Le retour de l'homme colosse

Colonel Manning, the amazing 60ft colossal man from the same film, falls into the Colorado River at the end of that film from not-so-friendly military firepower. It seems now though that he survives that only to be swept down river into Mexico where he resides in the mountains and yanks trucks off the road for food. OK, the story in this one in not anything grandiose to be sure, but Bert I. Gordon's follow-up is satisfying to a point. This time around Glenn's sister still believes her brother to be alive and flies down to Mexico - soon to be followed by a military officer who didn't believe her in the first place. Well, Manning is discovered in the mountains, tricked into eating bread loaded with something that knocks him out, and then transported to Los Angelos. From there on we basically get what we got in the first film. There are some differences though. Manning is played this time by the same guy that played the giant with the bad face and eye in Gordon's The Cyclops. He has virtually no dialog. This means that it is a lot more difficult to feel for the character as one might have in the first film. This film does show some attention to the bureaucratic way in which our government works. The acting is competent and Gordon's direction fair. His special effects are again nothing so special. We have the one brief moment of color in the climax. We also get a pretty lengthy flashback taken entirely from the first film. This is a decent sequel but not as "good" as its original source material.

The sequel to The Amazing Colossal Man continues with the further adventures of the unfortunate Colonel Glen Manning now having lost an eye and most of the flesh around the right side of his jaw. He finds his way to Mexico after obviously surviving his plunge off Hoover Dam and raids trucks for food. It's along the same level as the original and even though it's cheesy it's still fun to watch.

"War of the Colossal Beast," the sequel to the cult-classic "The Amazing Colossal Man," isn't as bad as some critics would have you believe. It's loaded with unintentional laughs ("Get the picture?"), lots of cultural stereotypes, and a make-up design that is superior to most of its sci-fi contemporaries. The Colossal Beast's first appearance in the film can still shock the unsuspecting viewer, and the end sequence at Griffith Park -- along with the reinserted color pay-off -- make this film a must for any '50s B-movie enthusiast.

War of the Colossal Beast (1958)

** (out of 4)

AIP waiting no time in getting this sequel to THE AMAZING COLOSSAL MAN off the ground and into drive-ins. Joyce Manning (Sally Fraser) believes that her brother didn't die at the end of the previous film and after hearing a strange news story from Mexico she heads down there. Sure enough the giant Glenn Manning (Duncan 'Dean' Parkin) is living in the desert and soon the military tries to capture him to see if they can help.

WAR OF THE COLOSSAL BEAST is slightly better than the original, although it shares most of the same weaknesses as that film. The biggest problem is that there are way too many scenes that just get dragged out with boring dialogue and this is especially true with the various scenes where we hear the doctors talk about what they can or can't do with the giant. I'd say the film would have been much better off with less talk and more action and especially since the action itself is pretty good.

The highlight is without question the monster. This time out they've given him a mutated face, which looks terrific and especially the lack of an eye and the way part of his teeth are showing. The look of the giant is quite effective and it makes you forget that some of the "giant" special effects aren't all that believable. Another thing this sequel has going for it is the fact that the action scenes are quite good. The stuff early on with the giant living in the desert was quite good and there's no question that the finale is full of excitement and especially a twist that happens at the very end.

The performances really aren't anything to write home about but director Bert I. Gordon at least manages to make the film run a lot more smoothly and I'd argue that it has a very pace and feel to it. Still, there's no question that it's the look of the monster that makes WAR OF THE COLOSSAL BEAST so much fun and slightly better than the original.

This is the story of how "War of the Colossal Beast" made an imprint on my life. I saw it when I was almost 2. I remember my parents lying in bed, dead asleep to the world and their bedroom tv was on. I remember being in my crib (I remember the bars!) and being thirsty so I picked up my bottle but there wasn't any water in it. I remember looking at their tv and I remember seeing this giant with one eyeball and big teeth... growling!!! It had my attention. After that, the Star Spangled Banner played and the tv went to the snowy picture. My parents, by the way, never budged. To be honest, my mom was snoring. I was scared out of my skin. I cried and threw my bottle at their bed. I think I hit my dad because my dad stirred, sleepily leaned over and turned the tv off. I sat in the dark! I was afraid that the giant with the one eyeball and big teeth that was growling was going to come through the window and get me and my parents didn't care because they stayed asleep!!! As I grew older, I could not be in the room alone if the Star Spangled Banner on tv played and the station was signing off. I used to scream like crazy. The older I got though, I controlled the screaming but I grew anxious, broke out in a cold sweat and demanded to change channels. Now that digital and satellite cable has arrived, I can look at the Amazing Colossal Beast and laugh at the cheap special effects because I know the tv wont play the Star Spangles Banner and trun to snow. The moral of the story is: no matter how cheesy and bad you think a sci-fi movie from the 50's is, don't leave your infants or toddlers in front of them. Lord knows what they will remember and Lord knows how it will effect their psyche!!!