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5.8/10
530
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A single doctor about to be awarded a knighthood for his claim of curing tuberculosis is infatuated by a woman's beauty and charm, promising to save her husband's life, only to change his mi... Read allA single doctor about to be awarded a knighthood for his claim of curing tuberculosis is infatuated by a woman's beauty and charm, promising to save her husband's life, only to change his mind after discovering the man's immoral character.A single doctor about to be awarded a knighthood for his claim of curing tuberculosis is infatuated by a woman's beauty and charm, promising to save her husband's life, only to change his mind after discovering the man's immoral character.
- Director
- Writers
- Stars
Joan Benham
- Visitor at Art Exhibition
- (uncredited)
Victor Harrington
- Passer-by
- (uncredited)
Frederick Kelsey
- Visitor at Art Exhibition
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
An interesting but not particularly engaging George Bernard Shaw satirical play is given a serviceable cinematic treatment from director Asquith - who clearly had fared much better with PYGMALION (1938) - but, nonetheless, the film is buoyed by a good cast (Leslie Caron, Dirk Bogarde, Alastair Sim. Robert Morley, Felix Aylmer, Michael Gwynne, Alec McCowen) and production values (cinematographer Robert Krasker, composer Joseph Kosma, costumer Cecil Beaton, production designer Paul Sheriff). As it happens, some performers acquit themselves better than others: Bogarde is fun as an impoverished but Machiavellian painter dying of tuberculosis and Sim and Morley are their usual pompous selves as two renowned "quacks" competing to treat him so to earn favors from his lovely wife (an unfortunately out-of-her-league Caron).
Dr Maurice Evans must choose between treating a good, simple country doctor or a painter and scoundrel whose wife seems appealing. The Dr.'s colleagues are hilarious, and there's a beautiful scene in a greenhouse for which Anthony Asquith and Cecil Beaton should be praised.
Not much about the film itself - just a few wacky observations . . .
A very astute version of Shaw's classic play - director Anthony Asquith, allows the characters to revel in the pathos that The Doctor spills over each scene.
Although Dirk Bogarde has his comedy smirk on, his performance is utterly commanding.
A nice little quote is *when you're as old as I am it doesn't matter how old a man is when he dies* :) In the latter scenes, the high jinks continue with (poor) old Dirk in shot in the background.
The colouring of the film is quite brutal - but lends a hand to the mystery of the plot - IMHO.
A nifty film for a lazy Sunday afternoon.
A very astute version of Shaw's classic play - director Anthony Asquith, allows the characters to revel in the pathos that The Doctor spills over each scene.
Although Dirk Bogarde has his comedy smirk on, his performance is utterly commanding.
A nice little quote is *when you're as old as I am it doesn't matter how old a man is when he dies* :) In the latter scenes, the high jinks continue with (poor) old Dirk in shot in the background.
The colouring of the film is quite brutal - but lends a hand to the mystery of the plot - IMHO.
A nifty film for a lazy Sunday afternoon.
George Bernard Shaw's play, "The Doctor's Dilemma" is adapted here by Anatole de Grunwald and directed by Anthony Asquith. Asquith has a formidable cast: Leslie Caron, Dirk Bogarde, Alistair Sim, Robert Morley, Felix Aylmer, John Robinson, and Michael Gwynn. Caron plays Mrs. Dubedat, whose artist husband Louis (Bogarde) is dying of tuberculosis. She approaches a doctor, Sir Ridgeon (Robinson) who has a cure for TB but can only treat so many patients. He's very attracted to the lovely Mrs. Dubedat and says that he must meet her husband to see if he's worth saving. Meanwhile, he finds out that a friend of his (Gwynn) is suffering from the same disease.
Mrs. Dubedat worships her husband and is blind to his faults, which are many. He hits people up for money that he has no intention of returning, he steals a cigarette case from one of the doctors, and he's a bigamist. The doctors are shocked to learn all of this. On the other hand, he's a great artist. What to do? At the time this play was written, it was somewhat topical, as there was a doctor who thought he had a cure for TB but didn't. Shaw, in his way, pokes holes at the doctors represented here - the surgeon (Morley) who thinks that there's an operation for every condition; the quack (Sim) who blames everything on blood poisoning. A third doctor (Aylmer) is more thoughtful, taking nothing for granted. Shaw was somewhat of a metaphysician, and apparently didn't believe in doctors. He believed that the human system could heal itself.
