L'homme au pousse-pousse

The story of a great man indeed. A man who, despite his poverty and unjustifiable way of life, finds happiness and appreciates the simple and basic things in it, and the people who make contact with him quickly recognize his great character and kindness. Toshiro Mifune may have just delivered one of his best performances in his whole acting career, so different from his usual expressions he would normally showcase in Kurosawa's films. In this film, while in some parts he impersonates a similar role to those he would do in Kurosawa's films, he mostly adopts a personality of a humble, charitable man. He is definitely the core and character that makes this film overflow with greatness, although many of the other people involved in the cast are just as important.

The fact that this film is very rare and difficult to track, in my opinion, is comparable to the unfortunate life of Matsu (character enacted by Toshiro Mifune) who, being a wonderful man, goes through life mainly unnoticed and unacknowledged; only some people get to know him better and firmly state that he could have been someone big. Such is the fate of this film; it is highly underrated, but if you are fortunate enough to find it, you will behold the story of an admirable man.

Why on earth its so hard to get this film on video? Only an extreme bad English subtitled VHS, a good Chinese subtitle, but no German subtitle or German synchronized. I saw this film 40 years ago in German cinema, and except a Japanese VHS or DVD (see above)there's nothing to receive. This film is so good, that I even can understand the meaning of the Japanese Video. (With the help of my Japanese woman) The tragedy of a Rikshaman is shown in an excellent way, how he helps a young boy, when his father died, and that he cant marry the mother of that boy, because he is from a "lower Kaste". I hope one day I will get a German - or at least an English copy, to understand all the words, they say.

Like the other comments, this movie should be available on DVD or VHS. I remember seeing it 40 years ago and its brilliance stands out in my mind as if I saw it yesterday.

Toshiro Mifune plays against type. No samurai warrior he, but a humble Rickshaw man secretly in love with an upper class woman. He shepherds her son throughout the years and the woman, while almost recognizing the Rickshaw Man has helped make her son a man, never comprehends the love Mifune has for her.

A classic woman's film that caused this man to cry. And the fact that it stars Mifune and is directed by a macho director who likes to do period Samurai movies is amazing. Two macho stars making one of the great soaps of all time. And I mean that in the best of ways.

First of all, you could never go wrong with a pairing of Toshiro Mifune and Hideko Takamine, two of the greatest actors that have ever been in film. Second, this tale of a rickshaw man known at the "Wild Matsu" who helps a young boy named Toshio and becomes a part of his growing up is told vividly through numerous scenes over time. Ms. Takamine plays Yoshiko, who was widowed soon after she met Matsu, and her performance is understated but essential to the film. Mr. Mifune, who is best remembered for works with the great Kurosawa, stretches his acting muscles greatly here, showing some vulnerability in a challenging role. There are so many films to recommend with Ms. Takamine and Mr. Mifune that are alternately entertaining and heartbreaking. This has both those elements and its a treasure of Japanese cinema.

It's just a darn shame that this isn't available on tape or DVD. It is a delightful yarn about the upheaval in Japan at the coming of the 20th Century. Besides being a good tale, it gives the viewer a lot of insight into the metamorphosis of Japanese society away from the samurai code and into the Machine-Age. Funny and thought-provoking. Mifune got my attention with this film. I was a devoted fan after seeing "The Rickshaw Man" (as the posters proclaimed). Another bonus is the very excellent production design. There was no doubt in your mind what era the movie was transporting you to. And, for something shot in the '50s, you wouldn't find any complaints about the cinema-photography. You know, if a producer had half a brain, he/she couldn't go wrong with doing a remake of this film.