10 rue Frédérick

"10 North Frederick" recounts the story of a middle aged man, successful in business, who is pushed into the political arena by his domineering, obnoxious wife.

Gary Cooper and Geraldine Fitzgerald are in fine form as the middle aged man and vicious wife. With the ending of his career approaching, Cooper gave an outstanding performance as a man who was just too good for the society that he lived in. Equally impressive was Geraldine Fitzgerald, his wife Edith, with her sterling political ambitions that could easily rival Mary Todd Lincoln. Erudite, yet a tramp in her own right, Fitzgerald etched an unforgettable character in using such terms as mawkish. (Fitzgerald could have easily played Mary Todd Lincoln in the great 1940 film "Abe Lincoln in Illinois if Ruth Gordon hadn't been available.) Some could call the film dated but what an impressive date! The mores of yesterday were defined that in politics, if you had a scandal in the family, you were ruined. Not so necessarily true today. The same more could be applied to older men married to younger women. Sociologists could really have a ball with this terrific film.

When he sees the dirt that politics brings, he begins an affair with his daughter's room mate. Diane Varsi, who was so good in "Peyton Place," shines as the daughter. Suzy Parker is her friend who has an affair with Cooper.

Fitzgerald pulls out all the stops in her vicious tirades. She is soon slapped down by her son who denounces her publicly for what she has done to her husband.

A wonderful film detailing moral values and their decline in a society where they are most needed. Highly recommended film to all viewers.

John O'Hara whose Pal Joey was brought to the screen the year before wrote the book Ten North Frederick on which this film is based. For some reason this is a film of Gary Cooper's that is rarely shown any more.

Cooper is the WASP type upper crust patrician who has some political ambition. He's a well respected man in his area, except apparently in his own home.

He's married to a woman who makes Lady MacBeth look like Mary Poppins. Geraldine Fitzgerald steals the acting honors in this film with her portrayal as the exponential shrew of a wife. Though I haven't seen Ten North Frederick in years, it's Fitzgerald's performance that has stayed with me and I suspect will stay with you if the film is ever going to see the light of day.

Diane Varsi and Ray Stricklyn are the rebellious kids in the household who can't quite figure out all the hostility there, but they not something is radically wrong. Suzy Parker plays Varsi's friend with whom Cooper has a midlife crisis affair with. Believe me when you see Fitzgerald in this film, you won't blame Cooper in the slightest.

Ten North Frederick set the standard for John O'Hara type soap operas and I'm surprised no one picked up on this one. With some updating this could easily be a plot for a prime time soap opera pilot.

Gary Cooper made six films after "Ten North Frederick" -- and by the last one, "The Naked Edge," he was near death and filming had to be stopped frequently to give him oxygen.

Here, in a film based on a novel by John O'Hara, he plays Joseph Chapin, a lawyer with a son, Joby (Ray Stricklyn), a daughter,Ann (Diane Varsi) and an absolute shrew as a wife, Edith (Geraldine Fitzgerald). He's a gentle man, who has probably kept peace in his life by giving in to his wife.

The film begins with Joe's funeral, with his daughter Ann looking back on the last five years. Her own life has been affected by falling in love with a talented trumpet player (Stuart Whitman) and her ensuing unhappiness, and her brother wanted to study music at Juilliard but is pressured to attend law school. The war intervenes, and at the beginning of the film, he has returned for the funeral.

Edith has political ambitions and pushes Joe into throwing his hat in the ring; he soon finds it's too dirty a game for him and withdraws.

Joe, disillusioned, his beloved daughter having left home, he goes to New York to visit her and meets her gorgeous roommate (Suzy Parker). The two fall in love, despite their age difference.

I have to say, I felt the film was a little on the dull side - the pace was slow, and the acting, despite some of the comments here, I found rather dull. The thing about Gary Cooper is that he underplays and is very subtle - now, there's underplaying and there's just not acting. I have to say I didn't feel Diane Varsi did much acting here. Geraldine Fitzgerald was terrific, as was Ray Stricklyn, who went on to Broadway success and a huge career in publicity with the John Springer organization, handling people like Elizabeth Taylor and Bette Davis. Suzy Parker was always a total vision, but never much of an actress.

The most effective scenes were at the end of the movie, very beautiful and well worth waiting for. Cooper really shone throughout, but especially in the last section. A wonderful presence, and, like many stars of that era, we lost him too soon. It's sad to realize that they're all gone, including Varsi, who died at age 54.

Worth seeing for some of the performances. A little sharper direction would have brought it up a level.

A successful small-town lawyer (Gary Cooper) with a beautiful wife (Geraldine Fitzgerald), two over-achieving children, and aspirations to be president, seems to have it all. But as his daughter looks back on his life, a different man emerges: one in conflict with his ambitious and shrewish wife, terrified that the misdeeds of his children will dash his political dreams, and in love with a model half his age (Suzy Parker). With black wit and penetrating insight, as a portrait of the personal and political hypocrisy of mid-20th-century America Ten North Frederick stands much above Butterfield 8, Revolutionary Road, Mr. Bridge and Mrs. Bridge, though much beneath The Swimmer and Mad Men. Pretty competent drama extracted from John O'Hara. Certainly half-flawed. There is, for example, a flashback in which the character who remembers could not have previous knowledge of the remembered facts, which only the viewer knows.

John O'Hara's novel transferred to the screen,half valid drama,half soap opera ; it was the fifties ,and with directors such as Sirk and Minnelli,the apex of melodrama. Philip Dunne is not in their league but his cast carries the movie on their shoulders and makes it a winner .

An aging Gary Cooper , towards the end of the career, is deeply moving as a man whose ambitions are relatively modest (he only wants to be a lieutenant governor) but whose life will be ruined by a selfish wife ; his scene with Suzy Parker,when he speaks of the children they'll never have (because of his age) ,goes straight to the heart ; note that in his scene with Stuart Whitman (then an up-and-coming actor who considered Cooper a model ),he only intervenes towards the end ,as though he reluctantly approves of his collaborators' advice (and blackmail)

Matching him every step of the way is Geraldine Fitzgerald' s cold self-centered socialite who does not care about her children 's happiness. A woman who never loved anyone but herself.

Diane Varsi is convincing as the sacrificed daughter ,but her affair with Buongiorno is a little botched ; Ray Stricklyn who,unlike Whitman , never became a big star, shines in his last scene when he takes a rebel stand against these hypocrit "friends " ( the first scenes ,notably with the journalists ,were revealing )