Submarine Seahawk

This movie directed by Spencer Gordon Bennet is only for those searching desperately a time waster at all costs. This is probably the less interesting war films about submarines I have ever seen. Not a crap, because it is a B picture from the late fifties, and I have great tenderness for this period. I don't know any of the characters and I guess poor Spencer Gordon Bennet had great financial issues to direct this. I highly prefer from him the serials he made for Republic Pictures in the forties and his last two movies: BOUNTY KILLER and REQUIEM FOR A GUNFIGHTER. Nothing more to say about this feature.

Submarine Seahawk is one of those films that you or I could put together with some stock footage and a knowledge of all the clichés involved in making a submarine motion picture.

The U.S.S. Seahawk has a mission and it looks like a suicide one. Under new skipper John Bentley, they're to go into a secret Japanese base and report when the task force is being refitted. Then the Americans are to pull their own Pearl Harbor.

For reasons only the writers know, the purpose of the mission is kept secret from the crew. Why, God only knows, because where's everybody going to go and tell once they're at sea. So the crew is grumbling why they're going out of the way to avoid engaging the enemy.

John Bentley, Brett Halsey and the rest of the no name cast deserve some kind of medal for wading through this tripe and delivering some kind of decent performances. All the clichés involving submarine films are alive and thriving in Submarine Seahawk.

Will they come home from the mission? Watch the film if you dare and care.

The story isn't much, but the miniature footage is pretty good for an AIP quickie and the stock footage is quite well integrated for once. It won't set your world alight but it's certainly better than some of the other AIP war films (Paratroop Command, Tank Batallion, etc.)

"Submarine Seahawk" is the sort of war film that should be pretty awful. After all, it reuses some footage from another film, is made by American-International Pictures, a couple of the characters are indifferentlbroadly written and the budget is minimal...with mostly no-name actors. Yet, despite this, it's surprisingly effective and worth seeing...even if it does currently have a paltry 4.9 overall rating.

The film begins with the crew of the Seahawk sinking a Japanese ship with their final torpedo. But instead of meeting up with a nearby supply depot for more torpedoes, the ship is ordered to Pearl Harbor. Once they arrive, they learn why. The ship's commander is being given a promotion to a desk job and the cold and generally disliked Lt. Commander Turner is being given command. While the skipper wanted one of his other officers to receive command, he was informed that Turner is needed because he is so knowledgeable about Japanese ships....and their next mission is NOT to sink boats but to do reconnaissance. It seems that the Japanese have pulled all their best ships out of action and the US command wants to know where these boats are.

With these orders, the crew is not happy. After all, they want to sink ships. And at least initially, they hate that Turner is avoiding fights and is only interested in relaying his reports back to Pearl. What's next? See the film.

Apart from a couple characters who are one dimensional, such as Lt. Shore and the nerdy seaman, the film actually worked well. The prior footage was integrated well and despite the cast being unknowns, the acting was pretty good. Underrated and worth seeing.

For once a British actor plays the lead in a cheap Hollywood movie rather than vice versa (playing a Yank, John Bentley's dodgy accent covered by a c.v. including time spent studying at Oxford).

Set in the Pacific in 1944, with the aid of a heroic score by Alexander Laszlo and slickly cut so that the interiors shot by veteran cameraman Gilbert Warrenton well match the library footage (some of it pretty ancient looking) it competently works it's way through the usual friction between the officers followed by enemy mines and a Gung Ho finale; capped by a surprising appearance by the statuesque Marilyn Hanold, soon to shed her uniform as June 1959's Playmate of the Month and later usually cast as bad girls.