Invisible Avenger

"The legendary mind-clouding man of mystery is back in this film noir tale set in New Orleans, where nothing is ever as it seems. Exiled Spanish leader Pablo Ramirez is hiding out on Bourbon Street as plans are laid to overthrow the oppressive dictatorship that currently exists in his country. A fascist generalissimo has planted assassins in the city to dispose of Ramirez and thwart his impending coup d'etat. Lamont Cranston (Richard Derr) - aka the Shadow - is summoned to protect Ramirez and thus ensure a successful revolution. The Shadow summons up his supernatural powers of hypnosis and invisibility to save Ramirez and stop his enemies' diabolical exploits," according to the DVD sleeve's synopsis.

This TV try-out may be re-edited to include the execution footage, which seems a little heavy for 1950s television - or, maybe did they did show executions in westerns back then - anyway, the eerie "Who knows what evil lurks in the hearts of men… the Shadow knows!" line interrupting the drama a couple of times perfectly illustrates why this series was successful on the radio - and, also, why this visual representation was unsuccessful; the picture simply does not live up to the mystery inherent in the series' famous catchphrase. Mr. Derr is a good lead, but not very mysterious; mystical sidekick Mark Daniels (as Jogendra), creepy Dan Mullin (as Pablo & Victor Ramirez), and shadowy James Wong Howe are interesting.

***** The Shadow: Invisible Avenger (12/2/58) James Wong Howe ~ Richard Derr, Mark Daniels, Dan Mullin

The title of this garrulous and uninvolving retread set largely in New Orleans of the radio character popularized in the thirties by Orson Welles may be vaguely familiar to some from its presence as a rather mysterious footnote to the illustrious filmography of the Oscar-winning cameraman James Wong Howe. Howe directed one feature film, 'Go, Man, Go!' (1954), with the Harlem Globetrotters, and between his Oscars for 'The Rose Tattoo' (1955) and 'Hud' (1963) directed a few TV episodes, of which this may have been his first. Assembled from two unsold pilot episodes for a TV series (of which only one was directed by Howe, hence the joint credit) which were spliced together under the intriguing title 'Invisible Avenger' and released as a feature film, it thus finds itself by default among Howe's film credits.

The drab photography, however, belies Howe's contribution; and as an avowed stickler for realism I hope he wasn't responsible for the multiple set-ups employed on the public execution shown being screened on American television. Apart from the "Daddy O" jazz talk and the topical storyline about revolutionaries plotting against a Latin American dictatorship, it feels more like a Republic serial from the forties. Using his radio name of Lamont Cranston, the Shadow hangs out with a mystic sidekick named Jogendra who's taught him how to think himself invisible (hence the title), but rather than simply prowling about invisible he usually waits until he gets caught so he can then confound his captors by disappearing; sometimes for effect he casts a shadow only, and he only ever emits his trademark diabolical cackle when invisible.

Although billed third and cutting a striking figure as a hard-boiled nightclub hostess, Helen Westcott's role proves surprisingly irrelevant to the action.

A Shadow movie thats rarely ever listed as a Shadow movie. Richard Derr plays Lamont Cranston, a man with the power to cloud men's minds and become the Shadow. Cranston is on the trail of the people responsible for the disappearance of a friend in New Orleans.

I really like this film. Its not completely faithful to the Shadow myth, but then again what film ever was? (Come to think of it even the stories and radio show changed things as they went along) It certainly plays better than the Rod LaRocque nightmares where the Shadow is some beefy guy in a cape and hat trying to solve some awfully plotted crimes. And it better than the Kane Richmond Shadow movies which are okay, but have the Shadow able to be seen by people. (it's not fair to compare the Alec Baldwin film or the serials since they are different animals)

Derr makes a good Cranston, although one wonders about the relationship with his teacher. Its fast paced and breezy with a good jazz score. It looks as cheap, due no doubt to the budget, but that somehow give it a grittiness it shouldn't have. The film also shows signs of the films troubled production, intended to be one thing it ended up another. There are also two directors listed. Still its a great film to put on at 2am and watch.

What the film really needs are bumpers for The Late Late Late Show and cheesy commercials to go with it for a perfect viewing experience. If you like films from the heyday of late night TV before cable, vcr's and infomercials then this is the movie for you.

A nice waste of an hour. The acting was passable, though the Shadow's mentor guy was a little creepy. The plot was mostly predictable with a few plausibility issues. (Yeah, we're going to show what we believe to be an execution on television.) Having listened to quite a few episodes of the radio Shadow, my conclusion is the Shadow does best when operating like a Super Hero, as he did with Orson Welles in the lead. When the Shadow operates as a shamus with a special trick, it's a lot cheaper.

This is okay, but if it was a pilot for a TV show, I can see why it didn't make it. Still, for fans of the Shadow, this is a rare opportunity to see an attempt at bringing that mysterious voice to film.

Twelve years after the last entry in the series, we finally get a Shadow who can appear to be invisible (if that's not an oxymoron), hypnotise and 'cloud men's minds', and laugh in a very creepy way!! This was originally two pilot episodes for a proposed Shadow TV show (not picked up), subsequently edited together and released as a movie by Republic Pictures. The action takes place in and around New Orleans, as the Shadow is asked to help the exiled former President of 'Santa Cruz' (think Cuba) to return to his country, overthrow the dictatorship, and reunite his people. Cue lots of assassination attempts, car chases, and kidnappings.

Richard Derr stars as Lamont Cranston/The Shadow, alongside Mark Daniels as his ever-present mentor, Jogendra. There's no Margo Lane - although Cranston and Jogendra sometimes come off as though she'd be a bit of a third wheel, if you know what I mean. I'm sure it's just my cynical 'modern' eyes. Derr makes a good Shadow, convincing as a likeable playboy, as well as handling the rough stuff. There's no iconic hat/coat, but as I say, we get powers - which also include Cranston and Jogendra being able to communicate telepathically. The invisibility/living shadow effects aren't bad for the time (and low budget). Some of the supporting acting is a little shaky, but the story is pretty good. And if you're into jazz the score isn't bad. 7/10.