Les incorruptibles

I had never heard of "The Untouchables" TV show until one morning

my 8th grade English teacher, Mr. Schmidt started ranting about the

graphic violence depicted in movies and on television shows such as

"The Untouchables" and what was he world coming to? From the next

broadcast, I was an avid fan. Much as in the style of the James Cagney

classic of 1933, "Public Enemy," "The Untouchables" wove a web of

mysterious gangland horror by NOT showing the graphic violence but by

instead keeping the killing in the shadows. The creators of the series

never forgot that there is nothing you can show in theater that can

measure up to the imagination of the audience. Another mysterious dimension to the series is, like "The Alfred

Hitchcock Show", "The Untouchables" had an uncanny knack of featuring

actors who would later become stars or at least very well known faces

in movies and on television. After 4 years in the air force including

a year in Vietnam, I watched the series as daily re-runs during the

summer of 1971 just before going to university in Tokyo. One episode

had Telly Savalas as an up and coming bookkeeper with The Mob run by

Frank Nitty while Al Capone was in prison. That evening other business

pulled me away from the television set and I figured I'd see the second

half of the show some other time. Because I have been in Japan ever

since, I never did find out whatever happened to the character played

by Telly Savalas. Less than two years later, however, Telly Savalas

finally made it big in television as Kojak.

Seeing an excerpt from 'Untouchables' on satellite TV recently brought back some memories of forty years ago, when I looked forward in eager anticipation to seeing the weekly appearance of Eliot Ness and his associates. To see them again was to see characters apparently frozen in time, operating in a mythical world where the differences between good and evil were clearly delineated and the 'bad guys' got their just deserts. Notwithstanding the fact that Capone and Ness never met, that Ness had little, if anything, to do with putting Capone behind bars, the programmes were quite well directed and acted, even though some of the supporting characters had little,if anything, to say - I can remember often waiting for some considerable time for 'Rico' (Georgiade)to say his only line ! Enjoyable,nevertheless, as cinematic curiosities, well crafted, but so far removed from historical reality as to be a rather threadbare tapestry of the events which the series purported to represent.

Quinn Martin, Desilu and Robert Stack propelled a crime series into the status of TV greatness. This series ran 114 episodes long, but stands shoulder to shoulder with such giants as GUNSMOKE and BONANZA. Set in Chicago, late 20s and 30s during depressed times and prohibition, Special Treasury Agent Elliot Ness(Robert Stack)and his band of crime fighters must deal with bootleggers, gangland murderers, assassins and crime figures like Al Capone(Neville Brand) and Frank Nitti(Bruce Gordon). Expertly narrated by Walter Winchell, this power packed crime drama got the story told without the use of on screen gore, profanity or blatant violence.

Besides the super work by Stack and Gordon others became familiar faces:Nicholas Georgiade, Oscar Beregi Jr., Anthony George, Abel Fernandez, Jerry Paris, Steve London, Grant Richards and Jason Wingreen. This series was so near perfection production wise. Awesome.

Note: TV Land, A & E, Nick at Nite, TNN...somebody put this back on the air for future generations.

I must differ only slightly from the praise of one who precedes me, but yes, it was a cracking good show! When a local station ran the series in syndication at midnight in 1967, I turned into an insomniac.

Part of it was my youth; part was/is the b&w presentation giving it a brooding, "gritty" (pardon the cliche) flavour; part was the musical score. Frankly, I found it much superior to the colour and more mature (?) series recently under the same title. Possibly the early '60s series had the elements of a morality play that move some part of me that the more ambiguous -- and in places historically accurate -- new UNTOUCHABLES can not.

One thing bothers me, however, although I fully understand that in the television productions of forty years ago one had to be discrete. It concerns the depictions of violence. I do not object (within reason) to violence per se, but THE UNTOUCHABLES showed a lot of it without the horror. With a more jaundiced eye of the 1990s, when on very rare occasions I have been able to see an old time episode, I am struck by the trivialisation of violent scenes. Even the point-blank firearms shots are comically muted, and there is never a hint of flying blood.

That said, however, I consider the advent of THE UNTOUCHABLES and BONANZA in the 1959-60 season as the beginning of the REAL "golden age of television" in the United States.

Post scriptum: I am sure there were a couple of spin-off "made for TV" movies in the 1960s from the series. Of that I know nothing more save the title of one of them: THE GUN OF ZANGARA.

I bought the first series of DVDs yesterday and until then, I never knew there was a two-hour pilot movie about it. I always thought Robert Stack was a better Eliot Ness than Kevin Costner. Stack's Ness was more like a tough, no-nonsense federal agent while Kevin Costner played him more like a nerdy accountant. This used to be my dad's favorite show and, on nights when I didn't have school the next day, he would let me stay up and watch it with him. When I was in college, I caught it when it was in syndication. I hope they continue to put out these DVDs until they have the whole series out. I'm really looking forward to it.

Life sure was simple back when this series first aired. You rooted for the good guys and hissed at the bad guys and you were glad, in the end, to see Capone and his cohorts get what was coming to them. It also shows that we have to be ever vigilant with our government officials so that this kind of evil cannot permeate our society. Great action-packed series and now lives forever in the DVD format. Now, if only THE FUGITIVE would come out on DVD.