Le poignard de bambou

My VHS copy of this film-taken from a television broadcast 25 years ago is never long on the shelf. I show this film alot. This is one of those rare films that stands alone. It defies being pigeonholed. The plot is one of a kind. Although the budget appears to be slight the film actually benefits from this. The acting is high caliber. I remember as a kid originally seeing it late one Saturday night on Chiller Theatre (out of Pittsburgh Pa.) The headhunter with his lips sown shut haunted my dreams for weeks! Fans of B-movies should make an effort to see this film. It would be an excellent candidate for restoration and digital release.

I'm always nearly stupefied when browsing through the career overview of director Edward L. Cahn. This man directed low-budget horror treasures at an incredibly immense pace; - sometimes up to eight or nine movies per year. No wonder he dropped dead at the age of 64! But unlike other people who directed hundreds of films, like Jess Franco or Cirio H. Santiago, the efforts of the sadly unknown and underrated Cahn were always reliable and competent B-movies. Like "The Four Skulls of Jonathan Drake", for instance, which is a short and straightforward (barely 70 minutes) but grimly compelling tale about tribal voodoo, shrunken head routines, floating skulls and ancestral curses! When, after his grandfather and father, also his brother unexpectedly dies from a sudden heart condition at the age of sixty, Jonathan Drake is convinced that the curse placed upon his great-great-grandfather by a witchdoctor in the Amazon jungle is still active. The floating skulls of his ancestors keep appearing in his nightmares, and there truly is a native tribesman (with his lips sewn shut) strolling around to kill the masculine Drake family members and cut off their heads to perform a voodoo shrinking rite. There's absolutely nothing to dislike about "The Four Skulls of Jonathan Drake". The plot is simple but effective, with a proper explanation regarding the family curse's origin and a good mixture of believer & non-believer characters. Several of the ideas and sequences were quite gruesome and explicit for their time (like the headless corpse in the coffin or the uncanny resemblance between the victims' faces and their shrunken potato versions) and there are many more and even nastier little gimmicks coming to the surface as the story unfolds itself further. The acting performances are more than adequate for a late fifties' B-movie, with particularly Henry Daniell stealing the show as the mean & vicious Dr. Zurich. Recommended and fun, just like other Edward L. Cahn horror efforts such as "Invisible Invaders", "It: The Terror from Beyond Space" or "Invasion of the Saucer Men"

I remember seeing this film on the old "Chiller Theatre" TV show

back in the early 60's (NYC), and it scared the ---- out of me!

Actor Franz is EXCELLENT in this film, and Paul Cavenaugh (who plays Drake's brother) is best remembered for his appearances in Sherlock Holmes films (most notably, "Scarlet Claw").

Plus, if you think about it, it's the only film i can recall that has to do with shrunken heads!

Definitely a MUST-SEE! Norm

I was nine years old when i saw this film and it scared the crap out of me and i have never forgot how bad. I was so scared i had my face covered though half of the movie. My mother took me to the movies for the first time to see this movie and the admission price was 15 cents . There is some things in your life you just don't forget. Would love to see it again.

Bob

The movie concerned the death of Jonathan's brother and the brother's missing head. Of course the fact that his head is missing isn't discovered until the funeral. Then the realization hits that the brother's death and decapitation is because of a curse put on their grandfather by a South American tribe he had cheated. At this point Jonathan considers there is a strong possibility that he is next. That thought occurs when he awakens in the middle of the night to discover a rather gruesome looking native, with his mouth sewn shut, standing over him with a long, sharp knife. Now he, family and friends must find a way to save his life. It's too bad most of you will never see this in the theater. (Eduard Franz and Henry Daniell were great actors!)

Seeing it again a few years ago (over 50), I could see all the fallacies and the real lack of anything to be afraid of, it was pretty phony in loads of places. And, compared to what the producers and directors put out today, it, also, was pretty tame. But one more thing I will say scary though it might have been then, now I consider it fun.