Le Combat mortel de Tarzan

If you grew up watching Johnny Weismuller in those action packed programmers, this is just painful to watch. There are a few scenes of waterfalls, etc. that are nice but in the older films they used stock footage of wilderness along with wild African animals stampeding and attacking which in itself evoked a sense of danger utterly missing here. The pacing in the earlier films was quick and exciting while here, everyone sleepwalks through the entire movie with wooden acting by all involved. Action scenes are bland and suspense is nil. Gordon Scott is great eye candy but stinks up every scene he is in. Granted, it is not as noticeable as it could have been since all the other actors are doing the same thing. I hated seeing a dynamic character actor like Woody Strode stuck in this awful flick. He looked like he hated it too. I guess we all have to make a living.

I must admit to being a Tarzan junkie so keep that in mind while reading my comments. There's not a whole lot to the plots, in fact they tend to be fairly similar. Some injustice takes place, usually perpetrated by evil white men, and Tarzan sets things right. That's about it and if you expect complicated character interactions and plot twists you'll surely be disappointed. One of the best things about these movies is the physiques, happily and gloriously shown with as little clothing as possible. Jane is always an eyeful so I sat down to watch this one (the second color Tarzan) because I had never seen Eve Brent, the twelfth Jane. Although not the prettiest she was perhaps the sweetest and her scenes with Gordon Scott were rather passionate. Their kisses would make the heart of any romantic flutter. Still, as good as that was, my favorite part was James Edwards' characterization of Futa, the evil witch doctor. He made 'Fight for Life' an over the top camp fest. Yes, Gordon Scott was a hunk, Eve Brent was eye candy, there was Cheeta (although the chip can be irritating), there's lots of jungle and dangerous animal shots, but Edwards elevated this one above its routine plot and production values.

Dr. Sturdy (Carl Benton Reid) and his daughter Anne (Jil Jarmyn) are studying jungle illness. Tarzan (Gordon Scott) saves Anne and her fiance Dr. Ken Warwick (Harry Lauter) from Nagasu tribal warriors. Warrior Ramo (Woody Strode) under the influence of witch doctor Futa (James Edwards) is fighting the encroachment of modern medicine. Tarzan tries to reason with Futa to no avail.

I'm sure that Tarzan was declining by this time. It's the second Tarzan movie in color. It's old fashion with interior sound stage filming while trying to modernize with color. It was probably dated even during its initial run. I can see this character moving into kids TV territories until his revival in the 80's. The whole white savior to the savage Africans premise must be getting old. Nevertheless, it is done pretty well. Without dissecting its deeper meanings, the movie works. The production isn't any worst than the other Tarzan movies. The franchise is transitioning into a slow spot in the popular culture.

TARZAN'S FIGHT FOR LIFE (Metro-Goldwyn-Mayer, 1958), a Sol Lesser production, directed by H Bruce Humberstone, marks Gordon Scott's third go-round as the jungle warlord and the second in color (compliments of MetroColor). After two prior Tarzan adventures where the title character goes solo without his mate nor son, this edition returns to formula material commonly found in the 1940s starring Johnny Weissmuller where the plots revolved around Tarzan, Jane and their son, Boy. As with the latter Weissmuller entries, the Jane character, played then by Brenda Joyce from 1945-1949, enacted here by Eve Brent, is also blonde, this time wearing lipstick in certain scenes! The adopted son is not characterized as Boy, the name earlier used for Johnny Sheffield's carnation during his performance in eight entries (1939-1947), is now performed by Rickie Sorensen going under a new name of Tartu. There is still Cheta, however.

