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Night of the Blood Beast

  • 1958
  • Approved
  • 1h 2m
IMDb RATING
3.5/10
2.5K
YOUR RATING
John Baer, Georgianna Carter, Michael Emmet, Angela Greene, Tyler McVey, Ed Nelson, and Ross Sturlin in Night of the Blood Beast (1958)
An astronaut is killed on reentry to Earth, but his body is seeded with rapidly gestating aliens.
Play trailer1:15
1 Video
33 Photos
Space Sci-FiHorrorSci-Fi

An astronaut is killed on reentry to Earth, but his body is seeded with rapidly gestating aliens.An astronaut is killed on reentry to Earth, but his body is seeded with rapidly gestating aliens.An astronaut is killed on reentry to Earth, but his body is seeded with rapidly gestating aliens.

  • Director
    • Bernard L. Kowalski
  • Writers
    • Gene Corman
    • Martin Varno
  • Stars
    • Michael Emmet
    • Angela Greene
    • John Baer
  • See production info at IMDbPro
  • IMDb RATING
    3.5/10
    2.5K
    YOUR RATING
    • Director
      • Bernard L. Kowalski
    • Writers
      • Gene Corman
      • Martin Varno
    • Stars
      • Michael Emmet
      • Angela Greene
      • John Baer
    • 69User reviews
    • 48Critic reviews
  • See production info at IMDbPro
  • Videos1

    Trailer
    Trailer 1:15
    Trailer

    Photos33

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    Top cast7

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    Michael Emmet
    Michael Emmet
    • Maj. John Corcoran
    Angela Greene
    Angela Greene
    • Dr. Julie Benson
    John Baer
    John Baer
    • Steve Dunlap
    Ed Nelson
    Ed Nelson
    • Dave Randall
    Tyler McVey
    Tyler McVey
    • Dr. Alex Wyman
    Georgianna Carter
    • Donna Bixby
    Ross Sturlin
    • The Creature
    • Director
      • Bernard L. Kowalski
    • Writers
      • Gene Corman
      • Martin Varno
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews69

    3.52.5K
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    Featured reviews

    8flapdoodle64

    Blood and Resurrection

    Considering that the crew appear to have constructed the prop space capsule out of a septic tank, this is a decent little el cheapo scifi flick.

    A film buff with the slightest knowledge of the major auteurs goes into a B/W 1958 Roger Corman scifi film with a certain set of expectations. Within such parameters, this is a surprisingly well-made film, tense, moody, interesting, and moving along a pace that corresponds well with the plausibility factor. While none of the acting is spectacular, it is all competent and sometimes impressive. The script is surprisingly intelligent, especially considering the title. The title, however corny it may be, works well in this film due the portions of the plot dealing with the death and resurrection of an astronaut.

    There is a small bit of FX and monster make up in this film; you will be thankful to find out that it does not clash with the septic tank space capsule.

    Overall, this is an honest, well-constructed little drive-in type scifi/horror film that does the job it was designed for and more. It makes more sense, and is more satisfying than watching all the episodes of the new version of 'V.'
    danm99

    Standard 5O's NIGHT OF TERROR -minor B

    This interesting little abomination is easily the evil twin of BEAST FROM HAUNTED CAVE, another Corman low-budgeter from this memorable late 5O's drive-in golden era. There were many major and minor film gems, but not all were so bad, they're great. Some were interesting failures (like this Putrid Preciousness) and some simply sucked (like everyones' personal favorite, "The Cape Canaveral Monsters", whose prints need to be honorably enshrined - in embalming fluid).

    NIGHT OF THE BLOOD BEAST (As a kid, I just loooooved titles like that, fearfully imagining what that monster from the dark really looked like), due to its early scenes of eerie paranoia mood and subtle moments of terror, managed to humbly and very economically achieve this kid-scare trick, thus being reprieved from the embalming fluid fate. That impressivly irritating cheesey-weird organ (also used in SISTER BEAST'S HAUNTED CAVE) evoked the proper creepy atmosphere, which Corman was an efficient wiz at.

    Those scary shots in the isolated woods in the Bronson Cave hilled area (interesting location with strange, silent mood as if there is some other lurking ominous presense nearby, watching) were nightmarish. That moment when something moved up right before the camera, blocking everything out was a surprising frightful moment - and those dark chilling shots of the woods, as something moves through the bushes - and that shadow of something very unworldly moving across the ground (actually the first monster 'Shadow Shot' filmed from that particular angle) - that shot of a giant shape moving outside along the window and that quick glimpse of IT! creeping down that dark claustrophobic hallway - BRRRRRRRRRRRRRR!!!!!!!!

    At 2:OO AM, in pitch black, that can cause those under-the -cover shivers (all I need is the proper female companion to hold dearly to). Then when poor old kindly Dr. Wymann loses his head - LITERALLY - when the two male leads find his body slumped over the bunk, with a fresh supply of high volume blood spilling down with major drip-drips. UGH! That was an early decapitation scene that really freaked me out. Maybe a life of crime would be safer than being an adventuresome scientist.

    Then the "ALIEN" scene, with the mysteriously revived "deceased" astronaut standing behind one of those 5O's Whateverscopes, revealing utterly revolting animated parasites being bred in his body. (Are there any other kinds?) The alien blood beast is sure having its night: It impregnated the trespassing, intrepid astronaut - and made him bear its delightfully disgusting offsprings. Planned Parenthood miserably backfired with the worst grim forms of total dysfunction. What do you think of that? Any "hmmmmmmmm's" out there - or just prowling alien blood beast rapists. (AHHHH!!! NOOOOOW I GET THE TITLE! - DUH!!!). This is true science-fiction horror on its own gruesome little B-minus terms.

