Salomon et la reine de Saba

King Vidor, one of the most famous figures in movie history, the director of Tolstoy's classic on screen (WAR AND PEACE), was not known for making biblical epics. Nobody associates him with this genre that much as we do Cecil B DeMille or D.W.Griffith, for instance. Yet, his last film, SOLOMON AND SHEBA, has a straight reference to the Bible. Nevertheless, the movie can hardly be seen as a biblical epic due to one important factor, its content.

Solomon...what can we say about him from the Bible?...a famous third king of Israel (after Saul and David), a man known for exceptional wisdom, a builder of the splendid first temple of Jerusalem... there is indeed much about him in the Old Testament. But Sheba? All we know is that she, as a queen of a distant land (today's Yemen), paid a visit to Jerusalem in order to see the splendor of the city and of the entire kingdom as well as to admire the wisdom of its king. However, what we find in the movie deals primarily with Solomon-Sheba relations: first a conspiracy, evil intentions, then weakness, desire, treason, finally sacrificial love and mercy. And now we would have to ask ourselves "is it a historical movie or a fairy tale with some historically accurate background?"

I think that in order to understand the director's intentions, we have to look deeper at the cinema of that time and King Vidor himself. SOLOMON AND SHEBA with its title refers to a 1951 Henry King's movie, "David and Bathsheba." Making films at that time was much like this: the producers picked up some aspect from history or the Bible and created a movie out of this containing lavish costumes, great cast, campy spectacle but barely any historical accuracy - all for entertainment. And this is clearly noticeable in SOLOMON AND SHEBA. Besides, there is one more factor that helps get the idea of this film...the content of SOLOMON AND SHEBA was partly inspired by a long ago forgotten movie, one of the most gigantic spectacles of all time, still presumed lost, THE QUEEN OF SHEBA (1921) with Betty Blythe and Fritz Leiber. A love affair of the wise Israeli king and an exotic lustful queen was something particularly entertaining for 20th century viewers. Therefore, we cannot treat Vidor's film as a biblical epic, it's only INSPIRED by the Bible. However, while many people concentrate on the film's weak points: inaccuracy, unnatural battle scenes, etc, I rather feel compelled to focus on some of its strong points.

It is, indeed, a lavish spectacle. There are many scenes that reveal the spirit of grandeur. Here, it seems necessary to mention the two consecutive moments: Solomon enters the temple of luxury devoted to the only God (he says his famous prayer) and the next moment in the Land of Sheba where its queen is surrounded by the luxurious sets, a dedicated servant and a parrot. This contrast has its roots in one major factor Israel differed from other kingdoms and nations: the Israeli king was a servant of God while other rulers were masters of their own. That was the genius and righteousness of the Israel of that time! Another moment worth seeing is the Israel-Egypt battle and the shields shining in the sun. Quite an interesting idea...

The performances are worth consideration. Yul Brynner is different than in his other films (primarily due to hair on his head) but does a nice job as Solomon. He expresses the pride, power, wisdom but also desire that he is driven by. The best scene played by Yul in this movie is, I think, when Solomon is tempted to take part at Ragon celebration. Although virtuous Abishaq (Marisa Pavan) tries to discourage him from joining the orgy, he is not able to listen to her. Consider his face and the whole performance... masterpiece! Gina Lollobrigida plays well but she holds one disadvantage. Most people (particularly men) focus on her sex appeal forgetting that she has one primary task as an actress: to act and feel the role. The similar problem is, nowadays, with Monica Bellucci (also Italian). Men cannot be objective in the evaluation of her performance because the sex appeal steps in and makes them blind to possible shortcomings in acting. I liked Gina Lollobrigida in the role not only because of her beauty but also because of her good acting, sometimes exposed to difficulties! The moment Solomon is making love to Sheba in a cave at the pagan celebration dedicated to god Ragon is quite freely treated for the 1950s... The supporting cast also give memorable performances including George Sanders as Adonija and Harry Andrews as Baltor, the queen's second.

