Crimes au musée des horreurs

Part time crime novelist, Edmond Bancroft (Michael Gough) uses a unique method to research his latest book. He secures implements of death, then hypnotizes a rube (Graham Curnow) to use these weapons to commit actual murders.

HORRORS OF THE BLACK MUSEUM opens with the most wickedly ingenious of these setups, that will force the viewer to think twice before ever using a pair of binoculars again! Scotland Yard is baffled as usual, even while Bancroft almost begs to be arrested.

Gough is his normal, exquisitely histrionic self, at times hitting near the "Tod Slaughter level" of mania. An entertaining romp for all involved...

The opening scene has a young, attractive woman receive a mystery gift in the mail, a pair of binoculars. When she tries them out two metal spikes impale her brain via her eyes, this is a delicious taste of what else is to come. A series of bloody but elaborate killings is gripping London, the police are on the case (one is played by Geoffrey Keen, a familiar face from the James Bond movies), but so too is Edmond Bancroft, a real life crime writer - who just happens to have his own Black Museum in his large home! Bancroft is played by the marvellous Richard Gough, a star of many films and TV, horror being one of his specialities, and his character here is highly intelligent but equally obnoxious, he hams is up wonderfully. I love black and white movies but this was filmed in colour, so not only do we get red blood but the whole film looks fantastic, very colourful. Not only is this a rather grisly but hammy and fun horror movie it also gives a fascinating glimpse of life in London in 1959. The film's finale takes place at a funfair, the Tunnel of Love scene is brilliant, there is a nod to the Jekyll and Hyde story here. It would also be fair to consider this as an early slasher/psycho maniac movie. I have just watched this for the first time, it was screened on TV. I enjoyed, I have just ordered a copy on DVD and look forward to seeing it again.

Gough plays an arrogant journalist / author obsessed with a serial killer employing spectacular weapons to despatch his victims.

Wildly over played by Gough in best scenery chewing form and with a rather daft ending, this though makes for fun grande guignol late night telly.

'Horrors Of The Black Museum' is a dated but still entertaining Brit chiller that will most appeal to fans of William Castle's gimmick filled movies from the same era ('The House On Haunted Hill', 'The Tingler', '13 Ghosts', 'Homicidal',etc.) The late Michael Gough plays Edmund Bancroft, an eccentric writer and amateur crime expert, who irritates local police baffled at a spate of brutal and sensationalistic crimes, apparently without motive. Bancroft actually knows a lot more than the police suspect, and his meek protege Rick (Graham Curnow) is also involved, but not in the most straightforward way. The movie was originally released in "Hypnovision" but the reason to watch it today is Gough's larger than life performance, and the inventive killing methods, which include the much talked about binoculars-with-needles-in-the-eyepieces. Not a great movie by any means, but an amusing one.

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Arthur Crabtree; Produced by Jack Greenwood; Executive Producer: Herman Cohen, for Merton Park Studios (UK), released in America by American-International Pictures. Screenplay by Cohen and Aben Kandel; Photography by Desmond Dickinson; Edited by Geoffrey Muller; Music by Gerard Schurmann; Production Manager: Jim O'Connolly. Starring: Michael Gough, June Cunningham, Shirley Anne Field, Geoffrey Keen, Beatrice Varley and Austin Trevor.

"Psycho" forerunner about a mystery writer who tries out his bizarre crimes in real life. Notable for its endless parade of exploitative, well-built lovelies, and its gruesome but non-graphic mayhem.