    Well, I won't go on. You'll just have to see for yourself as to the mysterious fate of our scientific ground crew - and that enormously rude and overbearing blood beast. It's an old cheap B&W minus-B, but interesting if you happen to be in that certain 2:OO AM monster mood. LONG SHOCK THE BEAST BROTHERS!

    P.S. That college age lady scientist was quite personally appealing to me at that formative late show age. The blood beast attacks her in the woods - maybe IT got infected by all that human contact - OR maybe it really does possess superior intelligence! Perhaps that's why this was her one and only film appearance. That's BEAST BIZ BABY! It's back to that bloody haunted night cave. GIVE BEAST A CHANCE!
    7ace-150

    Sci-fi beefcake

    An entertaining piece of low budget schlock. Despite the cheesy production values, it's quite well done. A zombified, hairy chested scientist, denied the opportunity to wear a shirt after his pseudodemise, is impregnated with alien sea monkeys, clearly an homage to the ads inside comic books of the era. Why is it that, when Roger Corman is involved, there's a always a shirtless, hairy chested scientist, e.g. Giant Leeches, Crab Monsters? I don't get it, but thanks a million, Roger. The plot and characters are no worse than in any other sci-fi from the fifties and all the actors are veterans of genre TV and movies. The lighting is sometimes good, the score is theremin heavy with an occasional moment of Felliniesque jauntiness. The monster is post-nuclear Sesame Street, but after all the money spent on the sea monkey x-ray scene, you can't have everything. If you pay attention to the opening title sequence, you'll note that the rocket ship separates from its booster rocket and looks amazingly like the space shuttle. Sometimes they get it right.
    mcdamsten

    Would`ve liked to have seen this at the drive-in

    I did however see this on TV in the late 60`s. Gemini/Apollo had already made the rocket and base seem ridiculous. Informal staff or what? I did stick with it and enjoyed the fleeting glimpses of the creature and plot weirdness. Possible shock landmarks: First movie with alien pregnancy? Near beheading? A previous review mentions a hairy chest.I recall that I too was smitten with Georgiana Carter somewhat and thought she had a contemporary beauty as compared to other 50`s sci-fi ladies. Unfortunately The Wild Ride with Jack Nicholson was all else she was in. Also thought Michael Emmet was OK in this and Attack Of The Giant Leeches. And of course Ed Nelson smokes cigarettes and adds energy to the proceedings. All in all one of my favorite 50`s schlock/sci-fi movies. Available at a nice price from Collectables. On the strength of being THE Georgianna Carter movie ** out of *****
    4jamesrupert2014

    Imaginative at times but a distinctly low-budget production

    America's first orbiting spaceship collides with a mysterious object and crashes to Earth, bringing with it an alien mother and her parasitical brood who are using the undead astronaut as an incubation chamber. After a number of inexplicable deaths, the humans decide to destroy the intruder but pause when the alien claims to be on a goodwill mission to save our species from ourselves. The film is a bargain-basement, Bronson Canyon blend of the vastly superior "The Day the Earth Stood Still" (1951) and "Alien" (1979), but typical of a Corman opus (auteur brothers Roger and Gene were producers, Bernard L. Kowalski was director), is watchable in an eye-rolling way. The special effects aren't really special: the monster (recycled from a previous Corman film (typical)) is a hairy, beaked, lump that you never get a really good look at and the alien embryos look like fat seahorses. The acting is on par for a '50s B-monster outing, with the usual characters delivering the usual material (the 'science' in the script varies from reasonable to ludicrous (somehow eating a brain confers the power of human speech through photosynthesis)). 'Night of the Blood Beast' is a silly but short and watchable, although it never lives up to the lurid imagery on some of the posters and DVD covers.

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    Related interests

    Leonard Nimoy and William Shatner in Star Trek (1966)
    Space Sci-Fi
    Mia Farrow in Rosemary's Baby (1968)
    Horror
    James Earl Jones and David Prowse in L'Empire contre-attaque (1980)
    Sci-Fi

    Storyline

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    Did you know

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    • Trivia
      With a budget of about $68,000, it was shot over seven days. All of the interior scenes were shot at sound stages inside Kling Studios. Most of the exterior shots were filmed at Bronson Canyon, a set of caves at Griffith Park in Los Angeles that was a popular location for low-budget films. The exterior scenes of the tracking station were shot at a television station on Mt. Lee, not far from the Hollywood Sign. Screenwriter Martin Varno said it was the first television station built in Los Angeles, but was only being used for emergency broadcasts when this film was being shot there; it had also been used during World War II to broadcast to allied fores overseas. Varno secured permission to film there simply by calling Los Angeles city officials and asking, something he said nobody else considered trying because they assumed the city would not allow it. Varno was familiar with the station because his father, Roland Varno, appeared in the first dramatic television show released in Los Angeles and it was transmitted from that station. For this film, Los Angeles charged a fee of $8 per actor to shoot at the station, but the crew could be any size. All shooting took place outside the station. Most of the night scenes shot there were shot during the day, and the crew often had to find shadows to shoot in or block out the sun to give the impression of nighttime. Producer Gene Corman said of the shooting: "That was one of the more mobile units I've ever been involved with. Normally, everybody chases the sun; we were chasing the shadows."
    • Goofs
      A close-up of the bottom half of the creature reveals that its feet are actually shoes.
    • Quotes

      Dr. Alex Wyman: A wounded animal that large isn't good!

    • Connections
      Edited from La Guerre des satellites (1958)

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    FAQ16

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    Details

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    • Release date
      • August 1958 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • La bestia infernal
    • Filming locations
      • Bronson Canyon, Griffith Park - 4730 Crystal Springs Drive, Los Angeles, California, USA
    • Production company
      • Roger Corman Productions
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $68,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

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    • Runtime
      • 1h 2m(62 min)
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.37 : 1

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