Pier 5, Havana

Well the revolutions did end in 1959 when castro took over Havana and it is sureal to see hollywood root for castro then batista in this melodrama. The film is very cliche and you get to see how cuba was like in this year because this was the last year cuba was free. I recognized some of the places in this film cause coincidentally I have been to cuba before. I recognized the nacional hotel. The plot of the film caught me off guard and thought that his soilder body was part of the bay of pigs invasion but no that wouldnt come till next year. This fillm is a skip unless ur into cuba and cuba-usa history. Viva cuba!!!!!

Cheesy melodrama set during the time after the fall of Battista in Cuba. While the film has a man shot in the airport for crimes that a never specified this film seems to be a starting point for Hollywood's fixation with tin pot Latin American dictators/despots. In this film the bad guys are the supporters of Battista and the law abiding guys are working for the Castro Government. The only thing missing is a rally for Che. Not a very good film the acting is surprisingly wooden. I had a lot of good memories of Cameron Mitchell but this film made me question my recollections. The film was obviously shot on sets and very little location work is done. The dialog is uninspiring, and unlike other films of this era this film is not much fun to watch.

I remember seeing this film way back in 1959 when it first came out in the theater. History was moving very fast back in this time in Cuba and within days this item was quickly withdrawn from circulation. Before 1959 was out you could never have made an American film with the Castro as the good guy and the Batista counterrevolutionaries as the bad guys.

Cameron Mitchell in the immediate days after the Castro revolution in Cuba comes to Havana to find his friend Logan Field who has gone missing. What he finds is Field's wife Allison Hayes now involved with Eduardo Noriega a rich plantation owner and singing at the nightclub in hotel owner Nestor Paiva's palatial resort hotel, once the playground of touring Americans as were many such places in Batista Havana.

Michael Granger the local Havana cop and Castro supporter is taking a real interest in the comings and goings of Mitchell. And before long Mitchell up to the neck in a counterrevolutionary assassination plot that the missing Mr. Field was involved in before.

Within days of this film's release public opinion changed radically about Fidel Castro and this film was buried. Not that it should have been unearthed for art's sake. This is sloppily put together with the villains making stupid moves that would have rivaled some of the movie Nazis of World War II vintage.

If Pier 5, Havana teaches us anything it is that with help like this no wonder Batista never regained power.

TCM aired this movie the other morning. For around 45 years,this film has not shown up an the TV or released on DVD or video. Filmed in Havana,Cuba in 1959,this film makes mention on how the United States helped Fidel Castro and his followers oust the Batista government and put Castro in power. As it turned out,that was a big mistake for the United States. Rumours circulated that the U.S. government purchased all the copies of this film and destroyed them. Well,not true. Turners classic movies has a copy. As for the film,their in nothing really interesting to see. Other than Cameron Mitchel,and lessor known actress,Allison Hayes,this film was filmed on a cheap budget.

This is one of three low-budget programmers made by Cameron Mitchell for director Edward L. Cahn and the same production company (all UA releases) in 1959-60, all of which are worth seeing. Living in Miami, small businessman Cameron Mitchell comes to post-revolution Havana to find an old friend who was going to come and work for him, but never arrived and seems to have vanished. Although Mitchell's character is not a detective, this plays a lot like a detective film, and director Cahn is a master at pacing, so despite the miniscule budget (Havana is evoked by a few small sets and a few California exteriors with Spanish-language signs on them!), the film plays like a good little paperback-original mystery novel--especially so since Mitchell provides voice-over narration here and there to speed things along and to mention things that would be too expensive to show on camera. As always, Mitchell treats the role with the greatest respect, digging into the character and turning what could have been a generic role into someone the viewer cares about and roots for. Michael Granger is also excellent as the honest, professional Cuban police investigator who stays on the case himself and keeps running into Mitchell along the way. The film also features legendary 50s leading lady Allison Hayes (Gunslinger, The Unearthly, Attack of the 50 ft. Woman)as a woman who once knew Mitchell and was married to the missing man. Although a low-budget programmer that is only 67 minutes long and was no doubt made in a few weeks, PIER 5, HAVANA provides good, honest, hard-boiled entertainment and plays like a good 1950s detective TV show. Director Edward L. Cahn was the best kind of journeyman director, a true pro who could take a talented cast, a few small sets, and a genre-based script, and turn it all into a solid, unpretentious feature film that still entertains and engages decades after it was made. If you come to this film with enough willing suspension of disbelief, it won't matter that the punches thrown in the fight scenes miss by at least eight inches--the sound effects are synched accurately so you THINK the punch must have landed, and the scene has moved on before you have time to analyze it. I'll take honest entertainment like this over CGI effects any day of the week. This film was probably made for less than the bottled water budget on the last Eddie Murphy film. Bravo to director Cahn and star Cameron Mitchell!