La bataille de Marathon

This is an OK sword and sandal flick. Not the best I've watched and it doesn't have any super natural creatures involved so this is just human vs human. However, they really abuse the poor horses in this thing. 5 of 10, best if watched in a riffed variety like The Film Crew did which is pretty amusing (the team pre-Rifftrax). It's on the internet free as a regular film (bad copy) and on places like Tubi to watch riffed by The Film Crew.

Giant Of Marathon is a cut above the peplum films of the Italian cinema, being directed by Jacques Tourneur. The film concerns the activities of one Phillipides, played by Steve Reeves who goes running around all of Greece as an ancient Paul Revere arousing the populace with the sum and substance cry of 'The Persians Are Coming'. Indeed they were.

The ancient histories beginning with Herodotus tell of the athlete/runner who brought news of the Greek victory and then promptly died as his body gave out. Here Tourneur opted for a happy ending, but the film is still good with some very nicely staged battle scenes.

Phillipides was probably the first celebrity athlete in the history of the world. As the winner of one of those original Olympic games he was a sports celebrity figure back in those ancient times. And because of that he's the guy sent on a diplomatic mission to Sparta to get those rival city states working together to beat back the Persians.

Of course Phillipides does just that, but Athens is facing some problems from what would later be called fifth columnists in the city. Phillipides has to deal with them as well.

Steve Reeves as athlete is not shown as a runner, he's shown heaving a discus which would be more in line with the kind of a support his upper body would be an asset for. In fact as a runner all that weight on top would be quite the liability. But he sure looked good.

Giant Of Marathon would not be considered a great film in most quarters. But it is Citizen Kane next to some of the peplum films I've been viewing lately.

Most of the other reviews are on target, I will limit myself to a couple of points needing consideration.

This was not intended as a muscleman-'sword & sandal' show, but a straight-ahead epic and a war movie. The reason this is easy to miss is because of the choice of Reeves for the lead. He actually tries hard to act in this film - but he has no capacity for it whatsoever.

In order to give him a chance to demonstrate this, the film gives Reeves an annoying romance that takes up half the film.

As an epic, the film is only half here, the second half, the battle itself. The battle sequences aren't bad at all, they are all technically correct, well mounted and nicely shot.

In fact, the visuals of the film are very striking, especially in the meetings with city elders trying to decide strategy. The print used for the DVD is an old TV copy, washed out and grainy; but remembering its original colors, and that it was made in wide-screen, a lot of this must have looked pretty awesome in theaters on first release.

However, visuals work best when the acting isn't important; besides the Reeves' problem, in fact only the central villain is performed with any gusto or skill. Everyone else walks around like cardboard on string. For the better actors involved, that may be partly because, with the exception of the romance, there's very little character-based drama involved here.

I suggest watching it for the battle sequences, and to forgive the damage done to it by the fortunes of poor preservation.

What immediately catches the eye about THE GIANT OF MARATHON is the fact that it stars the one and only Steve Reeves, and is co-directed by none other than Jacques Tourneur and Mario Bava! Bava would go on to direct HERCULES IN THE HAUNTED WORLD, arguably, the best of the many Hercules movies.

Reeves is larger than life as Phillipides, who, after watching two oily wrestlers batter each other, must take one of them on. He makes quick work of the bloated behemoth. Lusted after by the beautiful Karis (Daniela Rocco), Phil is actually drawn to the lovely Andromeda (Mylene Demongeot), who is sworn to marry the treacherous Teocrito (Sergio Fantoni).

Meanwhile, Phil's Greeks are at war with Persia, putting a crimp in his love life. Can he get the Spartans to join forces with Athens to defeat the Persians? And, what about Phil and Andromeda? Will these two kids ever get together?

One of the more sophisticated films of its type, it contains far less cheeeze than most such productions. It also puts more energy toward the historically-based plot, characters, sets, etc., instead of focusing on one sweaty fight after another. The battles are actually huge in scope, unlike the constrained, horseback slugfests in other, lesser movies.

Don't worry, Phillipides does get a chance to start an avalanche, complete with tumbling, sofa-sized boulders! He also helps his comrades set an ingenious trap for the Persian fleet! The ensuing battle at sea is quite impressive.

Highly recommended for lovers of the genre...

A momentous collaboration between two (past and future) masters of the horror genre which should perhaps have been made in that particular field, especially since the overall effect (as with most Italian low-grade epics) is somewhat juvenile - unlike either's best work - but also because there are no monsters involved (unlike, say, THE GIANTS OF THESSALY [1960])!

Steve Reeves and Sergio Fantoni make for an above-average hero and villain; Daniela Rocca fares a lot better here than she would do in COLOSSUS AND THE AMAZON QUEEN (1960); and Mylene Demongeot is one of the loveliest heroines in all peplums, evoking memories of the early Brigitte Bardot - who had herself appeared in a supporting role in HELEN OF TROY (1955), one of many film versions centering around another legendary Greek battle (among them THE Trojan HORSE [1961], starring Reeves himself and which I watched later on in my peplum marathon!).

The slow-starting film (which, thankfully, features no intrusive comic relief) eventually picks up with the impressive battle sequence, which occupies about half its length! Bava's camera-work is exemplary and his special effects are apparent in the over-the-top violence, particularly towards the end.