughs' novels. An intelligent, articulate 'defender of the jungle' gifted with nearly superhuman abilities, John Greystoke, aka Tarzan, had the savagery to survive in a primeval environment, but could also function comfortably in the world of men. MGM had thought the concept too far-fetched, and had turned Tarzan (as personified by Johnny Weissmuller) into a monosyllabic savage, only 'humanized' by the love of British society girl Jane Parker (Maureen O'Sullivan). When the formula proved successful, the Ape Man was 'locked' into the characterization, much to the chagrin of Burroughs, and when RKO took over the series, in 1943, no effort was made to change the formula. Weismuller eventually aged out of the role, but successor Lex Barker, despite credentials that would have made 'smartening' Tarzan logical (he was an Ivy Leaguer with a pedigree nearly as impressive as Greystoke), was forced to carry on the "Me, Tarzan" tradition through four more films.

When Barker became fed up with being stereotyped, and passed the Tarzan loincloth to ex-lifeguard Gordon Scott, in 1955, the powerfully-muscled Scott carried on the duties of role adequately, but the series had degenerated into low-budget formula pictures, only notable for an occasional future star in an early role (Vera Miles appeared in TARZAN'S HIDDEN JUNGLE, and would, in fact, marry Scott, after filming was completed).

After four mediocre Gordon Scott "Me, Tarzan" films, the time was ripe for change, and Weintraub was a man of vision, and terrific entrepreneurial skills. Not only would the actor speak full sentences in TARZAN'S GREATEST ADVENTURE, he'd be backed by a first-rate supporting cast, and the film would be the first "Tarzan" shot, in Technicolor, in Africa! With a large contingent of press on hand, the cast and crew arrived on location, and Gordon Scott proved himself the very personification of Tarzan, riding a zebra, wrestling a lion, and performing other tasks with grace and astonishing skill. It was an auspicious start to what would become a landmark "Tarzan" film.

The tale of a band of escaped British criminals killing innocents, and stealing dynamite for a robbery, the gang leader, Slade (Anthony Quayle) is a homicidal maniac that Tarzan had put in prison before, making the Ape Man's pursuit a 'personal' vendetta. Not even the presence of an alluring distraction (Sara Shane) would deter him on his quest, and the frequent close-ups of the scarred and cold-blooded Slade, and Tarzan, with a fixed, merciless grin across his face, give clear evidence of two predators, circling for a kill. As Tarzan whittles down the gang, the stage is set for a terrific, violent climactic fight that ranks as one of the best of the entire "Tarzan" series. When Tarzan beats his chest and gives the classic Ape yell at the conclusion of TARZAN'S GREATEST ADVENTURE, he's EARNED the right!

Featured in the cast is 29-year old Sean Connery, excellent as the brutal, but wise-cracking "O'Bannion", Slade's right-hand man, and he so impressed Weintraub and director John Guillermin that the pair actually asked him to become the next screen "Tarzan", after Gordon Scott's last contracted film, TARZAN THE MAGNIFICENT. Connery, thrilled, was prepared to accept the role, but a call back from another audition...to play a secret agent in an upcoming production called DR. NO, resulted in a contract, and he, regretfully, passed on Tarzan, and became James Bond, instead! Weintraub ended up replacing Gordon with his 41-year old TARZAN THE MAGNIFICENT co-star, Jock Mahoney, and the new, literate Tarzan would continue on into the sixties.

TARZAN'S GREATEST ADVENTURE may not be everyone's favorite Tarzan film, but in it's daring approach to both the character and the use of actual locations, it certainly deserves it's place as a classic of the series!

Scar-faced Anthony Quayle (as Slade) and his cut-throat crew are in Africa looking to get rich on diamonds, which doesn't sit well with loin-clothed lord of the jungle Gordon Scott (as Tarzan). Beautiful Sara Shane (as Angie) crashes the scene, gets rescues by Mr. Scott and chased by a lion. All of this sounds like the usual fare, but there is a rub. With new producer Sy Weintraub taking over, the "Tarzan" franchise decided to become more adult in orientation. In an early scene, Scott symbolically bids farewell to his adorable chimp "Cheta" before going on to face real danger...

Parents who sat with their kids for the "Tarzan" films must have been squirming in their seats as "Tarzan's Greatest Adventure" presented increasingly realistic scenes of violence. Drama teachers could be proud as Scott and his guest stars, including sexy while clothed Sean Connery (as O'Bannion), are given opportunities to do some real acting, too. The inserted animals are still a stock footage nuisance, and it's easy to over-praise this film in context, but keep watching as the exciting ending may be the series' best. Scott had good reason to give a "Tarzan" shout-out.

******* Tarzan's Greatest Adventure (7/8/59) John Guillermin ~ Gordon Scott, Anthony Quayle, Sara Shane, Sean Connery

This film I suggest, after many decades of Tarzanophilia, came nearer to capturing the ideal Tarzan than has any other such effort. In the MGM B/W version, geared for mental twelve-year-olds as they admittedly were, Johnny Weissmuller was saddled from the outset with a civilization-bred wife, then a child, short-word speech patterns, a lack of mental training and a great difficulty at freeing himself long enough to become involved in interesting adventures or important ones. In "Tarzan's Greatest Adventure", Sy Weintraub's color attempt to create a new and more Burroughsian Tarzan, as Edgar Rice Burroughs had envisioned the "ape man" in his intelligent fantasy series of novels caused him to introduce many changes. In this film Tarzan, played by attractive Gordon Scott, speaks English, has a thoughtful and trained mind, and is respected and deferred to by the local British officials because of his jungle lore and standing with everyone in the area. When a bandit gang invades the territory and murders several men in order to steal dynamite for use in a diamond stealing scheme, Tarzan believes he alone can prevent further murders such as they have just done and that only he can and must stop Slade, a ruthless escaped convict and psychopathic murderer, from becoming a great danger to everyone in his realm. This is not altruism on his part; he knows the man and knows Slade can never rest while Tarzan is alive, and vice versa. He goes after him, and ends up saddled with a spoiled and lovely pilot, with whom he shares a romance and the dangers of a truly great adventure. As Slade's criminal gang quarrel among themselves and try to stay ahead of Tarzan, whom they nearly manage to kill, he is saved by the pilot and finally overcomes and kills the last of them, Slade. Then the pilot has to go back to her world and Tarzan to his. In the very fine small cast the director, John Guillermin, got good performances from such stalwarts as Anthony Quayle, Sean Connery, Niall MacGinnis, Al Mulock and Scilla Gabel. The credit for the very expensive-looking production go to the director, as well as to cinematographer Edward Scaife and art director-production designer Michael Stringer. Music was supplied by Douglas Gamley. The film to me has a jungle look about it that borders on being rather stylish; such exciting scenes as the raid staged by Slade's men, the scenes on the boat by which he and his group proceed upriver, the plane crash that brings the pilot into Tarzan's life, her theft from the group of medicine to help him, and the deaths of the criminals one-by-one are very-well photographed and staged. This is a very good film, with its only drawback the apparently needless introduction into its villain, Slade, of a psychological preference for adventitious killing over even crimes committed for a simple purpose of theft. But overall, this was a very successful adventure, unusually-bright, attractive and well-presented. Connery is charismatic as an annoying type, Gabel very good in a thankless part, and Quayle and MacGinnis powerful as career criminals. Sara Shane was attractive, and as Tarzan, Gordon Scott proved to be a first-rate athlete and a serviceable leading man. A worthy and imaginative recasting of the Tarzan image on film.