Un amour de vacances

This movie came out in 1959, when I was a teenager too. It was a simpler time, and this is a fresh movie, compared to all the forced sex and dirty language added to most 'teen' movies nowadays.

Sandra Dee had just turned 16 when 'Gidget' was filmed in the summer of 1958, but even though she is small she comes across as a bit more mature. In fact, my wife guessed incorrectly that she was around 22. She may not have had a long or productive career, but she was just perfect as the gidget befriending a group of surfer bums that memorable summer in California.

Mom and dad want to fix their daughter up with this nice young man, a musician, son of an upstanding family. But she wants no part of her parents' plan, instead hanging out with her girl friends. One day at the beach, some somewhat older boys, and one 30-something beach bum, ignore the girls, but 'Moondoggie' goes out and saves 'Gidget' when she becomes entangled in seaweed. She gets hooked on surfing, buys a used board, by mid-summer is surfing as 'one of the guys.' She has fallen for 'Moondoggie' (James Darren, 23) but he just looks at her as a kid. When he eventually comes around, they find out that they are each the same two people that their parents' had tried to fix them up with at the start of the movie.

The nicest thing about this movie is depicting simpler teen times without sex and foul language.

What a time capsule! A film that hearkens back to a cultural era of innocence, "Gidget" screams 1950s, with clothes, lingo, attitudes, and characters that now seem quaint. Gidget (Sandra Dee), that "pint size" sixteen-year-old who lives in Southern California, scampers down to the beach and takes an instant liking to surfing. In the process, she meets a fraternity of youthful, shirtless beach bums. Surfing, fun, and romantic complications ensue.

All fluffy and frothy in the first half, the film's plot and characters reek of bubble-gum shallowness, with dialogue to match. But the plot turns more dramatic in the second half, and characters show at least some degree of depth. Gidget comes across as smart, determined and, given her age, dubiously skilled at psychology, with words that make a big impression on The Big Kahuna (Cliff Robertson), surfers' de facto leader. Ultimately, the film conveys the theme that events and people ... change.

Visuals feature bright, splashy colors and a photogenic cast. Rear-screen projection and cast doubles, for the surfing scenes, look hokey now, but were the norm in those days. Music trends romantic and lively. Naturalistic sound of ocean waves enhances a relaxed, carefree tone.

Although perhaps needed for story balance, plot sequences that involve Gidget's parents seem stodgy, and detract from the main focus on the relationship between Gidget and her beach pals.

Sandra Dee, despite her squeaky voice, gives a performance that was better than I had expected. James Darren and Cliff Robertson add competent support.

If ever there was a film that captures the carefree, innocent life of kids in the 1950s, this is surely it. Undeniably nostalgic to older viewers, and prehistoric to younger viewers, "Gidget" will continue to fascinate, emblematic of an era that will never return.

Francie Lawrence (Sandra Dee) is sixteen going on seventeen. She follows her friends who are out manhunting at the beach. She gets in trouble while swimming and gets rescued by surfer Moondoggy (James Darren). Her father tries to set her up with a proper gentleman but all she wants to do is surf. She befriends The Big Kahuna (Cliff Robertson) who follows the waves around the globe. The guys give her the nickname Gidget, girl plus midget.

I'm a little surprised by some of the rougher edges. I was expecting Frankie and Annette but this has a few aspects that are more interesting. The fact that she starts out more as a tomboy is interesting. The fact that she's surfing is outright ahead of its time. The Big Kahuna's globetrotting beach bum lifestyle is interesting. The guys taking in the little girl as one of their own is interesting. This does usher in the new genre of beach party movies. It's tiki torches and long wood surf boards. It does get into an uncomfortable age difference. It would have been great if Kahuna is simply joking around from the start. It is still struggling with some old fashion romantic entanglements. This is a very good teen movie and starting a new genre deserves some praise.

I don't think you can get much further away from the stuff I usually watch like Cannibal Holocaust or Zombi 2 than Sandra Dee and Gidget. It's impossible not to enjoy Dee's performance. She's bubbly, spunky, and cute. What's not to like? Overall, Gidget is a sweet little movie that, for the most part, is entertaining. On the downside, far too often the sweetness turns into sappiness - something I cannot stomach.

Gidget is definitely a product of another time. Incidents that would automatically mean "sex" in a film made today are quite innocent and harmless in Gidget. A girl telling her mother that she wants to feel like a woman only means that she wants to fall in love and have a boyfriend. And watching with jaded 21st Century eyes, it's hard to imagine The Big Kahuna not being brought up on charges.

As someone who lived the dream of being a California surf bum, I was pleasantly reminiscing about those years while watching this movie. The Big Kahuna, played by Cliff Robertson, was easy to identify with. I've heard it said that "surfing makes you feel like a kid again." So there are therapeutic qualities surfing gives to someone who has experienced tragedy as Robertson's character has in the Korean War.

The Gidget character, played by Sandra Dee, is a delightful dichotomy as she seems at once a woman and a girl. This is a dilemma I'm sure many 16 and 17-year-old girls have dealt with. Gidget's friendships with the male characters make her "one of the guys" to them. In this regard, she is similar to the Mary character, played by Carmen Diaz, in "Something About Mary." While every man wants a romantic love partner, they are often happier with a woman who can be a friend. This revelation seems to be guiding Moondoggie as he pursues Gidget in the end.