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IMDbPro

La Condition de l'homme 2 - Le Chemin de l'éternité

Original title: Ningen no jôken
  • 1959
  • Not Rated
  • 3h 1m
IMDb RATING
8.5/10
8.4K
YOUR RATING
La Condition de l'homme 2 - Le Chemin de l'éternité (1959)
EpicHistorical EpicWar EpicDramaHistoryWar

As a conscript in war-time Japan's military, a pacifist struggles to maintain his determination to keep his ideals.As a conscript in war-time Japan's military, a pacifist struggles to maintain his determination to keep his ideals.As a conscript in war-time Japan's military, a pacifist struggles to maintain his determination to keep his ideals.

  • Director
    • Masaki Kobayashi
  • Writers
    • Zenzô Matsuyama
    • Masaki Kobayashi
    • Jumpei Gomikawa
  • Stars
    • Tatsuya Nakadai
    • Michiyo Aratama
    • Kokinji Katsura
  • See production info at IMDbPro
  • IMDb RATING
    8.5/10
    8.4K
    YOUR RATING
    • Director
      • Masaki Kobayashi
    • Writers
      • Zenzô Matsuyama
      • Masaki Kobayashi
      • Jumpei Gomikawa
    • Stars
      • Tatsuya Nakadai
      • Michiyo Aratama
      • Kokinji Katsura
    • 27User reviews
    • 31Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 3 wins total

    Photos72

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    Top cast57

    Edit
    Tatsuya Nakadai
    Tatsuya Nakadai
    • Kaji
    Michiyo Aratama
    Michiyo Aratama
    • Michiko
    Kokinji Katsura
    • Sasa Nitôhei
    Jun Tatara
    • Hino Jun'i
    Michirô Minami
    Michirô Minami
    • Yoshida Jôtôhei
    Kei Satô
    Kei Satô
    • Shinjô Ittôhei
    Kunie Tanaka
    Kunie Tanaka
    • Obara Nitôhei
    Ryôhei Uchida
    Ryôhei Uchida
    • Hashitani Gunsô
    Kan Yanagiya
    • Tanoue Nitôhei
    Kenjirô Uemura
    Kenjirô Uemura
    • Bannai Jôtôhei
    Kaneko Iwasaki
    Kaneko Iwasaki
    • Tokunaga Kangofu
    Mayumi Kurata
    • Obara's Wife
    Taketoshi Naitô
    Taketoshi Naitô
    • Tange Ittôhei
    Hideo Kidokoro
    • Kudô Taii
    Yoshiaki Aoki
    • Soga Gunsô
    Rô Ose
    • Kubo Nitôhei
    Tamotsu Tamura
    • Eiseiheichô
    Ryoji Ito
    • Mizukami Heichô
    • (as Ryôji Itô)
    • Director
      • Masaki Kobayashi
    • Writers
      • Zenzô Matsuyama
      • Masaki Kobayashi
      • Jumpei Gomikawa
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews27

    8.58.3K
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    Featured reviews

    8steiner-sam

    The cinematography is striking in black and white

    This is the second of a three-part movie (9.5 hours in total) covering one man's experience during World War II. This part takes place in 1943 in a military training unit, and later in 1945 in Manchuria, after the Soviet Union invaded Manchuria in August 1945. Part II is three hours in length.

    Kaji (Tatsuya Nakadai) has now been drafted in 1943 into the Japanese military. He resists veterans' harsh treatment of new recruits even though he personally excels at physical fitness and target practice. He is deeply shaken by the suicide of a recruit named Obara (Kunie Tanaka) after brutal treatment. He is allowed one brief visit with his wife, Michiko (Michiyo Aratama). Later, in early 1945, Kaji, now a private first class, becomes a trainer of new recruits, including older men in their 40s. He is still harassed and sometimes beaten by five-year veterans because he refuses to treat his men harshly and continues to believe the war is based on false values.

    In August 1945, Kaji and his platoon are sent to dig trenches to anticipate the Soviet attack on Manchuria. There is much despair as the men know that Okinawa has been lost. There is an extended battle scene where Kaji's rifle company in foxholes tries to fight 15 Soviet tanks and support troops.

    There is much violence in Part II, but it is not graphic. The cinematography remains striking in black and white. Kaji several times states his opposition to the Japanese war machine. He is willing to fight to protect his men and himself, though he looks appalled the first time he kills a Soviet soldier. He also considers himself a murderer when forced to kill a comrade who has gone mad.

