The Last Blitzkrieg

During the 40s and 50s at MGM the all American GI whether it was Battleground, Thirty Seconds Over Tokyo, A Guy Named Joe, or Command Decision the role inevitably went to Van Johnson. And he's all American here in The Last Blitzkrieg as well, as all American as Peter Graves was in Stalag 17.

Not only was Van Johnson cast against type, but so was Kerwin Matthews as they play a pair of English speaking Germans who are masquerading as regular GIs during the Battle Of The Bulge. The idea being to disrupt American battle plans and cause havoc behind the lines. It was a last gasp maneuver of the Third Reich, much as The whole Battle Of The Bulge was just that.

Johnson was doing this work already as a spy among American POWs just as Peter Graves was in Stalag 17. But he gets called to this assignment and he and Matthews and two others are sent together.

For a bit he gets some good luck as he keeps the name and ID he had at the prison camp because he runs into Dick York and Larry Storch who were in the same camp, but who were two that managed to escape. They vouch for Johnson, but then some rotten luck descends on the platoon where York is the sergeant.

Johnson is a torn man, he's really not a National Socialist and thinks this is all for nothing. Matthews however is a true believer and he as well as Johnson is cast against type. And Kerwin Matthews delivers a pretty good performance in the part.

If it were not for being the first Darrin Stevens on Bewitched, this might be Dick York's career role as well, though some would opt for what he did in Inherit The Wind. Of all in the cast I was most impressed with what he did. Especially since on Bewitched he's always the butt of the comedy there. York happens to be a soldier of German background who speaks that fluently which comes in very handy.

The Last Blitzkrieg was shot in the Netherlands where a lot of this action really happened. Nice use of newsreel battle films was used and the players are fine. For a Sam Katzman production this one was all right.

THE LAST BLITZKRIEG works as it offers something a little different from the usual American WW2 film in terms of plot. The main characters in the movie are actually Nazi soldiers who are disguised as American troops and sent on an intelligence-gathering mission during the Battle of the Bulge. Therefore the characters we have to identify with are actually antiheroes and even the bad guys while the heroes are the enemy.

The film was shot on a low budget in the Netherlands by producer Sam Katzman so it has more authenticity to it than most. Van Johnson is the lead actor and does well with a complex role; that he comes off kindly and likable despite everything is a testament to his acting prowess. Kerwin Mathews is also here too and playing a slimy villain; in every other film I've seen him playing heroic characters so it made a nice change of pace for the actor.

This film has a short running time which flies past without ever flagging and there's plenty of suspense inherent in the set-up. Some have criticised the climax as being unrealistic but I found it quite fitting even if it is morally heavy-handed. War fans looking for something a little out of the ordinary are sure to enjoy the plot twists and turns of THE LAST BLITZKRIEG.

All-American Van Johnson plays against type as a German officer masquerading as a GI during the dying days of WWII in order to disrupt the advance of the allied forces. It's an unusual story rendered truly forgettable in the hands of Arthur Dreifuss, who doesn't have much of a clue when it comes to filming action scenes or building suspense.

This slightly off-kilter Columbia programmer stars Van Johnson as a Nazi double agent who first wins the confidence of the American POWs he's housed with and is then sent on a secret mission to infiltrate U.S. forces during late 1944's Ardennes offensive (more commonly known as The Battle of the Bulge). Johnson does his best as a bad guy, though the film makes an unreasonable stretch to make him sympathetic towards the end, and Dick York is quite good as an army sergeant thrust into a command position by the iniquitous actions of the German infiltrators. As always with a Sam Katzman production, the film tries to mask its low budget with plenty of stock footage, but it also benefits from location footage in The Netherlands. It's no classic, but is a pleasant enough diversion that also features Kerwin Mathews in a rare performance as a really, really bad guy.

Those with a keen interest in WWII and overall movie history can appreciate this effort. Although there are the "never would happen" situations, such as the officer's rank insignia's on their battlefield helmets being displayed in a nice bright white, the main storyline of German infiltrators into American lines is based in historical fact.

Something that the movie touches on is the fact that many Americans who fought in the war were of German decent and did so while having many relatives who still lived in Germany. It is my guess that this was mentioned in the film due to the fact that the director, Arthur Dreifuss, was born in Germany and moved to the U.S. before the war in 1928. First he worked in the entertainment industry as a dance instructor and then, beginning in 1939, in Hollywood where he made numerous B-level films including the "Boston Blackie" series.

Entertainment historians will appreciate seeing Dick York, who played the original Darren Stevens in the "Bewitched" television series, and Larry Storch, who played Corporal Agarne in the T.V. series "F Troop", in fairly prominent roles playing foot soldiers. Storch's southern accent is especially amusing and those familiar with Storch's Agarne character in F-Troop will see a tinge of it when, upon learning of the prospect of German infiltrators, he exclaims "Don't talk that way - it's disheartening!".

Perfect for a rainy weekend afternoon.