Sois toujours diplomate

Another comedy about a plucky little country struggling through the jungle of the modern (for the forties) global world with only native wit and pluck to guide them, this is a fine entry in the Ealing cannon. Terry-Thomas sparkles as usual in the lead, as a feckless ministry man led to the brink of disaster when a nation he is supposedly in charge of starts attracting the interest of the world, Ian Bannen makes a great romantic lead, Peter Sellers puts in one of his quieter performances as a corrupt politico and the uber-suave John Le Mesurier plays against type as a rugged revolutionary leader. Lots of fun is had by all, especially the viewer; perhaps not in the very top echelon of Ealing classics, but pretty high up.

A flat and rather unfunny British comedy, it is nevertheless revived to a certain degree by nice locations and an interesting, though hardly brilliant, performance from Peter Sellers. I am not sure if Terry-Thomas and Thorley Walters were supposed to look so alike, but either way their similarity in appearance does not help the film, since they are both playing such similar characters that it is easy to forget who is who. The film does have the odd amusing moment or two, and overall it is quite okay stuff to watch, but it is rather far off the par of typical 1950s and 1960s British comedy - and not in a positive direction.

"Man in a Cocked Hat" is a British comedy satire that just doesn't have that many laughs. The DVD I watched is from a Peter Sellers collection that had this film under its original British title, "Carlton Browne of the F. O." Frankly, that title makes a lot more sense.

Others have weighed in on this film, and I agree with the majority that the film is pretty flat - which means, not very funny. With this cast, there was potential for great laughter. The plot is okay, even a very good one. But it seems to me that so much was put into the ridiculous "power" of the fictional island nation of Gaillardia and not enough into crispy, witty dialog among the characters of the British Foreign Office. So, the silly antics on Gaillardia just don't get the laughs, and the great comedic cast of Terry-Thomas, Peter Sellers, Raymond Huntley, John Le Mesurier and Miles Malleson is mostly wasted.

This probably isn't a film that many people would stay awake through or watch much beyond the first 15 minutes or so.

The Island of Gaillardia was discovered in 1720 when an English vessel with a cargo of oranges ran into it in the dark. As a result, Great Britain gained a colony, the captain lost his ticket and the inhabitants lived on marmalade for months. Great Britain little knew what she was taking on. With two branches of the Royal family at daggers drawn, war between North and South had long been a national pastime and neither side took kindly to outside interference. After 200 years, Great Britain threw in the sponge and granted the islanders self governance. Sadly no one told her representative and in 1959 he was still at his post when the present king was killed, his son brought in and both the UK and the USSR looking to gain favour. From the UK, Carlton-Browne is sent to negotiate.

With a big cast of reliable British names in the leads I was keen to see this film. However it failed to really impress me at any point for any sustained period. The plot had potential and is only really let down by the prolonged courtship/romantic scenes that producers feel obliged to include in many comedies of the period. Sadly this reasonably well designed plot has two other major flaws. Firstly it becomes a little too complex for such a lightweight affair as this – political motives and hidden agendas are all brought in which, while not complicated, certainly clutter the film. Secondly it is simply not very funny or even amusing.

Near the start and throughout the film has quite a few good jokes at the expense of the British system, the opening credits (partly quoted in my first paragraph) make a dig at the Foreign Office and there is a good running joke about the Ministry of Works Council constantly digging holes around the Island. This is not enough and the rest of the film is just about passable as it lacks any clear humour and any potential whimsy is choked by the messy plot.

It is a shame because by and large the film had a very talented cast at it's disposal. Thomas is good in the lead but seemed quite understated (but still a good lead). Sellers has a few good scenes but is largely underused and a bit of a waste. It was good to see Le Mesurier in a role that didn't require him to be wishy-washy as usual but again he has little to do. I was pleased to see Paluzzi (Thunderball in the film as I have always felt she is a very beautiful woman in a classic beauty type of way with a real touch, it is a shame that most of her scenes are the excess romantic things.

Overall this film is just about light enough to pass the time but I did find it to be a real disappointment. The plot starts well but gets confused and cluttered, the cast are given little to do to show their talents and the material is amusing at best, but never laugh out loud funny. Shame, there are plenty of better films with these talents in so why waste time on this one?

Peter Sellers and Terry-Thomas here vie for the honours in a dated but sparkling piece of bunkum. A comedy that aims at so many targets (the cold war US/USSR rivalry, the UN, the British civil service, 'banana republics'...) normally fails, but this certainly has more hits than misses.

There are two unmissable scenes. The first is a military march-past which is rolling-on-the-floor funny from first to last: the mixed up commentary (note the point when the commentator finally gets a sentence right!); the shenanigans on the parade ground; and the collapsing review stand all combine to excellent effect. Second, a more minor but tasty scene where a table dancer (she is dancing ON the table) distracts Terry-Thomas in the course of his diplomatic discussions- surprising how much eroticism can get through the ludicrously heavy censorship of the period!

John Le Mesurier does an effective job in a 'wicked uncle' role torn straight from the pages of 19th century melodrama. Those who recall him from his small role in Ben-Hur might have cause to reflect that here is a supporting actor who gets about a bit!

Overall, both Terry-Thomas and Peter Sellers have appeared in better films but, in parts, as funny a film as you are likely to find on a wet afternoon.