    This is the 18th in my list of movies in which pacifists are primary characters. In Part II, Kaji is not strictly a pacifist, though he remains very anti-military.
    10Hitchcoc

    A Tragic Hero

    The Greeks used the theme of purification through suffering. It is, I believe, the central them of The Iliad. Kaji is a classic hero. He is a man of stuff that few are. In the first, he is nearly destroyed by his own ethical being. Seen as an enemy sympathizer (mainly the Chinese) he ignores the platitudes of war and sees it as something humanity doesn't need. Of course, mankind only knows war and makes heroes out of warriors (even if they must die) and glorifies the whole idea of war. In the second part of the trilogy, Kaji has been drafted and is seen as trouble and watched. He is put in charge of a group of mature soldiers (Japan is losing the war and calling middle aged men to fight). He tries to get his superiors to treat recruits with kindness. This really rubs the other soldiers the wrong way and he continues to be a liability to them.

    In the latter part of the film, he and his men go into battle. Unfortunately, with the Japanese on the skids, they are attacked by a Russian tank battalion. They are sitting ducks. Kaji continues to exhibit his heroism, even though many of the men have lost their discipline. Yet instead of seeing himself as a hero, he continues to see the evils of war.
    8M0n0_bogdan

    The hero we all need

    Kaji continues his path to righteousness, his path to herodom, his path to killing evil with kindness and companion for his fellow man. He will always be the guy who shows the other cheek and will take it for his fellow man.

    The thing that is so effective from what Kaji does is that he puts up a mirror to what evil is made by his fellow man towards his other fellow man. The first fellow man doesn't like that. The first fellow man doesn't understand where Kajis kindness comes from. Why is he so different?

    But it's easy to be Kaji. Just be a human being and act the way you want to be treated by others. That's why Kaji makes an impact. Because he does all this while one of the most horrific periods of human existance was underway.
    6SpaaceMonkee

    A Letdown from Installment One

    This second entry is subtitled "Road to Eternity," which is apt. Although thirty minutes shorter than the first Human Condition film, this second movie felt much longer and overall less engaging. The entire first half (Part 3 of the series, with each film having two parts) could have been condensed substantially and merged with Part 4. Throughout Part 3, we watch Kaji, our idealistic protagonist, as he deals with the violence and pettiness of military life. Except, he's not fighting the enemy; he's fighting the oppression of the more senior soldiers, who seem to delight in humiliating and physically beating the recruits. We see this over and over again. Although we watch Kaji attempt to live up to his humanistic ideals, the repetitiveness of Part 3 lacks much of the punch of the first movie and instead feels more like watching ninety minutes of hazing.

    With Part 4, the movie slowly veers back to the qualities that made Human Condition I so engaging. Sent into the field, Kaji and his men prepare fortifications, receive news of Japan's defeat at Okinawa, and feel the war finally coming to them. Kaji, the pacifist, finds himself leading the riflemen in combat and vowing to stay alive and make it home to his wife, even as the distance between his ideals and his actions seems to grow.

    It is these situational conflicts between Kaji's personal beliefs and the circumstances at hand that Human Condition I exploited so effectively, and the latter half of Human Condition II returns to form. It is a shame it takes the movie so very long to get there.
    10claudio_carvalho

    First Sequel of an Anti-War Masterpiece

    Kaji is sent to the Japanese army labeled of Red and is mistreated by the vets. Along his assignment, Kaji witnesses cruelties in the army; he revolts against the abusive treatment spent to the recruit Obara that commits suicide; he also sees his friend Shinjô Ittôhei defecting to the Russian border; and he ends in the front to fight a lost battle against the Soviet tanks division.

    "The Human Condition – Parts III & IV" is the first sequel of the anti- war masterpiece by Masaki Kobayashi. The story is impressively realistic and magnificently shot with top-notch camera work, giving the sensation of a documentary. But maybe the most impressive is to see the treatment of the Japanese military with their soldiers. If they treated their own compatriots with such brutality, imagine how the enemies would be treated? My vote is ten.

    Title (Brazil): Not Available

    Storyline

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    Did you know

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    • Trivia
      This film is part of the Criterion Collection, spine #480.
    • Goofs
      The tanks used in the battle scene with the Russian army are easily recognizable as U.S. Sherman tanks, in spite of the heavy camouflage applied to them.
    • Quotes

      Kaji: You seem to love ultimate victory even more than food. Personally, I love my wife more than ultimate victory. You may consider that unmanly. But when fighting starts, I'll be the only one you can count on.

    • Connections
      Followed by La Condition de l'homme 3 - La Prière du soldat (1961)

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    FAQ14

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    Details

    Edit
    • Release date
      • November 20, 1959 (Japan)
    • Country of origin
      • Japan
    • Languages
      • Japanese
      • Mandarin
      • Russian
    • Also known as
      • The Human Condition II: Road to Eternity
    • Filming locations
      • Hokkaido, Japan
    • Production companies
      • Toho
      • Bungei Production Ninjin Club
      • Shochiku
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 3h 1m(181 min)
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 2.35 : 1

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