La forêt interdite

It's the turn of the century. Ornithologist Walt Murdock (Christopher Plummer) arrives in the Florida Everglades to photograph local birds and to enforce the newly declared bird/animal sanctuary. Walt finds himself confronted by a family of poachers led by Cottonmouth (Burl Ives) and the local trade in feather plumage.

This apparently had a troubled production. The swamp people has shades of Deliverance with shocks of bright colors. There are some great natural views but the production can get stuck in the mud. The ecological and native themes are a bit ahead of its time. On the other hand, the melodrama and old costumes feel old. Most of this is a bit of a mess until the last section. It's as if the film figured out that it has two great actors in the cast. It becomes a mano-a-mano film and it's so good. The first two thirds is an interesting fail but it becomes almost electric in the last act.

I remember seeing this film in 1961 at a local drive in theater.As a native Floridian I enjoyed it very much,especially since it was filmed nearby in Naples, Florida.To me it was an accurate depiction of how life was back then. Poaching was common,wildlife officers and environmentalists were fighting a losing battle against it. It showed Florida as it was at the turn of the century,when it was young and wild. This movie is truly a treasure of history in this area. I have been hoping it would be re-released for many years but to no avail. It is a shame that it cannot be viewed by our children.I would greatly appreciate owning a copy of this great film. Skip Kent,Bonita Springs, Fl.

I first saw this film as a youngster, and it had a huge impression on me. As this movie showed on TV semi regularly back then I watched it many times. I was blown away the first time and every other time I saw it. With each re-watching I always picked up on new things I'd missed or didn't understand before, I was a kid after all.

Wind Across the Everglades invokes raw power, beauty, commitment, wilderness, redemption, morality, Human Nature, Nature.

This movie really needs to be re-released on DVD. I haven't seen it in maybe 36 years or more, but still consider it a major "Classic" that has everything going for it..great acting, great story, a non-partisan moral.

And in Nicholas Ray's canon,it's not the only one.Few directors (if there were any) displayed ecological concern fifty years ago.Maybe John Huston did when he filmed the plight of the elephants in "roots of Heaven" at the time.But it was not as successful as "wind across the everglades.

They say Ray did not finish the film (once again it was not the only one;see also "55 days at Peking" )but ,apart from his plea for the everglades wildlife,we find one of his permanent features:the Walt/Cottonmouth relationship is very complex and verges on a father and son one (for that matter ,see also " knock on any door" "the lusty men" " run for cover" ..) The picture with these birds flying away is sublime.

And so the environmentalist shall lie down with the swamp rat under the shelter of Protest. Such, at least, is my takeaway from the best scene in this flawed but interesting 1958 Nicholas Ray film where the Man From The Audubon Society and the King Of The Crackers are drunkenly united in their dislike of modern, urban civilization and, in so doing, anticipate the 1960s counter culture by at least eight years.

It's fashionable in film circles to disparage this Ray work and cast as the villain producer/writer Budd Schulberg who fired his Genius Director toward the end of shooting and took his place behind the camera. I somewhat subscribe to this view although with the fairly large caveat that The Genius was injesting heroin at the time, a rather significant detail the auteurists tend to omit. Whoever is to blame, there is no getting around the fact that large swaths of the film involving the early settlement of Miami and the love affair between Christopher Plummer and Chana Eden are as dull as a Marlins double header and that Burl Ives' performance is over the top pretty much throughout rather than in just certain parts of the film that Schulberg may have helmed. So let's give it a generous B minus for the Great Protest as well as other good red neck stuff like the elemental fight for sleeping quarters and the Everglades floozies who Ives so admires.

PS...I notice that Paul Sawtell and Bert Shefter, who did the music, did not get a credit. Anti Schulberg Protest?

PSS...An early Peter Falk performance does not make a strong impression. Gypsy Rose Lee, however, does, especially from the neck down.