Un mort récalcitrant

Glenn Ford is the producer of a television mystery series who attempts to protect his Broadway star wife (Debbie Reynolds) from a blackmailer--and decides to eliminate the blackmailer via a murder plot suggested by his own series. The result is a comic chaos involving a couple of gangsters, a peculiar pigeon, and the gazebo his wife is having built on their country property.

Based on the play of the same name, THE GAZEBO strives for a mix of broad farce, screwball comedy, and sprightly sophistication--and by and large brings it off quite well. I have never been a great fan of Glenn Ford, but he manages both the broad physical comedy and the clever dialogue of this film with equal ease. Debbie Reynolds is also quite good in the role of the stage-star wife, and she and Ford have a surprisingly successful chemistry. Although the humor is more smile-and-chuckle than laugh-out-loud, THE GAZEBO is a well made, well acted, and quite enjoyable. Recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer

I've maintained this before, one day someone is going to do a study of the director/actor team of George Marshall and Glenn Ford. They did some really great work together such as The Sheepman, Imitation General, Texas and Advance To The Rear to name a few. The Gazebo falls in that category as well.

The Gazebo was originally presented on Broadway as a play by Alec Coppel and ran for 218 performances in the 1958-59 season. The roles that Glenn Ford, Debbie Reynolds, and Carl Reiner play were done on Broadway by Walter Slezak, Jayne Meadows, and Edward Andrews. I'm still not fathoming a role originated by Walter Slezak done by Glenn Ford. I'm betting the role had to have been rewritten for the screen.

I'd like to describe it as a black comedy, but in the end it does turn out all sweetness and light. Ford is a television writer who lives with wife and musical comedy star Reynolds in the suburbs with Reiner as their neighbor. Oh, Reiner happens to be an Assistant District Attorney and Ford just loves picking his brain on how to avoid capture by the police when you commit a homicide.

Which is what Ford has in mind, not suggestions for a television script. Someone's attempting blackmail because they've got some nude photographs of Reynolds in her salad days. He lures the blackmailer to his home and what follows is hilarious.

A lot of the problem has to do with a gazebo that Ford and Reynolds have put in their yard. It might serve as a place to bury a body, but it doesn't quite work out that way.

Besides those already mentioned Marshall put together a good cast to support the leads with Doro Merande as their housekeeper whose normal conversational tone is a roar and John McGiver as the head of the work crew installing The Gazebo.

Special mention should go to a pigeon named Herman who Ford took in and nursed back to health. Some of The Gazebo's funniest moments are provided by Herman.

The Gazebo did get an Oscar nomination for Costume Design, but I think Herman should have been up for a CLIO award.

I remembered this movie from when I would sit on my moms lap and watch Sunday afternoon movies with her. I remembered it being funny when I was 5 and watched it when I was 40....It is still a great tribute to what Ford can do...So funny...and Debbie was so great, and Reiner at his best..Just see it and enjoy.

It's a good movie and I was surprised at several points but I wouldn't have been if I'd read the reviews so please be more considerate of others who still want the same experience you had when you first saw it.

I was impressed by the intelligence of this movie. What mystery writer doesn't think how he or she would handle things in real life? The physical comedy was excellent. I knew Reynolds was that good but Ford was a revelation. The costars were wonderful and always engaging when they were on screen. Because we later saw so many of them on TV shows this movie has a rather made-for-TV air about it, if those were this high in quality. And dragging in Hitchcock was terrific. What more could a mystery writer ask for in his own murder plot?

Not the best movie I've ever seen but a lot of fun. How would YOU get rid of a body? :)

Pigeon-rescuing TV showrunner Elliott Nash (Glenn Ford) is under tremendous stress. His wife Nell (Debbie Reynolds) is a star stage performer. Their district attorney friend Harlow Edison (Carl Reiner) has plenty of suggestions for Elliott's show. Elliott asks Harlow about a blackmail scheme for his show. In reality, he's actually being blackmailed with 18 year old Nell's nude pictures unbeknownst to her. She's excited about her latest purchase, an old gazebo.

The light comedic tone is an odd choice for a story about blackmail and murder. A more fitting choice would be a dark comedy. There is a difference between the two and this movie is solidly on the lighter weight side. It doesn't help with the creepy nudie pics McGuffin. The movie starts with Debbie Reynolds doing light comedy and transitions with Glenn Ford doing full-on Stooges slapstick. I'm not fully against it but this light tone doesn't really fit. It's an oddity. It's like a platypus. It's weird but it actually exists and thrives somewhere in the world.