Nebo zovyot

I have just posted a synopsis for this film and noted the major differences between the original Soviet production and the American release.

Although reported to be over 2 hours long my fully subtitled version is only 67 minutes.

I suspect that the a lot of the Soviet propaganda supposed to be in the film was removed before the subtitled version came out.

If anyone wants more details of the differences between the two films don't hesitate to contact me.

Also if anyone has a longer subtitled version of the original film I would also love to know how to source it

In anticipation of Megalopolis (2024) coming out next month, it's time for me to finally binge through the filmography of legendary filmmaker Francis Ford Coppola and that begins with his first movie, Battle Beyond the Sun (1959) and it was certainly interesting.

Positives for Battle Beyond the Sun (1959): It was interesting to watch a movie made by both Francis Ford Coppola and Roger Corman. The movie's premise is very simple in both concept and execution. The effects with rockets and shuttles for the most part are decent enough in this movie.

Negatives for Battle Beyond the Sun (1959): The movie is very low budget and it definitely feels like something that Roger Corman would make. The camera quality is very granny. And finally, there were times to where I lost interest in watching the movie.

Overall, Battle Beyond the Sun (1959) is a interesting start to the legendary career of Francia Ford Coppola.

Like most soviet films of the period (and I watched the original version), in has no action whatsoever. The plot is stilted as statues at the People's Economy Achievements Exhibition in Moscow, and the story drags its feet to no end. It is a typical tableau vivant aimed at kicking imperialist America one more time, and at showing Russians (but mostly Ukrainians, as the film was done at the infamous Dovzhenko Studios, legendary for its spectacularly bad productions) at their best and foremost.

However, this propaganda poster about how Soviets and Americans tried to prove to each other whose penis extender—pardon me, phallic symbol—is better, racing each other to Mars, of all places, is nicely illustrated with analog FX. The music is abominable, and is in place only in the scene of "space madness" of the one "bad American" they let out into space. The dialogue is absurdist and as ridiculous as the gadgetry shown. More than anything else, it reminds me of the old Chapayev joke: —Pet'ka, the apparatus. —Six, Vasily Ivanovich. —Six what? —Apparatus what? In some sense, it's just as silly as Gravity. Look how much time passed, and what has changed?

Nevertheless, content-wise, the film's narrow-minded positivism and typical soviet jingoism is set off by one truly Pynchonian twist, and you can appreciate it if you read Gravity's Rainbow. The film has its own Gottfried, and there is the Gottfried glorious moment there. A-and Gottfried's name in the film is Grigory.

1997: after a catastrophic atomic war, the Earth has divided into two rival nations, the North Hemis and the South Hemis, both sides locked in a battle to be the first to land on Mars.

Battle Beyond the Sun started life as a state-sponsored Russian sci-fi movie called Nebo Zovyat— a breath-taking, prophetic vision of the Soviet Union's journey into space; in the disrespectful hands of opportunistic producer Roger Corman and a young and eager-to-please Francis Ford Coppola, what was once awe-inspiring becomes laughable, the pair badly dubbing and drastically re-editing the original two hour epic to a mere 64-minutes of clumsy space melodrama (albeit it with impressive effects), 'enhanced' by silly inserts of space monsters that look suspiciously like genitalia.

It's dull going as the two nations race to the 'Red Planet' only to fail with the finishing line in sight, and the feel-good moral of the tale—that rival nations must co-operate if they want to achieve truly great things—does little to compensate for the sheer shoddiness of the whole cut-and-paste approach and the frustrating fact that the wonders of Mars remain unseen.

I'm giving this movie a 5/5 because it's impossible to judge as it exists today.

NEBO ZOYOT is the proper name for a pioneering 1959 movie made in the Soviet Union as an official state-sponsored arts project under the direction of Mikhail Karzhukov & Aleksandr Kozyr. By all accounts it was a breathtaking, visually intimidating project dominated by special effects work the likes of which had not been seen before. Roughly telling the story of a Russian space crew sent to find out the fate of an earlier mission to intercept an alien probe on collision with earth, the movie combined DR. STRANGELOVE anticipating interior sets, functional looking science fiction props & space wear, and miniature model effects that make the George Pal & Captain Video oriented Americanized science fiction of the day look like laughable kitsch. Even the trend-setting science fiction work of Italian director Antonio Margheriti looks klunky and flimsy alongside of what is left of the movie.

There are reports of the original film running over 2 hours, a grand celebration of the forward thinking ideals of Soviet Russia where technology, human ingenuity, and tightly controlled communist propaganda promised a brave new world. Fortunately or not, Roger Corman anticipated the fall of the Eastern Bloc, managed to catch a screening of the film, and was talented enough to realize that nothing of it's like had ever been seen in the west before. Corman wasn't necessarily a "good" filmmaker but he had an eye for talent and bought the North American distribution rights for the film, determined to wow audiences with a science fiction spectacle the likes had never been seen.

Bringing in a young director/editor of promise named Francis Coppola, Corman oversaw a "redefinition" of NEBO ZOVYOT into a standardized American-ish Sci Fi potboiler about an astronaut crew sent into space to do battle with various space monsters. Corman had Coppola jettison half of the film's somewhat ponderous setup depicting the preparation & departure of the alien probe from it's home world -- one of the most visually striking sequences ever filmed -- opting instead for "new" inserted footage depicting the space monsters doing battle on the hull of our heroic space ship.

Sigh ... the result is more than a bit of a mess that manages to water down the impact of the original material, complete with an illogical story arc that is mostly explained in voice-over narration & awkwardly dubbed English dialog concocted from whole cloth and edited in to fit the on screen action (more or less). The monsters are absurd: One looks like a giant disembodied vulva bedecked with a row of razor sharp teeth, and the looped footage of space suit wearing astronauts standing around -- apparently under the influence of 1g gravity -- does little but elicit snickers of laughter from viewers who get enough pure oxygen every day. Somehow he made this movie look stupid.

Yet there are segments where the original Russian made vision shines through: The opening launch sequences have a kind of majesty to them that Gerry Anderson would never be able to quite achieve with his THUNDERBIRDS creations, the interiors of the space ships all look spot on real enough for Mercury program era technology, and the Russian segments of the film have a texture to them that is mesmerizing ... And make the inserted Coppola-made footage seem all the more absurd. Today it seems hard to understand why Mr. Corman would have advocated trying to fix what ain't broke in such a hamfisted manner, but that's 1962 for you, and fortunately the visual power of the surviving Russian segments worked to cement the film with a fervent cult following that allowed even some of it to survive for forty-five years.

Hopefully with a 50th anniversary of the original film soon coming a restoration effort can be made to show the film with only it's original Russian segments & appropriate language subtitles, like has recently been done with FIRST SPACESHIP ON VENUS and Pavel Klushantsev's PLANETA BUR, both of which have turned up on excellent DVDs that show the movies without Mr. Corman's interference. Retromedia shows the film under it's Americanized title BATTLE BEYOND THE SUN on a double movie DVD with the Italian space operetta STAR PILOT, and while contemporary audiences may not "get" the funky 60s approach to science fiction I cannot recommend it highly enough.

5/10