Daffy des bois

This is one of the funniest Daffy Duck cartoons. I especially liked that song he sings at the beginning "To trip, to trip, to trip it up and down." I also like the part where Daffy keeps hitting all those trees, so he chops them down. Then when he tries to swing again, he hits a huge rock. This is highly recommended. Daffy is one of my all time favorite toons.

This time, Robin Hood (Daffy Duck) tries to convince Friar Tuck (Porky Pig) that he really is Robin Hood, but the circumstances keep working against him. Maybe "Robin Hood Daffy" isn't the greatest cartoon from the Mel Blanc/Chuck Jones crowd, but it's still great. With some of the things that happen to Daffy here, you just have to remember what we learned in "Who Framed Roger Rabbit" about a given cartoon character: you can drop anything you want on his head. And let me tell you, Daffy has a lot more to worry about than that! Anyway, this is another cartoon from the Golden Age. You may just feel like Robin Hood after viewing this.

Often hilarious and nearly always sumptuous, this is a solid Daffy Duck cartoon. The animation is in general very nice, with crisp colourful backgrounds, and smooth character movements. Though there was once or twice where objects such as the tree were a tad static. The music though was fantastic, very rousing. While not perhaps the most rollicking take on the Robin Hood story, I would say the Errol Flynn film takes that title, it is entertaining, with some good visual gags and a fun script. Whereas in cartoons like The Ducksters, Porky is the butt of the joke, but here, it is Daffy and he seems to be taking it well as he makes a rollicking Robin Hood figure, and Porky is an effective Friar Tuck. I would also like to praise Mel Blanc for his brilliant voice characterisations. All in all, not the absolute best Daffy cartoon, but solid enough. 9/10 Bethany Cox

Daffy is a Robin Hood type who fights the sheriff and is famous from his wanted posters. His reputation is given a knock when he falls into a river and is laughed at by a fat friar pig (Porky). All Daffy's attempts to prove himself and impress the jolly Friar just seem to backfire and he can't convince him that he is the Robin Hood that Porky seeks.

I'm a really big fan of Daffy Duck and always feel that he is at his best when he is in his early persona of being manic and wacky. Even when he becomes more cynical and greedy he still manages to be one of my favourite Warner Brothers characters. Here he is very much the butt of the film's jokes - a role that I'm never totally happy to see him in as I do like him as a character more than a fall guy. However here the jokes are funny and imaginative so I didn't mind so much in this case. The character he plays is basically a fall guy but the ways in which he falls had me laughing out loud - whether it was the rope swing or the shaft fight, I was loving it!

I don't like to see Daffy just plain mocked but he takes it very well here and is funny himself rather than just being a patsy. Porky is also good but doesn't manage to steal the show from Daffy in the way he often can in these combination films of theirs. With no other characters to speak of, Daffy carries the film very well and gets the majority of the laughs - I still prefer to see him giving rather than getting, but this is funny nonetheless.

Overall this cartoon is very funny with a good sense of cruel wit running through it. Fans of the original little black duck may be upset to see him take such punishment but I personally was relieved that Daffy managed to make this film as funny as he did.

This one always cracks me up. Especially when Daffy Mocks Friar (Porky) Tuck with, "Guffaw, Chortle, Nyuk, it is to laugh." The "Yikes and away!" is great too. They don't write 'em like this any more.

Another favorite: "In the classic Warner Bros. cartoon 'The Scarlet Pumpernickel,' Daffy Duck is earnestly pitching his new script to the unseen Jack Warner. As Daffy tells the story, we see it unfold, performed by the great stock company of Daffy, Porky Pig, Sylvester and Elmer Fudd. But it soon becomes clear that Daffy does not have an ending for his movie. Warner presses him, Daffy keeps reaching, and Warner keeps asking for more. Poor Daffy. In his zeal, he forgot that adding any old plot development is not enough to make a gripping story. You've got to have something important on the line, something that matters. Daffy should have been asking himself, Who cares?

That's a question all novelists must repeat. If you can create a character worth following and a problem that must be solved — and then along the way raise the stakes even higher—you're going to have the essential elements of a page-turner."