The Space Children

The children of some US rocket scientists come under the spell of a strange alien being that seems to want them to sabotage the nations defense!

Another B thriller from director Jack Arnold (who directed the classic Creature from the Black Lagoon in 1954), this one is a bit more intelligent than the average drive-in sci-fi fodder. The Space Children is actually an anti-war film kind of in the tradition of The Twilight Zone, the story does indeed resemble a story that one would see on the classic TV series. Arnold lends some steady direction, creating an occasionally eerie atmosphere (who could ever forget that spooky final image of an ill-fated Russell Johnson?) and a decent alien creation. Kudos go to a chilling music score.

The cast isn't half bad, the youths of the film being especially good.

A worth-wild watch for those who like the films of this era.

** 1/2 out of ****

While not Arnold's best film, IMHO (I find it a bit preachy and badly hampered by the rubbery silliness of the Big Alien Brain), this is still a memorable film. Though set in a beachfront area it happens mostly at night, using Arnold's typically haunting black-and-white compositions to set an appropriate tone of strangeness and isolation. The children, alienated from their preoccupied and overworked parents, are almost adopted by the space creature, which takes them under its protection (a drunken and abusive father is disposed of soon after the brain's arrival) even as it enlists them in its pacifist mission. At first fairly typical kids, they quickly develop an air of gravity and wisdom that remains after the alien departs, suggesting a lasting, even evolutionary effect. The film's title is perfect: the kids do become Space Children, more in tune with alien than human thought.

Last year I watched TCMs documentary WATCH THE SKIES. Seeing the clips from this movie, I vaguely remembered seeing it but wasn't quite sure. Since Steven Spielberg gushed about it I thought I would search for a copy. I finally found a copy and watched it with my twin brother and a childhood friend of mine. Having seen it, I realize that I did see this movie. My brother and friend also remembered it and we agree that it was probably in the very early sixties. I was at most six years old at the time. When your six you don't concern yourself with the BIG MESSAGE. What I really liked was monsters and aliens. This movie does not feature any exciting encounters with either. I guess the reason I liked it at the time was because kids were the main stars of the picture. They really don't do much, in fact nobody really does much in this picture, but that really doesn't matter. Seeing it again as an adult, I am tempted to roast this movie for it's lack of production values, obvious low budget, lack of action and highly unrealistic storyline. I agree with another reviewer, what is an unemployed drunk doing at a top secret missile facility. Why are children allowed to run all over the place? But why bother? It doesn't really matter. There is a message here no matter how clumsily conveyed. The movie has good nostalgia value and that is probably the real reason I like it.

This was director Arnold’s penultimate of seven horror/sci-fi outings from the same decade and, in retrospect, the least of them. Its focus on children (the title itself is ambiguous – since the kids don’t come from space but rather are ‘possessed’ by aliens into sabotaging a rocket-launching station!) draws parallels to later genre classics such as VILLAGE OF THE DAMNED (1960) and the unrelated THESE ARE THE DAMNED (1963): like the former, the children here are able to influence the actions of their elders and, as in the latter, much of it takes place against a backdrop of remote cavernous surroundings. As for the alien itself, it’s nothing more substantial (or imaginative) than a growing, glowing glob!

Being just 68 minutes long, this undeniably earnest film can’t hope to fulfill its aspiration of being a profound anti-nuclear parable; for one thing, the characters are mere stereotypes – an average American couple with their modest dreams and dilemmas, a bubbly yet cagey neighbor (played by Jackie Coogan, of Chaplin’s THE KID [1921] and TV’s THE ADDAMS FAMILY fame!), another’s a drunken boor who mistreats one of the boys and his mother, plus the requisite number of dedicated but callous scientists and military personnel. Actually, I was wondering all through the picture why the alien didn’t simply possess one of the parents or scientists – surely his attempts at persuading colleagues to halt the missile project would have had greater chance of success, since the children’s clandestine activities merely irritate the hell out of the people at the base engaged in such a secretive operation! That said, unexplained events that occur – such as the driver of a fuel truck losing control of his vehicle or nominal hero Adam Williams losing his voice and the faculty to write when trying to divulge the presence of the alien to his superiors! – come across as creepier when caused by innocent-looking children and, besides, their presence near the test site is more likely to be overlooked than rouse suspicion of any foul play.

In the end, the film is tolerable (the print, then, seemed to be culled from a TV screening – since the picture fades in and out every once in a while, sometimes even in mid-sequence, where the publicity spots may have been inserted – with a good deal of hiss on the soundtrack!) but rather uninspired and, what’s more, is defeated by the low-budget. Though genre expert Arnold had proved time and again what he was capable of doing, it suffers especially in comparison with the two DAMNED films mentioned above or even a third such title, CHILDREN OF THE DAMNED (1964)…which I actually need to re-evaluate myself, but recall being an underrated achievement on my sole viewing of it so far.

Well what can one say. This late 50's space monster movie has The Professor (from Gilligans Island) Mr. Drysdale (from The Beverly Hillbillies) and Mark McCain (from The Rifleman). Additionally former child star and later Addams Family Uncle Fester Jackie Coogan. While the story is slow moving and a tad on the weak side as far as Sci-Fi goes, watching some of these actors outside of their famous TV character roles makes this film enjoyable. MST3K of course got a hold of this one and adds a touch of flavor. It's still a fun if yet dry Science fiction yarn.