Two brothers, one wanted for murder, are shipwrecked on an island inhabited by nubile young women who have amassed a valuable cache of pearls.Two brothers, one wanted for murder, are shipwrecked on an island inhabited by nubile young women who have amassed a valuable cache of pearls.Two brothers, one wanted for murder, are shipwrecked on an island inhabited by nubile young women who have amassed a valuable cache of pearls.
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Another way of looking at this movie is that clever editing could have turned it into a touching story about two men who, while vacationing in Hawaii near the Hospital for Brain Damaged Women, discover just how attracted they are to each other soon after one of them tries to stop being gay by dating one of the native women. In this sense, one could consider this movie a well done piece of cinema history, especially since it was ahead of its time on the topic of civil rights.
It is by imagining the latter scenario that this movie can be made entertaining enough to sit though. If you watch this by taking everything at face value, this flick is way too boring to finish. I'd say the only major motivation anyone would have to watch this movie is if they'd purchased some sort of boxed set that includes this, which is, incidentally, the only reason I watched it.
The full synopsis goes like this: Two young, well-built dudes end up stranded on a Hawaiian beach and decide to never wear shirts again. They encounter a civilization of aforementioned broken English-speaking women led by a psychotic mother matron character who is obsessed with local tradition, which involves human sacrifice to appease the shark god. This means feeding a few of the young hotties to a mid-sized shark that may or may not be alive.
One of the guys, Chris (Bill Cord) eventually falls in love with one of the native babes, Mahia (Lisa Montell), much to the irritation of Chris's ambiguously gay partner, Jim (Don Durant). Since the mother matron (Jeanne Gerson) is a nasty old woman who hates men, she decides to have Mahia sacrificed to the shark god to make herself feel better about neither Chris nor Jim finding her attractive.
SHE GODS OF SHARK REEF: it's not the worst thing I've ever seen, but it's far from the best. The good news is that this sucker is, I do believe, public domain. Those who might search for it could possibly locate it online for free.
But as the old adage goes if something looks too good to be true, chances are it is. These women worship the shark as a deity and that's a deity that forever needs feeding. And somehow in their religion as in many others they've divined that the shark likes virginal women.
Other than they don't like outsiders in general Queen Jeanne Gerson of this Amazon culture also feels that with these two healthy American men the virgin supply might start shrinking. Though you have to wonder how without men did these Amazon cultures start and keep going.
All I can say is that Roger Corman did Happy Days one better by having a whole film devoted to shark worship. And the Happy Days folks thought just the Fonz jumping a shark tank was the be all end all.
But then came 'She Gods of Shark Reef'.
One can only imagine the good people at Treeline discovered the day before it released '50 SciFi Classics' that their collection only contained 49 films. So, in their need to find a filler fast, we end up with this non-SciFi film that was seemingly videotaped off a TV station whose reception you can only get by plugging the aerial into the toaster. Except, such a movie would never be played by one of those TV stations, due to its fear of losing an audience.
Even the Treeline plot summary on the DVD sleeve gives you the tell tale sign that your in for a painful experience, as the best thing they can say at the beginning is 'Filmed in Hawaii'; which to my surprise, turned out to be a colour production process that seemingly gives this film a maximum of only 3 colour tones at any one time.
I will not give you a plot synopsis as I strongly recommend you don't watch this film. It manages to find that special 'woeful' niche, where it's not bad enough to be enjoyable, yet hardly good enough to be watchable.
However, I know that no matter how appalling it is, lessons can be drawn from a movie. The three lessons I learned from this film were:
(1) its OK to hit a woman, provided she is fat and ugly
(2) no matter how you film it, a dead shark looks very obviously like a dead shark, even if you push it to the intended shark attack victim, or drag it in the water to give the impression that its swimming
(3) if there was an award for 'Smallest Killer Shark in Film', the poor little dead creature used here would win (and by more than a fin). In fact, if it were any smaller, it could easily be mistaken for krill.
I have sacrificed myself to the She Gods so that you may forego the pain. I recommend that you take the opportunity instead to turn off the TV and go outside for a pleasant 70 minute walk and talk with a friend or loved one. The type of thing people probably did before the invention of film.
But Corman does a good job of keeping things fresh. This is a "cheese" film, make no mistake, and was meant to showcase a pair of hunks and a few gorgeous gals.
You can tell no money is wasted. But we don't mind that we don't see a ship torn apart by a hurricane. Only the most hopeless of dorks would complain about the lack of special effects, so long as the story is told.
There could have been more organization, however. The credits I saw on utube don't even begin to match the names of the characters. If you look at the credits while watching the movie, you'll go "Huh?".
And the bad brother is a bit cliché in his consistent evil doings. May as well let him muse over taking over the world with James Bond as a nemesis.
Still, the ending is totally unpredictable, particularly for Corman, and particularly for modern audiences. One has to be fairly impressed that Corman can at least keep from giving us a cliché to end this one.
Did you know
- TriviaWhen Roger Corman needed to travel to shoot a film on location, he would put together a second feature that could be shot at the same location. This film was shot on the same location as Naked Paradise (1957). American International put this on the shelf for a year and a half before using it as part of one of their pre-packaged double features with Night of the Blood Beast (1958).
- GoofsIn the room when the woman is laying on the bed. The blond guy stands up quickly and the boom mic is slow to go up.
- Quotes
Chris, alias Christy Johnston: I thought I saw something *just* inside the reef.
Queen Pua: That is home of shark god Tangaroa. That place taboo. Shark god angry long time now. Bring many bad storms, much bad fortune.
Chris, alias Christy Johnston: Well he certainly didn't bring *us* any luck. Is there anything we can do to get him in a better humor?
Queen Pua: Tangaroa... angry.
- ConnectionsEdited into Muchachada nui: Episode #3.4 (2009)
- How long is She Gods of Shark Reef?Powered by Alexa
Details
Box office
- Budget
- $50,000 (estimated)
- Runtime1 hour 3 minutes
- Sound mix