Le Révolté

At this Point in His Career Audie Murphy began to Show Personal Problems and Uneasiness with Films and Productions Available.

The Off-Screen Personal Problems, such as Gambling Debts and a Disgruntled Attitude Started to Manifest On-Set and On-Screen.

In this "Red River" (1948) Retread He seems Miscast as a Bully.

The Movie even Cribbed Scenes from the Aforementioned Cattle-Drive and Murph Thought the Script was Sub-Par.

Filmed in B&W, another Irritation that Didn't Sit Well.

Co-Star Terry Moore Encouraged Him to "Bite the Bullet" and Give it His All when Murph didn't even want to Rehearse.

That Helped a Little, but His Performance came Across as Below His Usual Standard.

John Dehner does a Good Job and the Rest of the Cast are OK.

But Thomas Carr's Lackluster Direction Didn't Help the Movie to Rise Above Average.

Overall, it's Not a Bad Movie, but Audie Murphy Fans may be Disappointed.

The 60's were Not Kind to the Former Super-Star and this one could be Seen as the Start of the Decline.

The Western Movie was also Suffering from Over-Exposure on the Big and Small Screen and would Soon be Out of Favor.

The End of the Decade Long Run was around 1962.

But After All this Being Said, its Still...

Worth a Watch.

I won't say the worst, because this is not that junk, garbage film, but it is easily forgettable, run of the mill western. It is outrageous to compare it with NO NAME ON THE BULLET, also with Audie Murphy, for instance. Only John Dehner, more than Murphy, brings some thing in this tepid film. It is only a bit touching because of the atmosphere and little music. I hardly watched it till the end of those eighty minutes. Yes, if you want to find something nearly worth the watch, search in the smooth, I would say oater, side of this film directed by a western maker. Don't lose you time with this one if you want to discover Audie Murphy in a good role.

Cast a Long Shadow is directed by Thomas Carr and adapted to screenplay by Martin M. Goldsmith and John McGreevey from the novel written by Wayne D. Overholser. It stars Audie Murphy, Terry Moore, John Dehner, James Best, Denver Pyle and Ann Doran. Music is by Gerald Fried and cinematography by Wilfred Cline.

Filmed in black and white and produced out of the company Murphy formed with Walter Mirisch, Cast a Long Shadow is a tired Oater on narrative terms. The look and feel is fine and the performances are more than up to scratch, but there's a thematic drive missing from the writing, a missed opportunity to really pump some psychologically distorted blood into its veins.

Murphy is a tough drinking loose cannon type who inherits a ranch and renounces his past and plans to marry his sweetheart. But the ranch is wanted by the townsfolk as a means of productivity salvation and it transpires it's in a whole bunch of debt - with the bank vultures circling. So Audie takes control of a crucial cattle drive and proves to be a very hard task master, so much so he just may kill off any hope of saving the ranch in the process.

In the background is the hovering question of Murphy's illegitimacy, something which bothers him so, and with him trying to go straight and sober - but in the process alienating everyone around him, the meat is there for a tasty stew. Sadly it's only averagely unfurled and culmination of story leaves loose ends dangling. Still, it's never dull, music and photography are in sync with the play, and Murphy fans get good value for their time. 6/10

Not his best but not his worst. He will always be one of my Western Heroes

Back in those days of the 19th century the polite phrase in describing Audie Murphy's illegitimate birth was to say he was born on the left side of the blanket. I think this story came from the left side of the blanket.

Cast A Long Shadow has Murphy as the illegitimate son of the owner of the local Ponderosa who lives a wastrel life. As the film opens the foreman of said Ponderosa John Dehner pulls a drunk Murphy out of the saloon and tells him his father died and as he had no other family the whole thing is left to him.

Dehner was hoping it be left to him, but since it wasn't and Murphy just wants to keep on with his wastrel life, Dehner has built up a syndicate of sorts from the locals to purchase the place and keep Murphy in booze for a very long time.

What happens afterward, the way Murphy is treated by the townspeople no matter how their 19th century blue noses felt for a man who was to be their benefactor is just ridiculous. Only Terry Moore who Murphy once courted treats him well.

All Dehner's and the rest's plans go up in smoke for the unbridled contempt they hold him in and for another little joker in the deck that gets sprung on everyone. How it all is resolved is for you to see Cast A Long Shadow.

Try as I may I really could not accept people acting against their own rational self interest the way these people do when it comes to Murphy. Cast A Long Shadow will not be rated as one of Audie's better westerns.