The story begins with Doctor Sturdy (Carl Benton-Reid) of the Medical Association, experimenting in a native hospital in Randini accompanied by his daughter, Anne (Jil Jarmyn). Hoping to fine a cure for a fever that had earlier killed a tribal chief in the distant village of Nigasso, Futa (James Edwards) does what he can to keep his tribe from accepting Sturdy's modern medical efforts of curing the sick in favor of using traditional witch doctor and black magic. Because the tribe shows no appreciation for her father's dedication in his hard work, Anne wants for them to leave before the natives turn hostile and form an attack towards them. Arriving to join Sturdy is Ken Warwick (Harry Lauter), arriving from England after two years of medical school in England. As the tribe comes to attack Anne and Ken, Tarzan (Gordon Scott) arrives in time to rescue them. Being a friend of the Nigasso tribe, Tarzan tries to learn from Futa why he and his tribe cannot be civil. Moments after their talk, one of the native girls is attacked by a crocodile. Tarzan dives into the water to bring her back to safety. Because the bite on her leg has caused a great loss of blood, Tarzan goes against Futa's orders by taking the injured native girl and placed under Sturdy's care. Though the native girl's leg is amputated, she later dies. Only because Tarzan continues to support Sturdy's medical methods does he become the enemy of Futa's tribe. During the course of the story, Tarzan's mate, Jane (Eve Brent) suffers from appendix pain, forcing Tarzan and son, Tartu (Rickie Sorensen, to immediately take Jane by down the river by canoe for emergency operation by Sturdy. Later Molo (Nick Stewart) comes to the hospital to carry on Futa's vengeful attempt to kill Jane in her hospital bed. When all fails, Futa orders to have Tarzan captured and bound so he could be sacrificed by having his heart taken from his body.

An acceptable production being a bit longer than usual (86 minutes), TARZAN'S FIGHT FOR LIFE offers enough material reminiscent to the older "Tarzan" formula of the Weissmuller days, including Tarzan and Jane kissing and having their leisurely play swim in the lake. Tarzan even shows he has his fight for life when combating realistically with a giant python. Here's one added bonus: Tarzan riding through the jungle on a giraffe. Some actual African jungle photography mixed with indoor sets along with color add greatly to its background and scenery. Then there's the chimpanzee, Cheta, this time sporting a loincloth around its waist like her master, Tarzan, allowing time for comedy relief with his junior Tarzan companion. Rickie Sorensen, around age nine here, does what's expected for little Tarzan. His character is never fully explained who he is or where he came from except that he's adopted by Tarzan and Jane. There must have been an orphanage nearby as opposed to Tarzan finding an orphan boy somewhere in the jungle and taking him home to Jane as was done in TARZAN FINDS A SON (1939) and TARZAN'S SAVAGE FURY (1952). James Edwards, who did a masterful job in his debut film of HOME OF THE BRAVE (1949), is nearly unrecognizable playing the evil warrior chief, supported by Woody Strode (Ramo); Roy Glenn (The High Counselor); and Milton Woody (The Temple Native). Gordon Scott shows himself to be better muscular and agreeable to the latest Tarzan of the 1950s, a role he would continue to play belting out his Tarzan call until 1960.

Aside from frequent broadcasts on commercial television in the 1960s, 1970s and 1980s, this and other Tarzan adventures have played on cable television as well, especially American Movie Classics (1997-2000) and Turner Classic Movies (TCM premiere: August 5, 2010). Though this was to be the final theatrical Tarzan adventure to include the nostalgic feel revolving around the Tarzan family trio, Scott, Brent and Sorensen united together once more in 1958 for a proposed television series that never sold, in which three episodes were edited together to form another feature-length venture titled TARZAN AND THE TRAPPERS. Of the two, TARZAN'S FIGHT FOR LIFE is much better. (***)

This is the Tarzan Movie that Stopped a Decades Long Franchise and sent the Tarzan Films in a New Direction. It sure has its Detractors, and it is Mediocre, but not Without some Entertainment Value.

It's Only the Second in Color and it is Colorful, check out the Native Attire. This Good Looking Tarzan also has the Very Good Looking Gordon Scott, and Jane (Eve Brent) is Stunning.

For Tarzan Action, He Rides a Giraffe and Fights an 18 foot. Python. Both Scenes with Real Animals with the Snake Unwilling to Let Go causing some On Set Panic. Tarzan is Captured and Bound Spread Eagle with a Caged Lion, and there is some Witch Doctor Eeriness for Suspense. Jane is in Peril a Few Times and Tarzan must Fight for Her Life as well as Others.

There are some Silly Things (Cheetah in loincloth) and some Bad Dialog. The other Female Character, Jill Jarmyn, Overacts Greatly and gets on the Nerves. But...

There's just too much Fun Going On here for this Entry to be Dismissed as Worthless. It's Worth a Watch.