IMDb RATING
5.6/10
457
YOUR RATING
During World War II in North Africa, an American sergeant serving with the British 8th Army is captured by the Germans but he hatches various plans of escape from the POW camp.During World War II in North Africa, an American sergeant serving with the British 8th Army is captured by the Germans but he hatches various plans of escape from the POW camp.During World War II in North Africa, an American sergeant serving with the British 8th Army is captured by the Germans but he hatches various plans of escape from the POW camp.
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A British tank unit is captured in the dark days of the North African campaign of the Second World War, including sketchy (by British standards) Victor Mature. He's there because his Jewish wife was killed by Nazis, so he tried to kill Goebbels. Also because they needed an American star for this British production to satisfy Columbia Pictures. Anyway, they escape and wander around Lybia.
Terence Young's movie is a disturbing mixture of standard tropes from POW movies, THE BRIDGE ON THE RIVER KWAI, and bits that I have only noticed in THE GREAT ESCAPE. Perhaps they were stories floating around, perhaps the screenwriters (including Young) had read the memoirs, and perhaps Young was drawing on his own wartime experience, as he did with his earlier THEY WERE NOT DIVIDED. The mixture of cliches and oddities gives the movie and interesting but erratic pacing. Certainly the actors, including Leo Genn and Anthony Newly help, as does the brilliant on-site Technicolor camerawork by Ted Moore.
Terence Young's movie is a disturbing mixture of standard tropes from POW movies, THE BRIDGE ON THE RIVER KWAI, and bits that I have only noticed in THE GREAT ESCAPE. Perhaps they were stories floating around, perhaps the screenwriters (including Young) had read the memoirs, and perhaps Young was drawing on his own wartime experience, as he did with his earlier THEY WERE NOT DIVIDED. The mixture of cliches and oddities gives the movie and interesting but erratic pacing. Certainly the actors, including Leo Genn and Anthony Newly help, as does the brilliant on-site Technicolor camerawork by Ted Moore.
This is a film made here in the UK by Warwick Films,the partnership of Irwin Allen and Cubby Broccoli.They generally specialised in making up market action films in colour with an American star.In this instance it is Victor Mature who at 46 is a bit overage for any army let alone the British tank corp.His rational for being in the British Army is all a bit silly as is the script which at times seems to be a boys own adventure.He has the stoical Leo Genn in support.Anthony Newley,a rising star at the time is the cockney private,normally played by Sam Kydd,and in one of his last films,before his tragic early death,Bonar Celleano.The problem with the film is the star and the script.Otherwise it is entertaining.
I caught this on TV under the title TANK FORCE. It's a British WW2 movie made up to look like an American film with Victor Mature as the imported lead and to the film's credit it always convinces as a bigger budgeted production. While scenes of tank warfare are limited to moments at the beginning and end, for the most part this is a fitfully exciting desert adventure with some suspense and incident to see it through.
The film features a mature Mature and a very good Leo Genn as allies who are sent to an Italian prisoner of war camp in North Africa and who vow to escape. The supporting cast is populated by the familiar faces of Anthony Newley, Percy Herbert, George Coulouris, and many others. Once the plot gets going it trundles along quite nicely with the usual run of plot twists, betrayals, and sudden death, and there's even time for a scene of romance or two here and there. Genn in particular is very good as the Brit with the stiff upper lip and the exciting climax rounds things off quite nicely.
The film features a mature Mature and a very good Leo Genn as allies who are sent to an Italian prisoner of war camp in North Africa and who vow to escape. The supporting cast is populated by the familiar faces of Anthony Newley, Percy Herbert, George Coulouris, and many others. Once the plot gets going it trundles along quite nicely with the usual run of plot twists, betrayals, and sudden death, and there's even time for a scene of romance or two here and there. Genn in particular is very good as the Brit with the stiff upper lip and the exciting climax rounds things off quite nicely.
In this WW II adventure, five brave Allies endeavor to escape from an Italian POW camp in North Africa. They succeed, but their trials are not over as they must still cross the burning Libyan desert to get safely behind Allied lines. En route they are captured by a Nazi-loving sheik. The sheik takes considerable time to decide the fate of the escapees; in that time, the five manage to escape again. This time they kill their captors.
