The fun starts when a group of A.T.S. girls are posted to a light ack-ack command post on a remote part of the English coast.The fun starts when a group of A.T.S. girls are posted to a light ack-ack command post on a remote part of the English coast.The fun starts when a group of A.T.S. girls are posted to a light ack-ack command post on a remote part of the English coast.
- Director
- Writers
- Stars
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
During WWII, women join an ack-ack battery in the countryside and cause discombobulation between the male soldiers.
Despite its decent cast, viewed today this is a very sexist comedy indeed that seems men are merely drooling idiots around women or assume that women are not fit to be in the army and merely a distraction. Add to that sadly the film contains very few laughs.
Despite its decent cast, viewed today this is a very sexist comedy indeed that seems men are merely drooling idiots around women or assume that women are not fit to be in the army and merely a distraction. Add to that sadly the film contains very few laughs.
As a massive fan of 50s & 60s British films, I love this one. Clearly directed by a man & stereotypical but, hey, it was 1959.
A simple humorous easy-to-watch film. In colour too !
The title of this review should clearly state my overall opinion of this film.
Within the first 5 minutes: the inaccuracies, blatant sexual bias and pure lack of respect for the women who served in the armed forces during WW2 was astounding.
As the male population decreased through injury or death - a new shield had to come to the fore.
Women worked in factories - clothes factories, weapons factories and munitions factories, raised much need funds, worked as farm hands for little or no pay, as labourers and fore(men) on road and rail projects, as nurses, as doctors and a whole myriad of other positions - formerly the sole purview of men - with all the inherent dangers but with so much less recognition.
Factories of any kind were targets for bombing - as were rail yards and most transport infrastructure. Munitions factories were not only a target - but the handling of highly volatile and unstable explosives could and did lead to catastrophic accidents.
This portrayal of women as mere 'decoration' is little short of a slap to the face, to those women who served this country in its time of deepest need - despite its last 5 minute "we're all together in this" ending.
Many would say that I'm over-reacting and that this film is "of it's time" - a puerile phrase that means nothing - but consider this... my mother has been deaf from age 16, the result of an explosion in the munitions factory she worked in and which also killed both her sisters.
Within the first 5 minutes: the inaccuracies, blatant sexual bias and pure lack of respect for the women who served in the armed forces during WW2 was astounding.
As the male population decreased through injury or death - a new shield had to come to the fore.
Women worked in factories - clothes factories, weapons factories and munitions factories, raised much need funds, worked as farm hands for little or no pay, as labourers and fore(men) on road and rail projects, as nurses, as doctors and a whole myriad of other positions - formerly the sole purview of men - with all the inherent dangers but with so much less recognition.
Factories of any kind were targets for bombing - as were rail yards and most transport infrastructure. Munitions factories were not only a target - but the handling of highly volatile and unstable explosives could and did lead to catastrophic accidents.
This portrayal of women as mere 'decoration' is little short of a slap to the face, to those women who served this country in its time of deepest need - despite its last 5 minute "we're all together in this" ending.
Many would say that I'm over-reacting and that this film is "of it's time" - a puerile phrase that means nothing - but consider this... my mother has been deaf from age 16, the result of an explosion in the munitions factory she worked in and which also killed both her sisters.
From the starting credits of images of women in their underwear I knew this wasn't going to be a homage to the girls who served in WW2. Nearly all the women were shown to be sex crazed man eaters who stopped to apply lipstick when the base was being attacked rather than manning their posts. It is dated and full of cliché after cliché. Give it a miss.
The soundtrack blares out 'Girls in Arms' and you suspect this was the original title of the film, from the same people who'd made the nautical farce GIRLS AT SEA shortly before. Certainly 'Operation Bull' is only an incident toward the end of the picture.
Naunton Wayne is the exasperated Major Pym, in charge of a World War Two anti-aircraft unit with women in the majority. They can get little right, with some competing for the affections of ladies' man Lieutenant Brown - Donald Sinden in the days before he acquired that extraordinary accent. When his wife Betty - the adorable Barbara Murray - is somehow posted to the unit, mistaken identities, misunderstandings and compromising situations are the inevitable result.
This is a likable mixture of farce and time-honoured comical army routines. Dora Bryan loses her skirt on parade, while Peter Jones is a weapons enthusiast with an unintelligible Stanley Unwin-type patter. Some years later, Jones also featured in the crude and mirthless CARRY ON ENGLAND, which had a similar theme and identical ending. Best moments though are the scenes between Brown and Betty, their relationship complicated by man-hungry Carole Lesley.
Naunton Wayne is the exasperated Major Pym, in charge of a World War Two anti-aircraft unit with women in the majority. They can get little right, with some competing for the affections of ladies' man Lieutenant Brown - Donald Sinden in the days before he acquired that extraordinary accent. When his wife Betty - the adorable Barbara Murray - is somehow posted to the unit, mistaken identities, misunderstandings and compromising situations are the inevitable result.
This is a likable mixture of farce and time-honoured comical army routines. Dora Bryan loses her skirt on parade, while Peter Jones is a weapons enthusiast with an unintelligible Stanley Unwin-type patter. Some years later, Jones also featured in the crude and mirthless CARRY ON ENGLAND, which had a similar theme and identical ending. Best moments though are the scenes between Brown and Betty, their relationship complicated by man-hungry Carole Lesley.
Did you know
- TriviaJulie Alexander's debut.
- GoofsThe outside of the carriages suggests that they belong to the LNER (London & North Eastern Railway); the interiors have LMS (London, Midland & Scottish) antimacassars (head rest covers).
- ConnectionsFeatured in Talkies: Remembering Dora Bryan/Our Dora (2019)
- SoundtracksGirls in Arms
Music by Laurie Johnson
Lyrics by Frank Godwin
Sung by The Polka Dots
Played by The Band of H.M. Coldstream Guards (as Band of the Coldstream Guards)
- How long is Operation Bullshine?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Immer Ärger mit den Ladies
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 24m(84 min)
Contribute to this page
Suggest an edit or add missing content