Le témoin doit être assassiné

This violent gangster thriller shows how fast pacing can succeed in building tension despite several implausibilities in plotting and characterization. Mickey Rooney shows he could play a thoroughly nasty individual, but his Joe Braun comes over as little more than a caricature. Several incidents strain credibility, not least when one man is seen going up in flames, and is presumably killed, only to emerge later wearing a few strips of sticking plaster but otherwise OK. Despite these faults, the film remains eminently watchable. Steve Cochran gives one of the better performances as the hero.

Through the first part of his career, Mickey Rooney was a kid and played 1001 different kid roles...and nearly all of them as swell boy next door sorts. During this time, he was an immensely popular actor and no one could have imagined him playing villains. Well, by the 1950s, Rooney was no longer a kid and times had changed and soon he began taking on meatier and nastier parts. In films like "Quicksand", "Baby Face Nelson", "Drive a Crooked Road" and "The Last Mile", he showed that he wasn't going to be typecast but could play real scumbags...and played them very well...particularly in "The Last Mile".

Here in "The Big Operator", Rooney is back playing villains. This time he's a Jimma Hoff-like guy who isn't above using violence to control the unions. At times, he comes off as a nice guy but if you cross him, he's a nasty sociopath....and mostly a sociopath! The authorities are trying to bring him to justice but he keeps pleading the Fifth and getting away with all sorts of atrocities.

When Bill (Steve Cochran) and Fred (Mel Tormé) just happen to be in the wrong place, they see union thug Joe Braun (Rooney) and this contradicts Joe's prior testimony...meaning at the very least he could be jailed for perjury. So, at first Joe offers the guys wonderful jobs as union organizers. And, when they turn him down, his goons turn up the heat. Eventually, they even light poor Fred ablaze....and Bill has had enough and agrees to testify against Joe. But then, the really nasty side of Braun and his goons appears...and they'll stop at nothing to stop Bill.

The casting of this film is very odd...though it works. Not only does Rooney play a thug, Steve Cochran (who OFTEN played thugs) plays the hero and Mel Tormé of all people plays Cochran's friend! Strange....but it worked. Overall, a great gritty film whose only downside is the ending...where occasionally the film was a bit hard to believe. Yet, despite this, it was very satisfying to watch.

The title's something of a misnomer since "The Big Operator" in question is none other than the diminutive Mickey Rooney. This Albert Zugsmith movie, which he produced in 1959, is a gangster flic about a mob-ruled union with Rooney as 'Little Joe', a corrupt union leader and it has a better than average supporting cast headed by Steve Cochran, (in a rare good-guy role), Mamie Van Doren, (miscast but coping as Cochran's sweet, blonde wife), Mel Torme, (good in a rare dramatic role), as well as Ray Danton and Jim Backus.

The plot's nothing new and, to be honest, the script is fairly ridiculous but it's reasonably well directed by Charles Haas, nicely shot in Cinemascope by Walter Castle and makes for an entertaining 90 minutes. Rooney drifts through it and you would hardly call what he does 'acting' but he was a star, all five foot two inches of him, a punk Little Caesar and he dominates the picture. It's certainly no classic and it's certainly no "Touch of Evil" but it's a good, tawdry genre picture and perfect drive-in fodder.

At five feet two inches, Mickey Rooney must have been Hollywood's smallest big operator. The words arrogant, deceitful and bigoted barely scratch the surface of this thoroughly odious character, immersed to the eyeballs in union corruption, underhand dealings and with a misguided view that anyone can be bought at the right price or, if necessary, with sufficient muscle, but not his!

He receives a mixed reception in addressing a blue collar meeting with a bumptious delivery of bad jokes and even worse puns, but his mood changes upon recognizing two individuals (Steve Cochran and Mel Torme), who could potentially identify him for his tawdry activities. In attempting to buy them off, Rooney encounters two insurmountable and previously alien obstacles: decency and integrity. Cochran, the diligent salt of the earth, family man, coolly dismisses him, whilst the more animated, vocal Torme sees red, (years before Zaz turned blue). Rooney's escalating exasperation with each must have driven his blood pressure off the scale, but at least the script writers offered some clemency, lightening his load, by allowing him to repeat the line, "I refuse to answer that question on the grounds of the Fifth Amendment" ad nauseam.

Kidnapping, torture, bullying picketts, the constant sense of threat, which results in Torme being burned on the same day he narrowly avoided being fired. This 'I'm Alright Jack' without the laughs turns surprisingly brutal, orchestrated by the mob heavy, safety in numbers clan, but curiously offset by an extravagant punch-up, rooted as much in comedy western as film noir.

Not exceptional, but a solid, grounded engaging statement on some of the salient issues of the time. Ultimately projecting an ethos of resisting violence and villainy every bit as pertinent today.

Rooney in his best dramatic role. Mickey is a crooked union boss who will stop at nothing to get his way. The nonstop action includes strong arm union goons beating Mel Torme, then setting him on fire and dumping him on Mamie Van Dorens tree lawn. Fortunately the fire is put out in time, enabling him to lead the police to the bad guys hideout. I won't give the ending away, except to say there's plenty of bagpipe music. Must see to believe!!!