Le Retour de Dracula

Count Dracula (Francis Lederer) flees the forces of vampire hunter Meierman (John Wengraf), a modern day Van Helsing, and murders a local named Bellac (Norbert Schiller) who's headed for America to visit his cousins, assuming the other mans' identity. The American branch of the family is a little perplexed by his odd behaviour, but not enough to actively question it until Meierman turns up determined to finish what he started.

"The Return of Dracula" was another collaboration for screenwriter Pat Fielder and director Paul Landres, who'd previously done another genre film, "The Vampire". As such, it's basically a routine B movie, but not badly done at all. In fact, Landres and crew do give this movie a respectable amount of atmosphere; the scenes with Dracula are always the best. The sharp featured Lederer is a fine choice for the role, as he has an undeniable intensity and presence. The opening credits sequence is nice and creepy as it plays out over a shot of the Count where only his eyes are lit. Anytime the Count is out to seduce his "cousin" Rachel (beautiful Norma Eberhardt), or her pretty, appealing friend Jennie (Virginia Vincent), or emerging from his coffin, the movie is fun in the true old school tradition, with a music score by Gerald Fried that uses the classic "Dies Irae" theme. The cave is a fine location, where Dracula can put his coffin, and in which to stage the climax. It's always cool when the camera pans to show Dracula is present in a scene, although the filmmakers would have done better to refrain from obvious musical stings when this happens.

The capable acting from the supporting cast helps, with Wengraf an earnest vampire hunter, Greta Granstedt as Rachels' unknowing mother Cora, Ray Stricklyn as Rachels' would be boyfriend Tim, Gage Clarke as the Reverend Doctor Whitfield, Robert Lynn as Dr. Paul Beecher, and Charles Tannen as Bryant, the man from Immigration.

One of the best overall elements to enjoy in "The Return of Dracula" is that for a movie almost entirely shot in black & white, the brief burst of red when blood seeps out of a staked victim is a real visual treat. It's an effectively tight and trim little movie with an amusing, somewhat unpredictable ending, and is worth a look.

Seven out of 10.

Not a bad Dracula updated adaptation as a man readying for a journey in Romania is killed and his identity stolen(seems to have been a problem even then). He moves in with his "family' only to start wreaking havoc in a small Californian town. The small town atmosphere is carried off fairly nicely in large part to the small town characterizations from the cast - most of whom were either character actors or unknowns at the time. Exception is Francis Lederer as the vampire with a very thick accent, but actually he gives some credibility to the role of the brooding, oft charming, malignant force cast into the lives of these newly found innocents. John Wengraf plays the Van Helsing type and is interesting when on screen yet the part is way too underdeveloped. There is not much for plot here to be honest and the story quickly wraps up in the last third, but director Paul Landres has competence(and a whole television episode list as his resume)and creates some effective scenes. The scene where Rachel is "dreaming" of seeing the vampire in her boudoir and then is wakened quickly by her brother even gave me a bit of a jolt. The acting is okay but pedestrian, and there is not much here in terms of great sets or effects. Nonetheless The Return of Dracula is a nice little film with a different twist to Dracula lore that I found interestingly conceived.

With Dracula coming to live with a nice normal family in a small town in California, there's a trace of "Shadow of a Doubt" in the design of the story. He arrives by train (a la Joseph Cotten) in the person of FRANCIS LEDERER who has fled from Europe.

He's given a cordial welcome from the family and then the fun begins. The daughter seems to have the Teresa Wright role as the cousin who admires her uncle but senses something strange about him. Dracula keeps his distance from her. When invited to a Halloween party, he declares: "I have no social graces for large gatherings." Nevertheless, suspense builds as a series of incidents arise behind which we know he has played a part.

Lederer plays the part with such sinister glances that it's a wonder nobody in the household suspects anything except the girl's cynical boyfriend. The ending in the cave makes for a suitable climax to the story.

Summing up: Not quite as chilling as any of the Dracula films with Bela Lugosi, but still above average low-budget thriller.

One almost expects Ward, June, Wally and the Beav to visit too...Yes, this is an underrated masterpiece. "What? What did you say?" In the main title Dracula is shown standing still behind a three-stick candle...the "scene" reminds me of an icon in a Byzantine Catholic or Orthodox church...and what happens when Jennie is staked...Cousin Bellac temporarily reels and almost faints...reminds me of "Whatsoever you do to the least of my brothers you do unto me"...and that line, "You will arise reborn in ME!"...there's a discernible anti-theology here and I hope whoever was responsible for it didn't believe it. But I'd not be surprised if there were a cult-especially in CA-which worships Dracula. The most chilling scene in the film is the scene in which Rachel is primping at the downstairs mirror, but-to me-the most chilling line of dialogue is the interchange between the pastor and Cousin Bellac concerning Rachel's charm, when Cousin Bellac says, "Why yes...I daresay she'd even charm the devil himself." Lederer-may he rest in peace-may have hated this film, but he turned in a truly great performance. Pity this film is so little credited.

Plot-- A European vampire travels to America for fresh feeding grounds. While there he impersonates the relative of an average American family. In the process, he's drawn to the family's spirited daughter who's his assumed cousin. So what will happen now that the suburbanites have a new blood(y) relative with very strange habits.

Pretty good little programmer that benefits from interesting premise. Actor Lederer has a strong physical presence but unfortunately doesn't exude the evil of a Lee or Lugosi. Nor, for that matter, does he appear to be trying that hard. Thus his vampire is more a presence than evil. In my little book, it's really actress Eberhardt's charm and expressive range that carries the story. She gets the most screen time, while projecting personality into a rather fuzzily written ingénue part. The location photography of an average American neighborhood lends a touch of realism and is certainly a long way from the usual murky hilltop castle. But note that except for the brief scenes in the cavern, there's little spooky shadow to create mood. But then it's hard to work pervasive shadow into well-lit suburbia. So I guess Dracula needs his castle. Nonetheless, the lack of spooky lighting undercuts a needed mood of evil menace. Also, what's with that color flash of gory blood in an otherwise b&w flick. It's a needlessly disruptive effect that simply calls attention to the fact that this is a movie of uneven effects. Happily, the flick does manage to avoid the hokey, the usual pitfall of cheap horror productions. All in all, however, the 73-minutes may be imaginative but still fails to rise above programmer level.