Un matin comme les autres

There's one great scene in Beloved Infidel that's so fantastic, it's mind-blowing. Gregory Peck gets drunk and picks a fight with Deborah Kerr, and it escalates into violence. It's the best scene in the movie, and it's the one that will stick with you afterwards. But, unfortunately, the rest of the movie isn't very good.

From the point of view of notorious gossip columnist Sheila Graham, this movie follows the romance of F. Scott Fitzgerald and Graham in the final years of his life. The screenplay feels very biased, and it makes me wonder how much of it was actually true, since Graham's occupation was to blow up drama and cause a scandal in the newspapers. According to this movie, Graham was so physically attractive, Scott just couldn't resist her, and they constantly had blow-up fights and make up and break ups and it was so emotionally abusive that she was always a victim and cared too much and couldn't stay away because she feared for his safety and believe in him-Are you exhausted yet? Are you wondering whether or not every single scene is true? Don't go into this movie with high hopes, and if you're a huge F. Scott Fitzgerald fan, you're bound to be disappointed.

Ironically enough, Graham herself was disappointed with Gregory Peck's casting and portrayal. She wanted someone lighter colored, specifically Bing Crosby or Richard Basehart. Even more ironically, Fitzgerald's daughter was said to have thought Peck nailed her dad's personality. It just goes to show you that children and romantic partners have different points of view of the same person. Clearly, Graham wanted someone who came across as diminutive, unsure, and emotionally vulnerable (remember The Country Girl?). Gregory Peck doesn't look like F. Scott Fitzgerald in the slightest, and he could never pull off diminutive! Richard Basehart would have been wonderful, not only because of his physical appearance, but because he's a better actor. Don't throw anything at me, but Atticus Finch alone doesn't make an entire career of great performances. Basehart has layers Peck just can't take on, and this movie calls for acting chops Peck just doesn't have. If you doubt it, rent Fourteen Hours and try to imagine Gregory Peck on the ledge.

Deborah Kerr gives a typical Deborah Kerr performance, so if you like her, you'll like her in this movie. She's my mom's favorite actress of the golden age, but I'm not a fan. I wholeheartedly commend her for her desperation in the one great scene, though. On the whole, she showcases her wobbly voice, her strength, and her tearful emotion that she normally showcases in her movies. Weigh the potential pros and cons before renting this movie, and if you end up not liking it, just chalk it up to Hollywood drama and put it out of your mind. That's my advice.

This film purports to be about the last years of F. Scott Fitzgerald and his life with his paramour Sheila Graham as seen through the eyes of Ms. Graham. Sorry, wrong number! Obviously, Ms. Graham remembers through rose colored glasses. Granted, she was there and we were not but this is a very sanitized version of life with a hopeless alcoholic, has-been. Fitzgerald was the darling of the jazz age who, with his unstable wife Zelda, ran rampant through life with a joy for living which set a standard for the time. But he dried up artistically, Zelda was committed to an institution and he took to the bottle with a vengeance. The film begins when he is on his last legs, trying to make it in Hollywood as a screen writer and having an affair with Ms. Graham, a Hollywood gossip columnist. Gregory Peck is just not believable as Fitzgerald. He is not gritty enough, not desperate enough and is just.....well, he is just Gregory Peck, not F. Scott Fitzgerald. Deborah Kerr is so wrong for this part that it is ludicrous. It appears that she was chosen for the role because she had an English accent as did Ms. Graham. Sheila Graham was a kick-ass opportunist (which she had to be to make it in the business) and Kerr is much too genteel and ladylike. I'm sure Ms. Graham loved her man and that her memories (at least some of them) were romantic and wonderful but it is just all too good to be true. Fitzgerald's last days are well known enough to make this film a saccharin fairy tale.

Beloved Infidel is the story of the real life romance between Hollywood gossip columnist Sheilah Graham (Deborah Kerr) and legendary writer F. Scott Fitzgerald (Gregory Peck). It is based on Graham's autobiography and the story is definitely told through her eyes. Plain and simple, the story is a soap opera and the quality of writing fits it. For a story about two professional writers, the script fails to properly develop the characters. Graham has one scene about 40 minutes in when she opens up a reveals the truth about herself, but it is not built on and scarcely mentioned again as the story transitions to a focus on Fitzgerald's drinking, which comes out a left field.

Kerr gives a good performance given how little she has to work with, and Peck tries his best to match her. However, Peck is a little miscast in this role as the emotionally troubled Fitzgerald. In between well done emotional outbursts, Peck reverts to his traditional stoicism, which works well in many of his other roles, but feels slightly out of place here. There is also a surprising no appearance by or hardly a mention of Fitzgerald's wife, Zelda. A fascinating person who at this point in her life was in a sanitarium. That is just one example of Graham's influence on the script, keeping the focus off of her lover's wife.

Ultimately, Beloved Infidel is probably not worth your time unless you are a big fan of F. Scott Fitzgerald or Deborah Kerr.

One of the quirks of the English language is that although the words "infidel" and "infidelity" both derive from the same Latin root, meaning "unfaithful", they normally have differing meanings in English. "Infidelity" generally refers to adultery or sexual unfaithfulness, whereas an "infidel" normally means someone who does not believe in the tenets of a particular religion. It would be unusual, to say the least, to use the word "infidelity" to mean religious unbelief or to call an adulterer an "infidel". This film, however, is not concerned with the religious beliefs, or lack of them, of its main character, the writer F. Scott Fitzgerald. (He was raised as a Catholic but does not appear to have been a particularly devout one in adult life). I can only therefore assume that the title refers to his infidelity to his wife, Zelda.

