Le chien des Baskerville

After reading Doyle's book to my kids -- the quintessential Sherlock Holmes novel -- I promised to get the movie so we could all watch it. I was a fan as a kid of Basil Rathbone's Holmes' series for Universal, and I tried to find that version on video. The VHS is out of print and surprisingly, it is not on DVD. So I bought the DVD of the Hammer version with Peter Cushing, Andre Morrel and Christopher Lee without having seen it before. I enjoyed the film, so did my kids and we would recommend this version. Cushing surprised me as Holmes -- he enjoys himself from start to finish. He is clever in a self-satisfied and almost playful way, not as intense as Rathbone. He's simply terrific to watch. Too bad Hammer didn't continue with Holmes because this could have become his signature role. Morrel also is a better Watson than Nigel Bruce for all the reasons stated by others. Christopher Lee seems a bit out of place here, but nonetheless he's so young in this film -- he looks like Nicholas Cage! -- that it is nice to see him a different role. The movie itself is uneven and the departures from the Doyle story struck me as odd. But if you one of those who believes Rathbone is the preeminent Holmes, I would encourage you to see this film. You may change your mind.

Shortly after their brilliant adaptations of the classic tales of Frankenstein and Dracula, the glorious British Hammer Studios decided to have their take on Sir Arthur Conan Doyle's immortal detective Sherlock Holmes with "The Hound of the Baskervilles" (1959). This turned out to be a splendid idea, as the Hammer formula works magnificently with Doyle's work. Hammer once again teams up Horror's greatest duo, Peter Cushing (as Sherlock Holmes) and Christopher Lee (as Sir Henry Baskerville) in what is another one of many memorable collaborations of the two British Horror deities. In addition, the film features André Morell (who would also star in several other Hammer productions including "The Plague of the Zombies" of 1966) as Doctor Watson. Hammer's trademark eerie Gothic atmosphere with foggy grounds, dark forests etc. fits the "Baskervilles" story like a glove. It has been a while since I've last seen the classic adaptations with Basil Rathbone, and I do not wish to discuss which version of this particular tale is 'better', but I can say that this Hammer version is a truly great gem for every admirer of classic Mystery and Gothic cinema.

The film begins truly creepy, with a prologue set in the early 18th century, when Sir Hugo Baskreville, a cruel nobleman who likes to play sadistic games with peasants, gets what he had coming when he makes the encounter of a mysterious beast. From then on, the wild, dog-like creature is known and feared as the 'Hound of The Baskervilles'; according to a curse, this hound is supposed to return and kill any Bakerville who dares to enter the moorlands where Sir Hugo found his end... In the 1880s, the great detective Sherlock Holmes is told about the sudden and mysterious death of Sir Charles Baskerville, a descendant of Sir Hugo. Holmes and Doctor Watson travel to the Baskerville estate, in order to investigate and to meet the new owner, Sir Henry Baskerville, who does not believe in what he considers to be 'old wive's tales'... at first...

The film does change the plot of Doyle's classic novel in some details, mainly by adding Horror elements that underline the Hammer-typical creepiness and Gothic atmosphere. Cushing simply is the perfect choice to play Sherlock Holmes. This brilliant actor was fantastic in any role he played, of course, but that of the most famous detective in fiction is one of those that he is particularly predestined for. André Morell is great as Dr. Watson and Christopher Lee is, as always, magnificent in his role. Cushing and Lee truly were the ultimate duo in Horror cinema, and this is yet another fantastic collaboration of these two great men. It is easy to see why Christopher Lee and the late Peter Cushing were best friends in real-life, when watching their ingenious work in any of the films and they did together. Directed by Hammer's Nr. 1 director, Terence Fisher, "The Hound of the Baskervilles" is another great example for Hammer's glorious style of eerie yet beautiful settings, haunting atmosphere and suspenseful storytelling. The settings and photography are wonderful as in most classic Hammer tales, and the entire film is greatly crafted. Many years ago, this was one of the first Hammer films that I saw as a kid, and, after many re-viewings, I still immensely enjoy watching it as an adult. This great little gem only ranks slightly below the brilliant "Dracula" and "Frankenstein" adaptations, and definitely is a must-see for all Hammer fans. Highly recommended!