Though it stars the charismatic Victor Mature, the focus isn't just on him, the other cast members such as Leo Genn, Anthony Newley and Bonar Colleano -who steals the scene as a soldier gone kill mad - get screen time. It's a solid WWII POW escape film with a strong boys own adventure leanings - there's some tense moments and a ton of explosions courtesy of WWII real tanks that blow things up everywhere. Character development is curtailed due to the frantic and a sense of urgency of the escape and adventure where things happen. Superb desert scenery that is depicted as a harsh environment than in a dreamy and romantic adds some grit. Victor Mature is excellent as always, the scene where he holds a dead Luciana Paluzzi and covers her with a blanket is touchingly done.
Though it stars the charismatic Victor Mature, the focus isn't just on him, the other cast members such as Leo Genn, Anthony Newley and Bonar Colleano -who steals the scene as a soldier gone kill mad - get screen time. It's a solid WWII POW escape film with a strong boys own adventure leanings - there's some tense moments and a ton of explosions courtesy of WWII real tanks that blow things up everywhere. Character development is curtailed due to the frantic and a sense of urgency of the escape and adventure where things happen. Superb desert scenery that is depicted as a harsh environment than in a dreamy and romantic adds some grit. Victor Mature is excellent as always, the scene where he holds a dead Luciana Paluzzi and covers her with a blanket is touchingly done.
"Tank Force" is set in North Africa during WWII. The story begins with an Axis victory and many Brits are captured. Among them is Thatcher (Victor Mature)...a middle-aged American who somehow got into a British unit. I have no idea if Americans served with the British infantry or tank corps during the war, though I know some American volunteers did fly for the RAF. It seems Thatcher is more eager than most to escape the Italian/German POW camp, as some time before he made an attempt on Goebbels' life...and the Germans would love to know his identity. So, this means he had better escape...and soon.
Most of this movie consists of the characters on the run from the Axis...hoping to eventually reach Allied lines. Occasionally, they fight it out with the baddies. Otherwise, that's about all there is to it. It's not bad though not especially deep as well. I also think the Goebbels angle was unnecessary and even detracted a bit from the film, as it's hard imagining anyone in this situation ever having any chance of escaping.
By the way, according to IMDB there is an American edit as well as a British edit for this film and the longer of the two is the British one. The copy I had ran 86 minutes and was the American version.
Also, the 'German' tanks in the film are British and the halftracks are American. This sort of thing doesn't particularly bother me, as nearly all the German vehicles were destroyed in the war and simply weren't available for movies.
Most of this movie consists of the characters on the run from the Axis...hoping to eventually reach Allied lines. Occasionally, they fight it out with the baddies. Otherwise, that's about all there is to it. It's not bad though not especially deep as well. I also think the Goebbels angle was unnecessary and even detracted a bit from the film, as it's hard imagining anyone in this situation ever having any chance of escaping.
By the way, according to IMDB there is an American edit as well as a British edit for this film and the longer of the two is the British one. The copy I had ran 86 minutes and was the American version.
Also, the 'German' tanks in the film are British and the halftracks are American. This sort of thing doesn't particularly bother me, as nearly all the German vehicles were destroyed in the war and simply weren't available for movies.
Did you know
- TriviaThe proper British title for this British film is "No Time To Die"; it was shown under that title in the UK in the late 1950s. However, 21st-century showings of the film on British television have reverted to its American release title of "Tank Force".
- GoofsAbout 15 minutes into the movie when Mature is being questioned by the Germans he is shown to extend his hands to show that his fingernails had been removed as an apparent torture method. The scenes leading up to this, while he is talking to his captures, shows that his nails are complete.
- Quotes
Sgt. David H. Thatcher: He's not worth saving, not even for THAT!
- Crazy credits"To the War Office. The Royal Armoured Corps and The Queen's Bays (2nd Dragoon Guards) who made possible the tank sequence. We extend our grateful thanks."
- Alternate versionsThe American and British versions of the film had different running times clocking in at 86 minutes and 103 minutes respectively. This was a difference of about seventeen minutes with the English print being longer than the one Stateside.
- ConnectionsReferenced in Terence Young: Bond Vivant (2000)
- SoundtracksWaltzing Matilda
Original music by Christina McPherson (uncredited), revised music by Marie Cowan (uncredited) and lyrics by A.B. 'Banjo' Paterson (as Banjo Paterson)
Details
- Runtime
- 1h 26m(86 min)
- Aspect ratio
- 2.35 : 1
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