La terreur monte

Based on the title, I initially thought Step Down to Terror was going to be a horror film. I soon realized my error. That's fine because I was also up for a good suspense film and always happy to see Rod Taylor. Step Down to Terror isn't completely lacking in suspense, but unfortunately, there just isn't enough of it. For starters, I think the film takes to long in the set-up before it actually gets really interesting. Then when it does get interesting and suspense starts it's fairly quickly snuffed out when the female lead oddly, and unfortunately for everyone involved, including the audience, decides to put everything out there. The very ending scene is odd and seemed like a last minute kind of thing.

****SPOILERS**** Overdone story about a serial killer who specializes in murdering wealthy widows dropping in on his mother and her step-daughter and grandson in California. whatever you think of Johnny Walters, Charles Drake, you know he's up to no good from the very beginning. Chased by what looked like two plain-clothes policemen he later drives west to see his mom Sarah Walter, Josephine Hutchinson, in the Golden State whom he hasn't seen in six years. Johnny has a split-personality with him being sweet gentle and loving as well as secretive nasty and violent.

Johnny inadvertently gets his sister-in-law Helen, Coleen Miller,to check out a newspaper that he ripped an article out of at the local public library and she sees in that newspaper that there's a killer on the loose and his latest victim was a woman from New Orleans who he murdered named Janice Dawson.

Sweet and kind Johnny gave Helen a ring with the initials J.D on it that he couldn't convincingly explain to her how those initials got there; a ring he won gambling Johnny told her. Later the policeman who came from out of state to arrest Johnny Mike Randall, Rod Taylor, calls Helen and tells her the good news that the killer who they were looking for who the police thought was Johnny was killed in a shoot out in New York City. This came across as pure gobbeldygook since how did the police know, just by him being dead, that he was the killer of the women that Johnny was suspected of killing. That still didn't explain Johnny's creepy and unnerving actions with Helen, who he tried to kill twice by having her fall down a stairway that he "fixed" and then later tried to kill her by putting a bottle of sleeping pills in her milk. I thought for a moment that Randall just wanted Helen as well as Johnny to know that he wasn't a suspect so that he would have his guard down and make it easier for the police to arrest him later.

Another thing that struck me was Johnny's mental state. Why would he throw suspicion on himself by tearing out the article about the killings since his name wasn't mentioned at all in the story? By him acting so guilty Johnny only made Helen suspect that he was the killer especially with the clue that he gave her. The ring with the initials G.D those of the killers victim in the article?

Charles Drake played a psycho killer to the hilt and almost as well as Anthony Perkins played Norman Bates in the movie "Psycho" two years later. The movie makers of "Step down to Terror" didn't seem to know how to end the picture with it having something like three different endings.

Ending #!. Johnny meekly giving himself up to the police. Ending #2. Johnny Cracking Randell's skull as he was about to arrest him. And Ending #3. Johnny driving away from the police and having his seven year-old nephew Doug,Ricky Kelman, come out of nowhere with his bike in front of Johnny's car and Johnny getting killed trying to avoid him with Helen in the car as a hostage surviving the crash.

Wow, I'm the only 10 star review??? I don't know why B movies receive negative criticism. From a cinematic standpoint, some of them are more impressive than A-list movies. You can't underestimate a small budget and a lesser known cast of actors and actresses. I guess I feel that way because I've never been crazy about movies that are popular with the general public. I've watched movies, older and newer, that people rave about, and I didn't see what the big deal was. There's a lot of underrated gems that the majority of people don't even know about, and I'm so happy they're on YouTube.

The beginning of Step Down to Terror wasn't groundbreaking. It was quite simplistic, actually - a man running away from the cops, then some time later, standing on a front porch and hugging his mother - but it caught my attention. Johnny Williams (Charles Drake) is dodging the law, and decides to hide out in the home of his mother (Josephine Hutchinson), sister-in-law (Colleen Miller), and nephew (Ricky Kelman). Unbeknownst to them, he's a serial killer, and he only murders widows, and that happens to be his sister-in-law. His brother nearly died as a child in an accident involving a bicycle, which he blames himself for (I don't know if the writers meant to do this, but it was implied that he has PTSD. Chances are, I'm sure that was unintentional, because not much was known about the disorder back in the 50s. Looking at it through a modern day lens, not receiving treatment pushed him over the edge, leading him to become homicidal). I love watching the type of movies where the main character isn't who everybody thinks they are, and they have to go to great lengths to hide their true self. It was pretty sad at one point though, because Johnny's nephew was excited to have him around, seeing as how his father was deceased, but Johnny was so opposed to him having a bike, out of the fear that originated from his brother's accident, that he waited until no one was outside to run over it with his car, and when his nephew discovered it was destroyed, he acted like he had no idea what happened. He starts acting strange, to the point that his mother and sister-in-law notice. Well, more so his sister-in-law. She suspects that he's hiding something sinister. My only complaint, is the ending seemed rushed, a common thing with B movies. Nonetheless, I can easily watch this more than once. Also, I didn't find out this was a remake until after the fact. Honestly, I have no desire to watch the original. I enjoyed this so much that I'm not even curious.

By the way, Charles Drake was handsome. This movie was somewhat true to life. While all of them aren't murderers, handsome men are generally unbalanced. If you haven't already seen this, it's worth a look. Don't pay attention to the low reviews.

Immediately recognizable as a remake of Hitchcock's 'Shadow of a Doubt'. Charles Drake adequately replicates Joseph Cotten's initially bland, innocuous deportment, but the movie, trimmed down in running time and the shedding of several characters, a significant step down from the original, looks formulaic and becomes increasingly defined by Drake's predictable terror by numbers performance.

1) Becoming worryingly irritated and aggressive over an engraved ring. 2) Unconvincingly finding a lame excuse to tear a page from the local newspaper. 3) Colleen Miller's young son receiving a new bicycle puts a drastic spoke in his wheel, sparking bitter memories relating to a cycling incident from his own past. Shortly afterwards he 'accidentally' reverses his car over the gleaming dream machine, instantly reducing it to scrap metal. 4) When the family are selected to partake in a survey involving interviews and photographs, he stays out of sight, retiring to his bed with a mystery illness. 5) The manic, rambling 'world is a jungle' rant, populated only by two faced, rotten to the core, money grabbing hypocrites, hiding behind a wafer thin veneer of respectability.

Colleen Miller takes on the Teresa Wright role of the astute and dutiful family member, who rumbles that there is something monstrous; a dangerous phony lurking behind Drake's outwardly avuncular facade. A remake that need never have been remade. As such, it is rarely more than mildly interesting and moderately entertaining. When it comes to suspense, Hitchcock holds all the cards.

Having acted alongside Rock Hudson, Elizabeth Taylor, James Dean, Dennis Hopper and Earl Holliman in 'Giant', the 28 year old Rod Taylor continued to get roles alongside high profile actors and actresses until his big break came in 1960 with 'The Time Machine'.