Démons femelles

I first saw 'She Demons' on TV as a youngster, and was frightened by it; as I grew up, I saw it a few more times as an adolescent and a teenager, and then, it sort of disappeared from TV.

I found a VHS copy in a video store 3 years ago, and had a movie night with some friends. We howled at the bad acting, the bad makeup of the 'She Demons', and especially at their weird dancing.

The climax, still effective, is the end when Mona reveals her face. A must see if you're in the mood for campy horror and a lot of laughs.

This ranks right up there with "Plan Nine From Outer Space" and the rest of the Z-grade sci-fi and horror films made during the 1950's and it's also as much fun to watch. Story is about four people getting shipwrecked on an uncharted island and at first they believe it's unoccupied but when one of them is discovered murdered with spears they quickly change their mind. The Captain is Fred Maklin (Tod Griffin) and his first mate is Sammy Ching (Victor Sen Yung) and they also have the spoiled rotten but beautiful Jerrie Turner (Irish McCalla). They explore the island and discover a bunch of scantly clad young women who are being held in bamboo cages by Nazi's!

*****SPOILER ALERT*****

The three of them are captured and taken to an underground laboratory where they meet Col. Karl Osler (Rudolph Anders) who explains to them that he uses the young women for his experiments with radioactivity and the genes from animals to try and fix the face of his wife Mona (Leni Tana) who was disfigured in an accident. Fred and Sammy are taken outside to be beaten and locked up in bamboo cages by Nazi soldiers while Karl puts the moves on Jerrie and tries to persuade her to stay with him but Mona overhears everything and then helps them to escape.

This film was directed by Richard Cunha who built a career out of making very bad low budget films. Where do I start my comments? The jungle that they wander about in looks exactly like some of the sets from "Gilligan's Island" and later on it's easy to spot the scenes that are filmed in the infamous Bronson Canyon where so many other films have been made. You can't help but laugh when McCalla recoils in fear at the harmless Python hanging from the tree and has to be rescued by Griffin. And speaking of him he seemed determined to get McCalla's romantic interest and even ignored the many insults that she hurled in his direction like "You could have at least saved me another pair of shoes". McCalla never had much training as an actress but she was very beautiful and tall and was a very successful model that helped her land the role of televisions "Sheena". Griffin looks ridiculous without his shirt on and I kept wondering if he could pull his pants up any higher. Anders keeps that devilish grin on his face even when he's talking about "persuasive measures" and this film has actors giving the worst German accents since "Hogan's Heroes". Why would a bunch of Nazi soldiers who know that the war has been over for 12 years and are not getting paid allow themselves to be ordered about by some nut? And the uniforms they wear look brand new! Aren't those uniforms made for a much colder environment? You would think that with what they have to wear they would drop like flies from heat stroke. The young girls in this film are listed in the credits as the "Diana Nellis Dancers" and if anyone knows anything about them let me know. Why would a bunch of girls who were kidnapped by Nazi's and attempting to escape stop to perform an exotic dance? Somebody...please...logic! Even with the silly attempts at acting I did feel that Yung came out the best and does show some real sincerity and he would of course go on to play on "Bonanza". If your a connoisseur of bad films than you definitely need to check this out.

A boat is lost in a hurricane and 4 people scramble onto the beach of an unchartered island. The leader of the group is a young man named "Fred Maklin" (Tod Griffin) who not only has to figure out how to keep the group alive but also has his hands full with a beautiful but spoiled blonde by the name of "Jerrie Turner" (Irish McCalla). Not only that, but he has two even worse problems he has to deal with. First, he overhears a radio broadcast saying that the island they are on will be bombed out of existence within a couple of days. The second problem is that the island is controlled by an evil Nazi doctor "Colonel Karl Oster" (Rudolph Anders) who is performing cruel experiments on native women he is holding hostage. Anyway, rather than spoil the movie for those who haven't seen it, I will just say that this was pretty much a typical low-budget B-movie produced in the 50's which has one saving grace-the beautiful Irish McCalla. Unfortunately, her presence wasn't enough for me to rate this film higher than I have. Slightly below average.

This one pulls out all the tropes, and ends up being far better then it should have. Tiny budget; a surprisingly dull, ineffective; bristling, meet-cute couple who end up falling for each other; irrelevant side-kick "comic relief" (good to see Victor Sen Yung working, though you kind of keep hoping for Birmingham Brown to show up and get him out of there); sadistic Nazi scientist (complete with cigarette holder!), trying to restore his experiment-scarred wife; girls in fright masks and novelty-store teeth; volcano lair... You know - the usual.

What surprised me was the sudden and unexpected depth of some of the characters, and that the leading lady turned out to work more effectively against the baddies than utterly dull leading man - but I suspect that might have much to do with the presence of Irish McCalla, TV's "Sheena, Queen of the Jungle". You just don't see a lot of strong woman characters, in this era OR this genre.

There isn't any really new ground broken, with this one, and it certainly didn't win any awards - and yet, it has a certain comforting familiarity. It's fun, and even more fun to poke fun at with your friends. Keep your expectations low, give it a chance, and see if you don't end up liking it!

Fans of badfilm will want to check this one out. This schlock horror-comedy-burlesque hybrid doesn't take itself too seriously, although hero Tod Griffin appears to be taking himself too seriously. It is fascinating to hear his deep and earnest voice, resonating as it does from his skinny chest, as his skinny arms gesticulate.

For counter-point to our under-whelming and over-acting hero, we are treated to the spectacular physical endowments of Irish McCalla, whose performance does not resemble thespian-ism in even the most theoretical sense.

The most likable of our 3 heroes is comic-relief Sammy, played ably by Victor Sen Young, a veteran of many B-films and a former screen son of Charlie Chan. Shortly after this film, Young took the role of Hop Sing in Bonanza, playing a very distasteful stereotype...Young fares better in this film, as there is only one obligatory Chinese joke...the rest being non-denominational wise-cracks and general goofiness. He is a an early version of the Hipster Doofus...alongside Maynard G Krebs and Jughead Jones, paving the way for Cosmo Kramer.

The Mad Nazi Scientist Commandant is fun to watch...very evil, very nuts, very lecherous...and the actor appears to have been drunk during most of the filming...good stuff all around.

There's some fun cheap monster make-up, and for good measure it's worn by a bunch of burlesque dancers wearing grass skirts and bikini tops. Got to love that. The burlesque dancers are billed in the credits as the Diane Nellis dancers, and most of them thankfully are not wearing the monster make-up, so we see their lovely faces as well as their lovely bodies.

Now here's a couple questions for the scholars: Who were the Diane Nellis Dancers and what became of them? Who was Diane Nellis and what became of her? They probably had interesting lives, all of them.

The dancers play some kind of strange pale-skinned primitive women, and they perform a sleazy nightclub type 'jungle dance.' This dance lasts for several minutes and is the highlight of the film...this type of cheesecake stuff is incredibly tame compared to what our 12-year-old children can watch on MTV. The dance is a good thing because pretty girls in bikini tops and grass skirts will always be needed by our world.

I have seen plenty of schlock-horror films from this era, and this is the only one I know of that contains an actual cheese-cake burlesque club type dance. It is this innovation to the genre, plus Irish McCalla's endowments and her very brief semi-striptease (a tease striptease, if you will) that she performs early in the pic, that distinguish this film. For surely the infusion of burlesque elements into this epic foreshadows the nudie-horror films that came in the 1960's.