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Le Révolté

Original title: Cast a Long Shadow
  • 1959
  • Approved
  • 1h 22m
IMDb RATING
6.1/10
820
YOUR RATING
Audie Murphy and Terry Moore in Le Révolté (1959)
A young man without surname inherits a big indebted ranch and has to prove his worthiness managing a cattle drive
Play trailer1:46
1 Video
3 Photos
DramaWestern

A young man without surname inherits a big indebted ranch and has to prove his worthiness managing a cattle driveA young man without surname inherits a big indebted ranch and has to prove his worthiness managing a cattle driveA young man without surname inherits a big indebted ranch and has to prove his worthiness managing a cattle drive

  • Director
    • Thomas Carr
  • Writers
    • Martin Goldsmith
    • John McGreevey
    • Wayne D. Overholser
  • Stars
    • Audie Murphy
    • Terry Moore
    • John Dehner
  • See production info at IMDbPro
  • IMDb RATING
    6.1/10
    820
    YOUR RATING
    • Director
      • Thomas Carr
    • Writers
      • Martin Goldsmith
      • John McGreevey
      • Wayne D. Overholser
    • Stars
      • Audie Murphy
      • Terry Moore
      • John Dehner
    • 13User reviews
    • 6Critic reviews
  • See production info at IMDbPro
  • Videos1

    Trailer
    Trailer 1:46
    Trailer

    Photos2

    View Poster
    View Poster

    Top cast31

    Edit
    Audie Murphy
    Audie Murphy
    • Matt Brown
    Terry Moore
    Terry Moore
    • Janet Calvert
    John Dehner
    John Dehner
    • Chip Donohue
    James Best
    James Best
    • Sam Mullen
    Rita Lynn
    • Hortensia
    Denver Pyle
    Denver Pyle
    • Preacher Harrison
    Ann Doran
    Ann Doran
    • Charlotte Calvert
    Stacy Harris
    Stacy Harris
    • Eph Brown
    • (as Stacy S. Harris)
    Robert Foulk
    Robert Foulk
    • Hugh Rigdon
    Wright King
    Wright King
    • Noah Pringle
    Arthur Berkeley
    • Townsman
    • (uncredited)
    Jimmie Booth
    • Trail Cook
    • (uncredited)
    Claire Carleton
    Claire Carleton
    • Saloon Girl at Poker Game
    • (uncredited)
    Mason Alan Dinehart
    Mason Alan Dinehart
    • Dick Calvert
    • (uncredited)
    Joe Ferrante
    • Townsman
    • (uncredited)
    Terry Frost
    Terry Frost
    • Wade
    • (uncredited)
    Nacho Galindo
    Nacho Galindo
    • Hotel Keeper
    • (uncredited)
    Elias Gamboa
    • Townsman
    • (uncredited)
    • Director
      • Thomas Carr
    • Writers
      • Martin Goldsmith
      • John McGreevey
      • Wayne D. Overholser
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews13

    6.1820
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    Featured reviews

    searchanddestroy-1

    Among the less interesting from Audie Murphy

    I won't say the worst, because this is not that junk, garbage film, but it is easily forgettable, run of the mill western. It is outrageous to compare it with NO NAME ON THE BULLET, also with Audie Murphy, for instance. Only John Dehner, more than Murphy, brings some thing in this tepid film. It is only a bit touching because of the atmosphere and little music. I hardly watched it till the end of those eighty minutes. Yes, if you want to find something nearly worth the watch, search in the smooth, I would say oater, side of this film directed by a western maker. Don't lose you time with this one if you want to discover Audie Murphy in a good role.
    3jeanbarb

    Typical 50's western!

    Murphy was a hero in World War 2, being the most decorated soldier of the war, but as an actor he left much to be desired. Black and white should have gone the way of the arc projector lamp by the 1950's! The film does have a good cast of character actors doing they're best to pull this film out of it doldrums. Ms. Moore seems out of place in this film, lacking her usual sensuality. John Dehner is his usual best as the stern character of the film, outdoing Murphy who's supposed to be the lead. James Best is in his heyday period and shows good acting. One wonders if Murphy being a co-producer has any bearing on the quality of this flick? I would recommend it to people who like typical westerns of the B class.
    8LeonLouisRicci

    AUDIE MURPHY DESCENDING FROM A DECADE OF STAR-POWER & SOME FINE WESTERNS

    At this Point in His Career Audie Murphy began to Show Personal Problems and Uneasiness with Films and Productions Available.

    The Off-Screen Personal Problems, such as Gambling Debts and a Disgruntled Attitude Started to Manifest On-Set and On-Screen.

    In this "Red River" (1948) Retread He seems Miscast as a Bully.

    The Movie even Cribbed Scenes from the Aforementioned Cattle-Drive and Murph Thought the Script was Sub-Par.

