Le Masque

This film is a lot better than you might expect. It follows the story of a wayward million dollars that is believed to be hidden within the walls of an old house. The inhabitants of the house are a female writer and her crew of servants.... oh, and a prowler known as 'the bat', who evidently wants the fortune for himself. The Bat is notable for a great macabre atmosphere that creates a sense of claustrophobia, as the house is in the middle of nowhere. It's also notable for an early performance from Vincent Price, who appears as the doctor, Malcolm Wells. Price was better known in 1959 for the William Castle classic "House on Haunted Hill", but 'The Bat' is still an able entry in his list of acting credits. Price evidently grew as an actor throughout the 60's and 70's, but his early performances always have that x-factor that would go on to instill the man in the hearts of horror fans forever, and his performance here has that also.

The story itself has lots of room for tension and intrigue, and it makes best use of it as the film is constantly intriguing, and many scenes, particularly the ones involving the menacing bad guy, are filled with suspense. The film is at it's best when 'the bat' is on the prowl, and features several lovely shots of the fiend poking his arm through various crevices in the house. The house itself is riddled with various traps and secret passages in true haunted house style, and it adds to the inventiveness and effectiveness of the movie. The film gives the twist away far too early, however, and it kind of spoils the ending as it turns out that, logically, there's only one person who the bat could possibly be. It doesn't really matter though, as the film is always a lot of fun and if you're a fan of Vincent Price (and who isn't?!), or just classic horror movies in general, I highly recommend this movie.

THE BAT is a film based on the novel/play by Avery Hopwood and Mary Roberts Rinehart that was very popular in the twenties and early thirties. There were two previous film versions; one silent version made in the twenties and an early sound version made in 1930, the latter version mostly recalled today because it was one of the first films shot in 70mm and what we today call "wide screen." Watching this 1959 version, I couldn't help get the feeling that this film belongs to era more remote than 1959. This kind of plot, with its creaky old mansion, secret passage ways, mysterious masked killer, hidden money etc., had just about vanished from the screen since the mid thirties. Other films of this type include the various versions of CAT AND THE CANARY and SEVEN KEYS TO BALDPLATE. Apparently someone noticed a film of this type hadn't been made in a while and it was a long time since the last version of THE BAT had been filmed.

This 1959 version is none-the-less a very entertaining "killer lurking around spooky old mansion" thriller. The entire cast is excellent, including stars Vincent Price and Agnes Moorehead. The film very effectively keeps the killers identity from the audience until the very end. But when the killers identity is revealed, it begins to make sense when one thinks about. Perhaps of interest to today's viewers is how the killer some what resembles Freddy Kreuger. Despite being an entertaining thriller, THE BAT didn't inspire a revival of this genre.

Watch out for the red herrings, I was wrong. And I am very rarely wrong in pre-1980's whodunits. Grabbing this to watch early Vincent Price I was pleasantly surprised at the quality of thriller that could be produced with the technology. For those of you looking for the technological aspects of movies the lighting and shadow work was excellent. That and the sound-tract adds a lot to the overall feel of the movie. An added plus was Darla from "Our Gang" adding a cute bit part of the movie. Comletely gore-less, this movie actually does as promised and delivers thrills without blood. Something most modern movies cannot pull off.

Problems with the movie - First it has a nasty habit of just dumping information on you instead of making the viewer gradually learn what happens. Second as most 1950's horror fare it does have a tendency to drag on. But both of these can be overcome by what some previous reviewers call a confusing plot. Sorry guys, if you know whodunit at the beginning of the movie it is not worth watching.

Some people don't like to watch anything that's not in color...they don't know what they're missing. Some people look down at anything made in the fifties or sixties as hopelessly hokey...and they don't know what they're missing either. The Bat is a taut, suspenseful story, and one which proves gore isn't strictly necessary in order to be frightening. Agnes Moorhead shows plenty of spunk, and the great Vincent Price steals every scene in which he appears.

The cinematography of this film is excellent...note the use of dark shadows to conceal and hide peoples' identities, just as the dark mask hides the Bat's face. Jump out of your skin as that eerily-clawed hand appears in frame for the first time. Ignore the truly awful fake-looking bat that appears for a few seconds. No movie's perfect.

And play the adult version of the "Scooby Doo" mystery game...where you try to figure out who are the red herrings and who is the real murderer. It's probably not who you think it is.

I already encountered quite a few opinions and reviews that labeled "the Bat" as one of Price's LEAST entertaining movies. Okay, either I'm too biased about this magnificent actor's work or either I just know crap about horror cinema but I thought it was a GREAT movie!! Granted, the screenplay is a little too ambitious and too many characters are introduced, but overall this is an exciting and well-plotted thriller that satisfies the fans of haunted house stories as well the typical "whodunit" mysteries. The always-amazing Price is part of a well-filled cast and the events take place in an old, luxurious mansion. One million dollar worth of cash has been stolen from the bank, the loot is hidden somewhere in the house and there's a maniacal killer with a dedication for rabbit bats on the loose. Let the fun begin! The temporary tenant of the mansion, who happens to be a murder-story author, starts her own search for the killer's identity. "The Bat" is low on visual effects and make-up, but the constantly tense atmosphere and mysterious characters make up for that. The film could have used a little more action instead of all the talking but it remains an absolute pleasure to behold Vincent Price as a sneaky crook. The old "Oaks" mansion is a genuinely creepy horror location and the "Bat" character is a cool and imaginative villain. Certainly not the absolute highlight of Price's impressive career, but nonetheless a warmly recommended movie for his fans.