L'Étoile du silence

I don't know if it was Technicolor, but this movie was in bright colors, literally very colorful. Interesting rocket design, rudimentary science, and multi-national, multi-ethnic, multi-gender characters and crew. Otherwise typical of late 50's early 60's sci-fi. The acting wasn't bad bad, just kind of bad. There was even the hint of romance or at least a relationship connection. The special effects were what you would expect from the time - - - definitely not big budget but adequate enough to convey a true sense of curiosity and sci-fi, provided and given that there was the proper suspension of belief. All in all, lovably cheesy.

An artifact from the planet Venus is found buried on Earth, and scientists learn that the object is the log of an alien spacecraft which crashed. After attempts to contact the Venusian civilization are unsuccessful, a multi-national (and multi-racial) flight to Earth's sister planet is launched.

When the expedition arrives on Venus they find a dead world whose civilization has been destroyed by some kind catastrophe. The story contains good ideas, but the plot seems to race along with no regard for dramatic timing or narrative clarity, undoubtedly because of the thirty minutes of footage which were removed from the American version. The obvious dubbing is a major distraction, and the sound effects are garish and unappealing. For some reason, there are very few shots of the rocket traveling through space during the voyage. Generally speaking, the special effects run hot and cold.

The spaceship itself, however, is a beauty (both the interior and exterior), rivaling the best rockets for the 1950s. The little robot is memorable and well designed (it looks like a miniature tank).

The exterior shots of the strange Venusian surface are imaginative, with superimposed wisps of vapor constantly drifting past. Listen for several segments of music borrowed from "Destination Moon" and "This Island Earth".

European history always fascinated me nearly as much as early science fiction. This film stood out to me one day when I decided to watch a film, but couldn't quite decide on which one to watch. I was pleasantly surprised by an interesting plot and very nice effects for such a film. This was a rare as well, as the film is dubbed in different languages, and Polish is not an easy language to dub. I would say this film is definitely worth a watch on a rainy day. I wouldn't call it a Classic, but I would say go for it.

Since this movie was covered fairly early on by the MST3000 crew (along with "Rocketship XM" and "King Dinosaur"), my initial perception of this movie was something on the lines of 'Ehhhh, pretty cheesy', although it was clearly one of the better films they covered. Undoubtedly I saw the chopped up 93 minute version, instead of the longer, more coherent original version mentioned by other reviewers.

However, I saw a standalone DVD edition on sale at a clearance store and picked it up for a couple of bucks on some obscure impulse, and one fine evening I gave it a spin.

You know...in spite of the dated message and foreign cultural references and the problematic dubbing and "Engrish" translations, "1st Spaceship To Venus" does have a certain quality about it that I've come to respect. There's a certain gravity and solemnity to the proceedings. There's a certain wildness and inventiveness to the art direction and the sound design. And while none of the actors here are going to win any awards (or even by remembered by American audiences), if you pay attention you will see humane, approachable performances (undercut by poor dubbing) that make the film much more watchable than glib junk like "Rocketship XM" or space flight oriented stuff out of the Roger Corman sausage factory.

When I first saw "1st Spaceship", I had the impression that it definitely had an East European vibe to it, and the only Slavic speculative fiction author I was familiar with was Stanislaw Lem (whose best known work is probably "Solaris", although my favorite piece is "Non Serviam"). Sure enough, this movie turns out to be based on a Lem piece from decades back. Lem's dispassionate, Kabbalistic voice and speech rhythms, and his gift for oddly moving plots and characters somehow survived the adaptation to film and the tiny budget and the "Engrish" translation, leaving a dignity and substance to the proceedings that many contemporary American sci fi flicks can't match.

No, this will never be anyone's first choice for a space opera shoot-em-up, but under the crappy dubbing and hacked-up editing, the sympathetic eye can see that there is some good work being done here. A good item to add to the collection of the sci fi completist and archivist.

Rarely a rating was so unfair.At my time of writing,the film only gets a poor 4,1.Something has to be done,it's all the more revolting as the users generally wrote favorable reviews.

"Der schweigende Stern" is an adult responsible movie closer to "forbidden planet" or "planet of the apes" than to "close encounters of the third kind".Its special effects might seem laughable to some ;if the first part has not worn well,as far as these effects are concerned,the second one and Venus landscapes retain a strange charm.

But the main thing is somewhere else.The movie was made in 1960,when WW2 was not far behind.Culpability hangs over the whole work.After all,it's a German movie ,and hints at Hiroshima and the building of the bomb abound.Like Charton Heston and his mate riding along the sea,the astronauts will meet their fate on "der schweigende Stern",Venus.