La brune brûlante

Max Shulman was an absolutely brilliant comic writer/satirist ("The Many Loves of Dobie Gillis," "Anybody Got a Match?", etc.). In the mid-50s he published "Rally 'Round The Flag, Boys!" taking on everything from Madison Avenue, the New Haven Railroad, the U.S. Air Force to the space race in a hilarious farce that shows how seemingly unconnected lives, priorities and events can converge to produce a disaster of epic proportions. Even little league gets a drubbing at his hands.

This movie took the title and many of the book's characters. For some reason, the writers and producers chose to discard everything else.

Newman could have been GREAT as Harry Bannerman, harried Peter Pan-type account exec facing the prospect of fatherhood and settling down. Unfortunately, the script sabotaged him. Joanne Woodward is relegated to standing around looking hastled and confused-- probably trying to decide exactly how she's going to kill her agent for getting her into this dog. Veterans like Gale Gordon, Jack Carson and Murvyn Vye are similarly wasted.

The only cast member who doesn't disappoint, strangely enough, is Tuesday Weld as Comfort Goodpasture . . . but then, her character didn't have much to do in the book either, come to think of it.

This is what happens when Hollywood bends over backwards to avoid offending anyone . . . after having purchased the rights to a book that's guaranteed to offend just about everyone.

There is a character named Hoffa in this film. Oscar, not James. Probably the best thing that could be done with this turkey of a movie would be to take the master copy, seal it up in an empty bottle of "Newman's Own," and bury it about six feet under Hoffa. James, not Oscar.

In other of Paul Newman's movie years, this one might have fared better, but alongside the Southern masterpieces Cat on a Hot Tin Roof and The Long Hot Summer, and the flawed but interesting Billy The Kid take The Left-Handed Gun, this sometimes amusing fluff just can't hold up. Good to see him paired with Woodward and taking a stab at screen comedy for the first time, but he never truly excelled at it until later in his career. Still, some nice bits and decent work survive. It's just impossible to see and compare these days, rarely if ever broadcast and unreleased to video to this day.

Leo McCarey, whose credits were certainly nothing to be ashamed of, was a bit past his prime when he directed this minor misfire. 20th Century Fox gave it first-class production values and a cast that could have had a lot more fun had a less cautious approach to the material been allowed to prevail. Leon Shamroy's CinemaScope/DeLuxe Color lensing was, not unexpectedly, a treat for the eyes and a few minor bits (Tuesday Weld squealing with delight as a swain sings "You're My Boojum!" to her; Joan Collins and Paul Newman engaging in an inebriated slapstick sequence that involved swinging from a chandelier, no less) hit the mark. I remember being disappointed that things didn't take off, like the accidentally fired missile in a scene with Woodward and Newman. But anyone who thinks that Joan Collins' only forte is playing a ruthless bitch, as she did on the long-running TV series, "Dynasty," would probably be delighted with her witty romp as Angela Hoffa, for me this film's memorable highpoint.

A couple of reviewers noted that they felt sorry for Paul Newman's character in "Rally 'Round the Flag, Boys." I had the same sense at times. Newman's Harry Bannerman is a picture of sympathy much of the time. One can imagine Rock Hudson, Fred MacMurray or Cary Grant in that role. None of them would be likely to garner our sympathy. And they shouldn't. They would have us laughing at the predicament they were in and how they handled it. Sure, they would be just as innocent as Newman is. But they would have played the role for the comedy, where Newman's character can't seem to do that. But it may not be all his failing. I suspect it was a combination miscue involving screen writing, acting and directing.

I think Newman is capable of comedy – he later shows a knack for some simple and sophisticated humor ("The Sting," "Slap Shot," and in the Western crime and biopic, "Butch Cassidy and the Sundance Kid"). But – as at least one other reviewer noted, he's not suited for the farcical. For that matter, neither is Joanne Woodward. A couple others said they didn't like her character. I think it would have been fine -- if she had made it funny. Woodward was an excellent dramatic actress. She won an Oscar for "The Three Faces of Eve," and received three more nominations. But her comedic abilities were limited to the witty and wry dialog type – nothing with mayhem and farce. Other reviewers talked about the humor in the novel by Max Shulman that this movie is based on, and the absence of so many good and witty lines in the film.

Jack Carson helped pick the film up some as an incompetent Army officer, Captain Hoxie. Carson was a first-rate supporting actor who often had considerable roles in movies. His film persona reminds me of Bud Abbott – a straight man who always seems serious, and whom others can play off with such great humor. Carson was an intelligent actor who knew he wasn't going to get male leads. He played his characters to the hilt. Carson died of cancer at age 52. Had he lived longer, he might have garnered an Oscar – for a comedy or dramatic supporting role. Other fine supporting actors earned greater recognition for their talents in their later years. Examples are Hume Cronyn and Harry Morgan.

This film has a couple of very funny scenes, but nothing more. Others have noted the silliness of the plot toward the end. I don't have a problem with that – comedy is comedy, of whatever degree of foolishness, farce, fantasy and silliness. But, it really should be funny. Regrettably, "Rally 'Round the Flag, Boys" doesn't have what it takes. Newman and Woodward were at the peak of their careers and popularity at the time, so the studio (20th Century Fox) probably thought they could do no wrong. Maybe fan appeal would be enough.

The film had a considerable budget for 1958, at nearly $1.9 million. It made money but it didn't set the world on fire back then either. The box office take was reported at $3.4 million.

when she realizes she likes boys, she just doesn't like Dwayne Hickman, it's sheer truth and delight! the rest of the cast is forced...Joanne Woodward is strident. Paul Newman is slumming, Joan Collins is adequate. Jack Carson is Carson. Dwayne Hickman deserves Weld's scorn. bad comedy, except for Weld's self-recognition. these 50's films try to be smart, but aren't. once in a while a performer can rise above the material. here it's only a young, precocious teenager who mesmerizes.

Weld was given praise by none other than Pauline Kael. in her review of Weld's classic '68, "Pretty Poison", she suggested Weld didn't have the career she deserved, "and maybe it isn't just her unlucky name...maybe she's the kind of actress who doesn't let you know she's acting, like Geraldine Page or Estelle Parsons do. how else can an actress give the kind of performances Tuesday Weld has given in "Rally 'round the Flag, Boys!", "Soldier in the Rain", "The Cincinatti Kid", and "Lord Love a Duck", and still not being taken seriously?"