Le Chou-chou du professeur

I was pleasantly surprised how much I liked this movie. I wasn't sure I would like Gable & Day together - that their age difference would be too awkward (she looked even younger than her 34 years and he was 58). But their chemistry worked. I like Doris much better when she isn't singing all the time - you get to really appreciate her acting skills!

I especially liked the smart dialogue in places. The ongoing debate of experience vs. education. I thought the analogy of the conductor was beautiful (see quotes page). Also, the comparison that "Experience is the jockey - Education is the horse." The screenwriters certainly deserved their Oscar nod for this gem!

I also was pleasantly surprised to see a young Marion Ross (Mrs. Cunningham on "Happy Days") in the role as Ms. Day's assistant.

I first saw Teacher's Pet when I was six years old. I'm a mere 19 now, and I still love this movie. Clark Gable was, is, and always will be the epitome of the word "star" Even though this film was almost 20 years after Gone With The Wind, Gable is still handsome and charismatic as the jagged, disagreeable, stubborn reporter. Gig Young and Mamie Van Doren help Gable to push this movie into the classics hall of fame. A definite must see for all viewers.**** out of ****

Gable and Day make an unusual couple, but this is a clever and cute romance. The film deals with illusion and reality and how the two become mixed. Though not often shown, the film is worth watching. It is one of those minor classics that is too often overlooked.

1958's "Teacher's Pet" is delightful, frothy fun, and probably what got the ball rolling a year later for Doris Day to film a batch of highly popular Universal Studios 'battle of the sex' comedies opposite Rock Hudson, among others. Here she's at odds with manly Clark Gable, in a change-of-pace comedy role.

Gable, in the twilight of his career by this time, is still loaded with sly, roguish charm as he plays a brusque, unrefined, self-taught city editor who, at the behest of his superiors, grudgingly signs up for a night class in Journalism 101, taught by the ever-spunky, no-nonsense Ms. Day. Clark doesn't let Doris in on the fact that he has a life time of experience in journalism, so Doris naturally comes off quite impressed by the "raw talent" of her novice pupil, taking a special interest in sharpening his "promising" skills. The fun really starts when the two start butting heads both professionally and romantically, with the devilish Gable stringing our girl along, while pushing her "virginal" buttons. You know how these things end but who cares? The joy is seeing two consummate pros play off each other.

Gable and Day are surrounded by a highly capable cast, especially (Oscar-nominated) Gig Young, a gifted comedy farceur, breezing through his patented "other man" role with effortless charm and skill. Here he plays Doris' handsome, long-standing beau who appears to be everything the roughhewn Gable isn't...glib, educated, charismatic, polished, impeccably-mannered, highly intellectual, a fabulous dancer, and an expert on practically every subject. Sounds like quite a catch to me! However, he's NOT the lead, so...

Sexpot Mamie Van Doren has a small, knockout role as Clark's platinum-blonde squeeze, a club singer who gets to bump and grind the hell out of a great solo number, "I'm the Girl Who Invented Rock and Roll." Trying to pass the bombshell off as an intellectual herself to impress Doris, the song pretty much says it all about Mamie, much to Clark's chagrin and Doris' delight. Day gets added laughs later when she gets to mimic the song as a sheepish Clark looks on. Others hitching a ride on this merry-go-romp are Nick Adams playing, as always, an earnest rookie, and Marion Ross and Jack Albertson in minor, pre-TV stardom supports.

The pace is brisk, the actors fetching, the comedy fresh and the fun contagious. Clark and Doris, despite their vast age difference, make such a good team you'd swear they had worked together before. Nope, this was their only pairing. So enjoy!

Classy, rapid-fire comedy that combines "His Girl Friday" with any one of the Spencer Tracy/Katharine Hepburn battle-of-the-sexes. The set-up of the plot is rather hoary and contrived (gruff city editor of a New York newspaper--who is so anti-education that he hates the smell of chalk--falls for a journalism teacher), yet the writing and the deft handling are so assured, you can nearly forgive the sitcom devices. The actress at the beginning of the film who begs Clark Gable to fire her son is such a wonderful, believable find that she gets the picture off on just the right note; Gable and teacher Doris Day are lovely together, fighting and flirting and completely at ease in their roles. When Gable finally plants one on DD, she turns away in a huff, only to melt with wobbly knees. It's a fantastic moment in this unjustly forgotten, underrated classic. *** from ****