When I heard that the film was based on the life of Fitzgerald, I assumed that it would be about his wild and tempestuous life with Zelda during the twenties and early thirties. Instead, it concentrates on the last few years of his life, the period 1937 to 1940, and his relationship with his mistress, the journalist and gossip columnist Sheilah Graham. Indeed, Zelda does not appear in the film, although she is referred to. By 1937 Zelda was suffering from mental illness and was confined to a psychiatric hospital, but she and Scott were still married. Indeed, the two were never to divorce, and she legally remained his wife until his death.

The main problem with the film is that of miscasting. Gregory Peck's most frequent screen image was that of an authoritative, rational and gentlemanly figure, so he does not really seem a natural choice to play a notorious hell-raiser like Fitzgerald. Peck occasionally succeeded in his efforts to break away from his normal persona, as in "Duel in the Sun", "The Boys from Brazil" or "Moby Dick" in which he made a notable Captain Ahab, but in several other films attempts to cast him against type fell flat. A good example is "Macarthur" from the latter part of his career, in which he never succeeded in capturing General Macarthur's aggressive, combative personality. In the initial part of this film Peck portrays Fitzgerald as yet another quiet, charming gentleman, and his portrayal is certainly convincing, although I did find myself wondering how close it was to the real Scott Fitzgerald. His past struggles against alcoholism are referred to, but for a while it seems as though he has conquered his addiction. Midway through the film, however, Fitzgerald falls off the wagon after he is sacked from his job as a Hollywood scriptwriter, and Peck is much less convincing as a violent, abusive drunk than he is as a gentlemanly intellectual.

For a film made in the 1950s, with the Production Code still in force, this one is remarkably sympathetic in its treatment of adultery. Sheilah Graham is very much the heroine of the film, not its villain. (That is perhaps not surprising given that the film was based on her own memoirs. Fitzgerald had died in 1940 but Graham was still very much alive in 1959). She is portrayed as a kindly and understanding lover, patiently trying to help Scott deal with his problems, rather than as the heartless seductress which during this period was the standard cinematic image of women sexually involved with another woman's husband. Deborah Kerr was one of the screen's most famous "good girls", although she also had the ability to portray characters who hid passionate natures beneath a quiet, reserved surface, such as Karen, the adulterous Army wife in "From Here to Eternity", the troubled Sister Clodagh in "Black Narcissus", the haunted governess in "The Innocents" or another haunted governess, Miss Madrigal in "The Chalk Garden", in that case haunted by guilt rather than by anything supernatural. In "Beloved Infidel", however, Kerr seemed unable to draw upon this ability, and her Sheilah comes across as a character who is all surface with nothing much going on underneath. Kerr also fails to make the most of another aspect of her character, the toughness and determination which enabled her to rise from poverty in Britain to become one of the most famous women in America.  

There are some good things about this film- the script is a good one and it is attractively photographed. For a film of its period it has touches of originality, breaking away from the traditional "eternal triangle" concept of marital infidelity, a triangle composed of a weak, erring husband, a saintly, long-suffering wife and a wicked other woman. (This concept was not confined to the fifties, or even to the Production Code era; "Fatal Attraction" is a good example from the late eighties, and examples can still be found today). I felt, however, that it might have been better had alternative actors been found for the two leading roles. 6/10

Beloved Infidel is based on the memoirs of Hollywood columnist Sheilah Graham, specifically her three year affair with F. Scott Fitzgerald, who is still a legend in American literature, and a genuine legend in his own time.

That's the key to the film. Can you imagine in the previous century Charles Dickens whose works in the United Kingdom were also acclaimed in his time getting a contract and asked to turn out potboiler drama three or four times a year for the London stage? In the late 1930s F. Scott Fitzgerald was in Hollywood having to pay mounting bills for his wife Zelda's care and his daughter schooling and the way to quick cash was in Hollywood writing screenplays.

But the studios don't want genius, they want entertainment churned out quickly on a mass scale. That isn't how Fitzgerald operates. So he's fired and returns to the alcoholism that was his lifestyle during his literary hey day in the Roaring Twenties.

As Fitzgerald, Gregory Peck's one consolation in his final years is the love affair with Hollywood columnist Sheilah Graham. I have to disagree with the other reviewers who say this film is too rosy a portrayal. Remember this is Sheilah Graham's work this is based on and it's through her eyes we see Peck's disintegration. Deborah Kerr is once again a prim and proper Sheilah Graham whose slum background she's worked like a demon to overcome.

Peck and Kerr work well together, but as this is a Henry King film from 20th Century Fox, I wouldn't be surprised if the film might have been intended for Tyrone Power at one point. If it had been Power would have been well cast in the part of Fitzgerald.

This is also Henry King's next to last film and take a look at his film credits and the astonishing list of classic films that he did over 50 years in Hollywood. I guess as a followup to Beloved Infidel, King chose to do a film adaptation of F. Scott Fitzgerald's Tender is the Night. That one for some reason is never shown.

Beloved is a classic old fashioned romantic drama the kind that sadly is not being made any more.