    Filmed in B&W, another Irritation that Didn't Sit Well.

    Co-Star Terry Moore Encouraged Him to "Bite the Bullet" and Give it His All when Murph didn't even want to Rehearse.

    That Helped a Little, but His Performance came Across as Below His Usual Standard.

    John Dehner does a Good Job and the Rest of the Cast are OK.

    But Thomas Carr's Lackluster Direction Didn't Help the Movie to Rise Above Average.

    Overall, it's Not a Bad Movie, but Audie Murphy Fans may be Disappointed.

    The 60's were Not Kind to the Former Super-Star and this one could be Seen as the Start of the Decline.

    The Western Movie was also Suffering from Over-Exposure on the Big and Small Screen and would Soon be Out of Favor.

    The End of the Decade Long Run was around 1962.

    But After All this Being Said, its Still...

    Worth a Watch.
    7elo-equipamentos

    One of most unknown movie of Audie Murphy !!

    Maybe the most unknown picture that Audie Murphy offerings to us, a bad temper guy wanderer which is running from is rough father, his name is Matt, until be found by the loyal foreman (Dehner) that his father already has dead and surprisingly he left to him the big farm, the young drunkard don't want to be rancher again, The foreman has a fair proposition, many employers has 20.000 dollars to offer to all lands, Matt accept at once, but has to go back to sign the papers, there he was seen with sneering by so many people, just a useless booze, in such atmosphere he refused to sell their lands anymore, meanwhile his father left a bank's debit a large sum of money that must to pay in few days, the answer will be sell all cattle at Santa Fé, Matt becomes in few days likes his father, cruel, bossy and has no feelings concerning those employers, who work so hard for countless years, this picture has an contradiction, the sudden changing in just few days of a man, sounds weird in such behavior, the major fact will be reveal in the cattle's journey, a minor picture of Murphy, but still interesting due such greatness of this charismatic cowboy, pay attention on John Dehner, he was a key of the all things!!

    Resume:

    First watch: 2019 / How many: 1 / Source: DVD / Rating: 7
    3planktonrules

    Murphy just seems incredibly grumpy in this one.

    During his movie career, Audie Murphy made 45 films...and nearly all of them were westerns. A few of them were really, really good...such as "Drums Along the River" and "Apache Rifles". Many were just ordinary programmers....westerns with little to distinguish them. Sadly, "Cast a Long Shadow" isn't one of the better westerns...mostly due to the way his character was written.

    When the story begins, Chip Donahue (John Dehner) finds Matt Brown (Murphy) doing what he loves to do these days...hanging out in a saloon, drink and gambling. Brown is pretty much a bum...which makes Donahue's visit an important one. It seems that Chip doesn't realize it, but he's the heir to a large cattle ranch and Donahue wants to buy it from him now that the owner has died and left it to Brown.

    Brown agrees to sell the ranch but soon after arriving at the place, he realizes that it would provide him with something important...and he decides to keep it for himself. However, there's a mortgage overdue on the place and unless he drives a mess of cattle to market as soon as possible, he'll lose the place.

    But there is a HUGE problem with this plan.... Brown is a nasty jerk and he's excellent at driving away people around him. Soon, it appears he'll practically have to do the cattle drive himself since he's now such a hated man...and rightfully so.

    The surliness of Murphy's character is THE major problem with the film. Had he evolved into a better person through the course of the story (as in the two excellent films I mentioned above), it might have worked. Here, on the other hand, he just seems like a jerk with severe constipation or migraine! It does abate a bit through the course of the story...just not enough to make you care about him and his ranch.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Final film of director Thomas Carr.
    • Quotes

      Matt Brown: I gave an order. I expect any man who works for me to obey it.

      Chip Donohue: No, it's not what you say that galls me. It's the way you say it.

      Matt Brown: You'll get used to it.

      Chip Donohue: The question is, do I want to?

      Matt Brown: You know when a man works the same job too long, he gets thinking no one else can do it.

      Chip Donohue: I guess that makes him as big a fool as the boy who thinks if he gives enough orders, nobody will have time enough to know that most of them don't make sense.

    • Soundtracks
      Nearer, My God, to Thee
      (uncredited)

      Written by Sarah Flower Adams

      Performed by Denver Pyle and the church congregation

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    FAQ

    • How long is Cast a Long Shadow?
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    Details

    Edit
    • Release date
      • July 7, 1961 (France)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Sombras del pasado
    • Filming locations
      • Corriganville, Ray Corrigan Ranch, Simi Valley, California, USA
    • Production companies
      • The Mirisch Company
      • Mirisch-Murphy Company
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 22 minutes
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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    Audie Murphy and Terry Moore in Le Révolté (1959)
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