Le retour de l'homme colosse

Colonel Manning, the amazing 60ft colossal man from the same film, falls into the Colorado River at the end of that film from not-so-friendly military firepower. It seems now though that he survives that only to be swept down river into Mexico where he resides in the mountains and yanks trucks off the road for food. OK, the story in this one in not anything grandiose to be sure, but Bert I. Gordon's follow-up is satisfying to a point. This time around Glenn's sister still believes her brother to be alive and flies down to Mexico - soon to be followed by a military officer who didn't believe her in the first place. Well, Manning is discovered in the mountains, tricked into eating bread loaded with something that knocks him out, and then transported to Los Angelos. From there on we basically get what we got in the first film. There are some differences though. Manning is played this time by the same guy that played the giant with the bad face and eye in Gordon's The Cyclops. He has virtually no dialog. This means that it is a lot more difficult to feel for the character as one might have in the first film. This film does show some attention to the bureaucratic way in which our government works. The acting is competent and Gordon's direction fair. His special effects are again nothing so special. We have the one brief moment of color in the climax. We also get a pretty lengthy flashback taken entirely from the first film. This is a decent sequel but not as "good" as its original source material.

I first saw the War of the Colossal Beast when I was about 6 or 7 years old. I enjoyed it so much that my father purchased me a 3 minute movie of it that had to be played on a movie projector. Today I own both The Amazing Colossal Man, & War of the Colossal Beast. I liked the sequel better than the first one. The special effects were better I believe. The harsh roars he made always scared me as a little kid. The movie has no real great plot. It did have quite a few errors, but I over looked them, such as Glenn Manning having no relation, then all of a sudden he has a sister. Overall I would recommend watching both movies. I am happy to own both of them, due to the fact that they are rare & not so easy movies to find today.

The sequel to The Amazing Colossal Man continues with the further adventures of the unfortunate Colonel Glen Manning now having lost an eye and most of the flesh around the right side of his jaw. He finds his way to Mexico after obviously surviving his plunge off Hoover Dam and raids trucks for food. It's along the same level as the original and even though it's cheesy it's still fun to watch.

War of the Colossal Beast (1958)

** (out of 4)

AIP waiting no time in getting this sequel to THE AMAZING COLOSSAL MAN off the ground and into drive-ins. Joyce Manning (Sally Fraser) believes that her brother didn't die at the end of the previous film and after hearing a strange news story from Mexico she heads down there. Sure enough the giant Glenn Manning (Duncan 'Dean' Parkin) is living in the desert and soon the military tries to capture him to see if they can help.

WAR OF THE COLOSSAL BEAST is slightly better than the original, although it shares most of the same weaknesses as that film. The biggest problem is that there are way too many scenes that just get dragged out with boring dialogue and this is especially true with the various scenes where we hear the doctors talk about what they can or can't do with the giant. I'd say the film would have been much better off with less talk and more action and especially since the action itself is pretty good.

The highlight is without question the monster. This time out they've given him a mutated face, which looks terrific and especially the lack of an eye and the way part of his teeth are showing. The look of the giant is quite effective and it makes you forget that some of the "giant" special effects aren't all that believable. Another thing this sequel has going for it is the fact that the action scenes are quite good. The stuff early on with the giant living in the desert was quite good and there's no question that the finale is full of excitement and especially a twist that happens at the very end.

The performances really aren't anything to write home about but director Bert I. Gordon at least manages to make the film run a lot more smoothly and I'd argue that it has a very pace and feel to it. Still, there's no question that it's the look of the monster that makes WAR OF THE COLOSSAL BEAST so much fun and slightly better than the original.

War of the Colossal Beast is a sequel to Gordon's earlier The Amazing Colossal Man (1957), and it picks up where that one left off. However, the film features a different cast. It was distributed theatrically by American International Pictures as the top half of a double feature with Attack of the Puppet People.

This sequel has competent acting performances, fair direction and ordinary special effects. It is also an obvious attempt at milking dry an already successful formula.

Unlike the first film, the character of Manning virtually has no dialogue which makes it far more difficult to feel empathy for the character.

The special effects are pretty ordinary by any standards with great reliance made on double exposure shots. However, quite a good job was made with Manning's facial make-up and the audio of his character's grunts and groans which effectively contribute to the "horror" aspect of the film.

The film is short enough as it is but unfortunately much of it consists of flashback footage from the first film which merely serves to pad the movie.

Despite the film's title, the Colossal Beast does not really engage in much of a "war" with anyone. For much of the time we see Manning being captured, him lying on his back and some military vehicles being maneuvered into position.

The War of the Colossal Beast does serve to highlight one theme that threads itself through many aspects of life in any era. Namely, how we choose to deal with big and seemingly intractable problems which are often of our own making.