Correct rendition of the most famous mystery novel written by Arthur Conan Doyle with an awesome Peter Cushing as Sherlock and fairly faithful to the source material. Holmes (Peter Cushing )and Watson(Andre Morell) are contracted by Doctor Mortimer (Francis De Wolff) for the investigation of killing Sr. Baskerville who is now inherited by his niece Sir Henry . Mortimer asks Sherlock Holmes to help protect Sir Henry Baskerville (Christopher Lee), who has returned to England to take his place at the family seat following the death of his uncle, Sir Charles Baskerville. Sir Charles died of cardiac exhaustion and Dr. Mortimer believes he was frightened to death. There appears to be a curse on the family dating back nearly 200 years to when Sir Hugo Baskerville was supposedly killed on the moor by a huge hound. Holmes dismisses the supernatural elements of the case but there are a sufficient number of odd events to pique his interest. Holmes soon realizes that someone is making sure the legend becomes real . Watson goes to the mansion ,there are the servants(John Le Mesurier) and he meets Stapleton and his daughter (Marla Landi). Meanwhile an inmate has escaped and on the moor sound the barking of a savage beast.

This is an excellent and thrilling film with horror elements in Hammer style based on the splendid novel by Arthur Conan Doyle .It's a genuine ripping yarn with much suspense and moody intrigue . The film gets mystery, tension, thrills , detective action and packs an exciting deal of outstanding surprises with great lots of fun despite to be a known story . Magnificent Peter Cushing's interpretation although the best Sherlock is forever Basil Rathbone. Cushing plays as Holmes as an intelligent, obstinate, broody, pipesmoking sleuth , his acting is similar to Jeremy Brett for TV or Nicol Williamson(Seven-per-cent-solution) or Christopher Plummer(Murder by decree). Here Dr. Watson isn't a botcher, bungler or clumsy partner incarnated by Nigel Bruce but a cunning and astute pal well represented by Andre' Morell .The movie has a creepy atmosphere specially when is developed on the moor where lives the fearful giant beast ; besides the 223 Baker Street's house is well designed. Spooky and murky cinematography by Jack Asher . Eerie and creepy musical score by James Bernard . This atmospheric motion picture is accurately directed by the ¨Hammer House of Horror¨ master , the great Terence Fisher . Other version about this story are the following : the best version that still can be called a classic filmed in 1939 by Sidney Landfield with Basil Rathbone , Nigel Bruce y Richard Greene ; English adaptation (1983) by Douglas Hickox with Ian Richardson as Holmes and Donald Churchill as Watson and TV rendition with Jeremy Brett and Edward Hardwicke . directed by Peter Hammond .

Director Terence Fisher, actors Peter Cushing, Christopher Lee, and Andre Morrell, and the Hammer production crew bring Sir Arthur Conan Doyle's famous story of the legendary hound of the Baskervilles into colour for the first time. In point of fact, this is the first Sherlock Holmes story filmed in glorious colour, and it does the story proud with its phospherescent glow on the dog, its swirling mists, and the natural tweed colours of Holmes and Watson. Though some argue that Cushing was miscast as Holmes, I argue most vehemently THAT he is perfectly cast as the great detective. His features cry out Doyle's character, and his obvious inner quest for perfection resonates strongly through the character as well. Cushing lends his class to the role and, in my opinion, gives us a fine Holmes, perhaps one of the screen's best. I always enjoy watching a Cushing performance as he was an actor that loved to play with props, and as Christopher Lee states in his autobiography, a man who could play with the prop and act to perfection, often making it look so very elementary. Watch his Holmes. Very few scenes go by where he isn't playing with something. Lee is good in his role, though the part is rather lacklustre. Andre Morrell is a fine Watson. He does not do the Nigel Bruce buffoon act, but rather he plays a man capable of having graduated from medical school. The rest of the cast is good with Francis DeWolff standing out as a doctor in love with himself and the sound of his voice and the ever affable Miles Malleson adding comic relief as a befuddled bishop. The story stays pretty close to the word according to Doyle. Fisher gives what you would expect: tight direction, lush cinematography, and loads of beautiful shots of the fog-ridden moors. The film has a clever prologue about the curse of the Baskervilles as an introduction, and it is wonderfully executed.

This excellent 1959 Hammer picture starring Peter Cushing as Sherlock Holmes and Christopher Lee as Sir Henry Baskerville was in my opinion one of the best Hammer films they did. I found the film to be very nicely done with a generally spooky setting in the moors. I also found it to keep my attention a lot better than that of other Hammer films such as The Mummy. The acting from Lee and Cushing is of course superb as is the performance of Andre Morell as Dr. Watson. Overall, I would say that this is the best Sherlock Holmes film made to date.