10 rue Frédérick

Although Gary Cooper is my favorite actor, this was a movie I had never seen until a few years ago, when I happened to catch it after waking in the wee hours of the morning and turning on the television after not being able to get back to sleep. It seems like this movie isn't very well-respected, but I think it is fantastic and have recommended it to several people. Admittedly, it's not High Noon, but it's quite bittersweet (heartbreaking, even) and has a touch of romance. Gary Cooper's character is a very decent man at heart and truly tries to do the right thing when it comes to the major decisions he has to make, but it seems he can't win being married to such a shrewish woman.

John O'Hara's best selling novel, described by one critic as 'a brilliant portrait of the personal and political hypocrisy of mid-century America', has been adapted by one of cinema's finest screenplay writers Philip Dunne who also capably directs although he himself admitted that he had 'started directing too late'. Albeit truncated, this version apparently met with the approval of the author.

The political ambitions of leading character Joseph Chapin in the novel have been reduced here and Dunne has opted to develop a brief fling between middle-aged Chapin and Kate Drummond, a woman half his age, into a full blown romance. It must be said that the beautifully understated and sensitive playing of Gary Gooper and lovely Suzy Parker has resulted in one of the most moving and heartbreaking Spring/Autumn affairs ever committed to celluloid.

By all accounts Mr. Cooper jumped at the chance to play the part originally turned down by Spencer Tracy and would no doubt have identified with his character as he had earlier called off his relationship with Patricia Neal and returned to his wife who was hopefully more forgiving that his spouse in this, played by the superlative Geraldine Fitzgerald. There were also distinct echoes of Diane Varsi's own life in her role of Chapin's daughter, having come from a broken home and been twice divorced by the age of twenty one. This talented but fragile artiste suffered a breakdown during filming and was later to quit Fox studios as she felt she was 'heading for destruction'.

Great support from John Emery, Philip Ober, the ill-fated Tom Tully and the inimitable Barbara Nicholls as a party girl. There is a splendid score by Leigh Harline but the confounded Cinemascope format alas proves itself once again totally unsuited to intimacy. The phrase 'they don't make them like that anymore' is used to describe the character of Joe Chapin. It might just as easily refer to Gary Cooper.

The disillusionment, regret and sense of failure depicted here cannot fail to strike a chord with most of us and call to mind Whittier's 'Of all the sad words of tongue or pen, the saddest are these: it might have been.'

John O'Hara whose Pal Joey was brought to the screen the year before wrote the book Ten North Frederick on which this film is based. For some reason this is a film of Gary Cooper's that is rarely shown any more.

Cooper is the WASP type upper crust patrician who has some political ambition. He's a well respected man in his area, except apparently in his own home.

He's married to a woman who makes Lady MacBeth look like Mary Poppins. Geraldine Fitzgerald steals the acting honors in this film with her portrayal as the exponential shrew of a wife. Though I haven't seen Ten North Frederick in years, it's Fitzgerald's performance that has stayed with me and I suspect will stay with you if the film is ever going to see the light of day.

Diane Varsi and Ray Stricklyn are the rebellious kids in the household who can't quite figure out all the hostility there, but they not something is radically wrong. Suzy Parker plays Varsi's friend with whom Cooper has a midlife crisis affair with. Believe me when you see Fitzgerald in this film, you won't blame Cooper in the slightest.

Ten North Frederick set the standard for John O'Hara type soap operas and I'm surprised no one picked up on this one. With some updating this could easily be a plot for a prime time soap opera pilot.

"10 North Frederick" recounts the story of a middle aged man, successful in business, who is pushed into the political arena by his domineering, obnoxious wife.

Gary Cooper and Geraldine Fitzgerald are in fine form as the middle aged man and vicious wife. With the ending of his career approaching, Cooper gave an outstanding performance as a man who was just too good for the society that he lived in. Equally impressive was Geraldine Fitzgerald, his wife Edith, with her sterling political ambitions that could easily rival Mary Todd Lincoln. Erudite, yet a tramp in her own right, Fitzgerald etched an unforgettable character in using such terms as mawkish. (Fitzgerald could have easily played Mary Todd Lincoln in the great 1940 film "Abe Lincoln in Illinois if Ruth Gordon hadn't been available.) Some could call the film dated but what an impressive date! The mores of yesterday were defined that in politics, if you had a scandal in the family, you were ruined. Not so necessarily true today. The same more could be applied to older men married to younger women. Sociologists could really have a ball with this terrific film.

When he sees the dirt that politics brings, he begins an affair with his daughter's room mate. Diane Varsi, who was so good in "Peyton Place," shines as the daughter. Suzy Parker is her friend who has an affair with Cooper.

Fitzgerald pulls out all the stops in her vicious tirades. She is soon slapped down by her son who denounces her publicly for what she has done to her husband.

A wonderful film detailing moral values and their decline in a society where they are most needed. Highly recommended film to all viewers.

A successful small-town lawyer (Gary Cooper) with a beautiful wife (Geraldine Fitzgerald), two over-achieving children, and aspirations to be president, seems to have it all. But as his daughter looks back on his life, a different man emerges: one in conflict with his ambitious and shrewish wife, terrified that the misdeeds of his children will dash his political dreams, and in love with a model half his age (Suzy Parker). With black wit and penetrating insight, as a portrait of the personal and political hypocrisy of mid-20th-century America Ten North Frederick stands much above Butterfield 8, Revolutionary Road, Mr. Bridge and Mrs. Bridge, though much beneath The Swimmer and Mad Men. Pretty competent drama extracted from John O'Hara. Certainly half-flawed. There is, for example, a flashback in which the character who remembers could not have previous knowledge of the remembered facts, which only the viewer knows.