I also liked the whole atmosphere. Although there are historical inaccuracies in the reconstruction of Jerusalem, the film has a charm and historical mood. It is definitely not the perfect one but I could not evaluate this as a movie without any entertainment. If it weren't for the ridiculous ending (Sheba miraculously healed and speaking with God Jehova???), the film would be equal to such epics as DEMETRIUS AND THE GLADIATORS (1954), SAMSON AND DELILAH (1948) and THE CRUSADES (1935). It's not that great but, in its inaccuracy, it definitely cannot be compared to Bruce Beresford's movie (1985) since we do not expect the biblical story from SOLOMON AND SHEBA that much as we do from a movie entirely described as a biopic of king David.

Not a bad film and worth seeing particularly for epic movie fans. Moreover, it is one of the rare films that shows one down to earth fact: wisdom does not mean that desire is conquered... 6/10

I do like epics and I wanted to see it for Yul Brynner, George Sanders, the master of suavity, smarmy menace and charisma and the fact that apparently this was the film where Tyrone Power died on set. However, despite some obvious good things, Solomon and Sheba just didn't do anything for me, and I feel really apologetic for saying that because it was a film I genuinely wanted to like.

I will start with the good things. The film is exquisitely mounted, with photography that is ravishing, sets and scope that are well and truly lush and costumes that are beautifully tailored and elegant. The music also does a fine job with enhancing the mood, and the climax is great and the only scene of the film that I would call riveting. And there are two good performances, The King and I's Yul Brynner who is very charismatic and sexy, and I Pagliacci's Gina Lollobridgida, who is alluring and to say she is smoking hot is an understatement in itself.

Unfortunately I cannot say the same for the rest of the actors, whose performances range from just okay to lousy. Yes, this is including the normally good Sanders, this is a role he should have been perfect for but mainly because the character is written in such a clichéd and uninterested fashion, all he becomes is seemingly a sad caricature of his former self.

Solomon and Sheba feels much too long for me too especially in the battle sequences which are too long-winded for their own good. I wouldn't have minded this so much if the pace and script were any decent and the story at least interesting, but to me the film doesn't succeed in any of those areas. I am not going to go into the numerous inaccuracies there are in the story as I would be here all day, but that is the least of its problems. The story is just so dull and didn't engage me in any way, and this is further disadvantaged by really stodgy pacing, awkward direction and a horrendously stilted script.

In all honesty I wasn't taken with the belly dance scene either. It wasn't like Salome, which had Dance of the Seven Veils, which apart from Hayworth was that film's highlight, but not only was the dancing here rather unexciting but I felt it wasn't done with any passion and only had the sensuality of Lollobridgida going for it.

All in all, there are moments but they aren't enough to save Solomon and Sheba from leaving me cold. 5/10 Bethany Cox

Solomon and Sheba is directed by King Vidor and collectively written by Anthony Veiller, Paul Dudley, George Bruce and Crane Wilbur. It stars Yul Brynner, Gina Lollobrigida, Marisa Pavan, George Sanders, David Farrar, Harry Andrews, John Crawford and Laurence Naismith. Music is by Mario Nascimbene and cinematography by Fred A. Young.

A fictionalised screenplay cribs from parts of the Bible, where the story here follows the relationship between Solomon of Israel and the Queen of Sheba, a problem because initially Sheba is in league with Israel's enemy, Egypt. All that and Solomon has to deal with his nefarious brother, Adonijah, who is a little miffed that Solomon has inherited the crown of Israel.

Famously it was the production that saw the sad death of the leading man, Tyrone Power, while Vidor was so disillusioned about the whole film he quit making feature length films. It's a very mixed bag, very much showing the good and bad sides of the big historical epics that dominated Hollywood back in the day. In part it's a grandiose melodrama, in others it's cheap looking and given to campy histrionics (the orgy operatics sequences are just awful), while the screenplay jostles with itself as to being biblical blarney or potent pontifications.

Costuming and colour photography smooths the eyes, but then the optical nerves are shredded by set design so poor a child making paper mache boulders could have done better. The cast are also in and out, Brynner is fine as Solomon (broody, brainy but troubled), as is the lovely Lollobrigida as Sheba (stoic, smart and sexy), but the support slots barely convince. Sanders is badly miscast as Solomon's warrior brother Adonijah (he was 53 at the time), 10 years earlier in Samson and Delilah his villain turn worked, but not here.

