La vallée de la poudre

"The Sheepman" is a comedy-drama...with an emphasis on either that changes throughout the course of the movie. It begins with Mr. Sweet (Glenn Ford) arriving in a new town and thoroughly ticking off almost everyone he meets. Why would be behave so? Apparently, he expects to be hated and he's just speeding up the process. And, the reason to hate him? He's planning on raising sheep in the range--a place where cattle is king and folks hate sheep! The rest of the film is about how the town tries to get rid of Sweet and how the clever Sweet takes to this unkindness.

Aside from some amazingly crappy rear projection used throughout the movie, it's a rather unusual and enjoyable film. The mood is odd however...at times a bit funny and at others deadly serious.

This movie works on a lot of levels. Awesome cast, good story, great action and good laughs.

Ford is a different tough guy to most western stars, less physically imposing his toughness or power comes completely from his uncompromising attitude against his foes. It makes a nice change , similar to Joel McCrea but a better actor.

The movie has all the elements that you would be looking for when watching this, its a very satisfying movie :)

Terrific M-G-M oater with both a comedic and a romantic slant has Glenn Ford playing the new sheep farmer in a cattle community; he deliberately stirs up trouble for himself with the locals, particularly villainous old acquaintance Leslie Nielsen, when reminding them that the grazing land is his to use as well--and if they wanna run him out of town, he'll fight them to the bitter finish. Shirley MacLaine is at the peak of her charms as a sarcastic gal who initially plays both sides of the fence. Very entertaining western with colorful production makes no overtures to deep meanings or powerful statements. On the frivolous side though it may be, it is one of the most satisfying westerns of the 1950s. Screenwriters William Bowers and James Edward Grant (Oscar-nominated) have fashioned a surefire character for Glenn Ford, who is irresistible. Good show! *** from ****

This is a very special western ,very tongue in cheek ,which was very unusual in the fifties where the masters produced unsurpassed classics (Ford,Daves ,Walsh,Mann....)Till the moment when Glenn Ford tells the story of his former fiancée to Shirley McLaine ,there's absolutely nothing dramatic in this plot which involves a Sheepman who has got problems with the inhabitants of a cattle village .Sheepman has to battle for sheep herds and for the "colonel"'s fiancée, a tomboy who was ahead of her time ,as far as woman's lib is concerned ,at least till her very last lines ;Glenn Ford ,Shirley McLaine and Leslie Nielsen do not take their roles seriously and it's much fun watching them battling against each others ;one can regret that Georges Marshall should have introduced drama in the second part .It should have stayed a comedy till the end!The scenes of the ball and the night train tooting alone are worth the price of admission.

Didn't Jason get the Golden Fleece?

This is one of the 1950's best westerns in the Destry Rides Again mode of tongue-in-cheek westerns and foreshadows Support Your Local Sheriff by a decade. It's ideally cast and is certainly one of Glenn Ford's finest roles. He and Shirley MacLaine have marvelous chemistry. Familiar faces Edgar Buchanan, Mickey Shaughnessy,Willis Bouchey,Percy Helton,and Slim Pickins are around to give it the proper old western flavor and Leslie Nielsen is slickly handsome as Ford's rival for Shirley's affections. Pernell Roberts is an effectively slimy villain. Director George Marshall was an old hand at combining comedy with action and The Sheepman is one of his best efforts. The screenplay by James Edward Grant and William Bowers was nominated for an Academy Award.

The Sheepman still holds up well today and will appeal to anyone who is a fan of western's,comedies,or just plain entertaining movies. It's good, clean, old fashioned fun and a prime example of one of those kind of films"that they just don't make anymore!" More's the pity