But though this has its comic moments - Dubedat's completely unapologetic attitude about his bigamy, borrowing, and stealing - it does raise questions about the iconic status some people achieve when they die young, and whether, in fact, they're not better off doing so. And what makes a person worth living? His good deeds or his great art? Bogarde is great as usual as the handsome, womanizing rogue, and he and Caron make a beautiful couple. If Caron was trying to prove she was more than a dancer with this film, she certainly did so, in a sympathetic performance. But for a woman without much money, she sure had some beautiful Cecil Beaton costumes. As the film is in color, they're even more eye-popping. The doctors Sim, Morley, and Robinsonare wonderful.
"The Doctor's Dilemma" is talky, especially in the beginning, but stick with it. It's not the best adaptation of Shaw for the screen that you'll ever see, but the performances make it worth it, and it's a thought-provoking movie.
Mrs. Dubedat worships her husband and is blind to his faults, which are many. He hits people up for money that he has no intention of returning, he steals a cigarette case from one of the doctors, and he's a bigamist. The doctors are shocked to learn all of this. On the other hand, he's a great artist. What to do? At the time this play was written, it was somewhat topical, as there was a doctor who thought he had a cure for TB but didn't. Shaw, in his way, pokes holes at the doctors represented here - the surgeon (Morley) who thinks that there's an operation for every condition; the quack (Sim) who blames everything on blood poisoning. A third doctor (Aylmer) is more thoughtful, taking nothing for granted. Shaw was somewhat of a metaphysician, and apparently didn't believe in doctors. He believed that the human system could heal itself.
But though this has its comic moments - Dubedat's completely unapologetic attitude about his bigamy, borrowing, and stealing - it does raise questions about the iconic status some people achieve when they die young, and whether, in fact, they're not better off doing so. And what makes a person worth living? His good deeds or his great art? Bogarde is great as usual as the handsome, womanizing rogue, and he and Caron make a beautiful couple. If Caron was trying to prove she was more than a dancer with this film, she certainly did so, in a sympathetic performance. But for a woman without much money, she sure had some beautiful Cecil Beaton costumes. As the film is in color, they're even more eye-popping. The doctors Sim, Morley, and Robinsonare wonderful.
"The Doctor's Dilemma" is talky, especially in the beginning, but stick with it. It's not the best adaptation of Shaw for the screen that you'll ever see, but the performances make it worth it, and it's a thought-provoking movie.
I love this film. Alistair Sim and Robert Morley are marvelous as they advocate the various and absurd treatments they'd used on their patient.
But I'm appalled that this film isn't available for home viewing, especially when you consider how many crummy films have been released on tape or DVD.
Could it be that Shaw's estate has refused to release the distribution rights for home viewing? If so, then someone out there -- perhaps the Criterion Collection -- can convince the copyright holder to relent.
"Dilemma" may not be the best adaptation of a Shaw play (I think top honors go to "Pygmalion"), but it catches the play's flavor. The dialog is sharp and witty, and Dirk Bogarde gives another fine performance as the ailing man.
This would be a fine addition to any collection.
But I'm appalled that this film isn't available for home viewing, especially when you consider how many crummy films have been released on tape or DVD.
Could it be that Shaw's estate has refused to release the distribution rights for home viewing? If so, then someone out there -- perhaps the Criterion Collection -- can convince the copyright holder to relent.
"Dilemma" may not be the best adaptation of a Shaw play (I think top honors go to "Pygmalion"), but it catches the play's flavor. The dialog is sharp and witty, and Dirk Bogarde gives another fine performance as the ailing man.
This would be a fine addition to any collection.
Did you know
- TriviaThis movie was a flop at the box-office, resulting in a loss for MGM of two hundred ninety-nine thousand dollars (2.57 million dollars in 2017) according to studio records.
- GoofsAt a time when all women wore their hair up, Leslie Caron would have been thought immoral or mad to be wearing her hair down to her shoulders.
- ConnectionsFeatured in Film Profile: Dirk Bogarde (1961)
Details
- Release date
- Country of origin
- Language
- Also known as
- Arzt am Scheideweg
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $576,000 (estimated)
- Runtime
- 1h 39m(99 min)
- Aspect ratio
- 1.66 : 1
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