Sword fighting choreography is poor, as are the miracle effects work, but conversely the big battle that crowns the story is smart in writing and in execution, where not even the model work can dim the thrill of it all. Released in the same year as "Ben-Hur" obviously does it no favours by comparison! But then so many other big swords and shields epics would also struggle as well. Vidor's movie is just above average in the genre pantheon, but the faults are irritable and hardly render it as a must see film for genre enthusiasts. 6/10

Yul Brynner and Gina Lollabridgida are "Solomon and Sheba" in this 1959 Biblical epic directed by King Vidor. Also starring are George Sanders, Marisa Pavan and Finlay Currie.

The main problem with "Solomon and Sheba" is that a) it's bad; and b) no one infuses any energy into it, understandably. When Tyrone Power died during the swordfight with George Sanders, the producers decided to cash in the insurance check and start over. A mistake. It's hard to imagine what these actors went through, standing in a freezing cold Madrid studio, watching the 44-year-old star, who had a pregnant wife, die suddenly, and having production shut down amidst tremendous publicity. On top of which, Brynner asked for rewrites, and believe me, they weren't for the better.

Lloyds of London stipulated, on payment of the insurance, that Power could not appear in any part of the film. Obviously the producers weren't about to shoot those battles scenes again, so Power IS in the longshots.

Tyrone Power was a co-producer of this movie, and it was part of his deal with Arthur Hornblower, who wanted him for Witness for the Prosecution and this. Power knew that audiences were used to seeing him in this type of film, and he had given up on Hollywood and committed himself to theater work. This was his one film a year where he could make big bucks and then spend the rest of his time doing plays.

One thing about Power that no one can ever take away from him - he could make the world's worst dialogue sound absolutely believable. Brynner, alas, though very dignified in this role, didn't have that gift. Power had to develop it fast working for Zanuck. I've seen some of the footage of Power in this role - he was much more energetic and intense than Brynner. Having done Shakespeare and recorded poetry, he had a real feel for this language as well. It's not Brynner's fault - I'm sure no one wanted to do the movie once Power died. Brynner couldn't have known how it would have felt to be in that atmosphere ahead of time.

There are spurts here and there - one of the battle scenes is very good, and Gina is gorgeous (Power referred to her as "Lolly" in his letters). She's just not really into it. The audiences who saw it in the theater undoubtedly weren't either.

Holy Cow! I watched "Solomon and Sheba" the other day on TCM, and I totally LOVED it! It is very Biblically inaccurate (there was NOTHING between Solomon and the queen of Sheba, just a conversation!), but a lot of fun!

Yul Brynner is one of my favorite actors to watch on screen; he is sexy, charismatic, over the top, and has that whacked out ambiguous accent. His ability to believably play just about any nationality and role is very evident in his role as the Hebrew king in this film; even though he seems a little out of place. I wonder why they chose him to replace Tyrone Power? Is it just me, or did he never smile in this or any other movie? Sexy!!!!!

Gina Lollobrigia is waaaaaaaaaay hot in this movie! As the erotically inclined, temptress queen, she heats up the screen and blows everyone else out of the water! She and Brynner look very good together, and their love scenes are some of the HOTTEST I've seen in a 50's movie (especially the incredible steamy one at the pagan orgy-WOW!)! Gina has Vulcan eyebrows! I've never seen her in anything else, but I hope I can! She's as va-va-voom as Sophia Loren!

Other than these two hot actors, everybody else in the movie SUCKS. George Sanders is like a dull imitation of a villain-yawn! I got bored with the overlong battle scenes, most of which had no Historical basis at all! Errrrrggh!

Overall, I give "Solomon and Sheba" an 8 out of 10, it should be a 6 but the sexiness and eroticism of the love story brings it up to an 8. If you like pointless epics with some sexuality thrown in, then I definitely recommend this movie to you. It is a great way to waste a boring afternoon alone!