IMDb RATING
6.7/10
11K
YOUR RATING
An actress who has given up on love meets a suave banker and begins a flirtation with him--although he's already married.An actress who has given up on love meets a suave banker and begins a flirtation with him--although he's already married.An actress who has given up on love meets a suave banker and begins a flirtation with him--although he's already married.
- Nominated for 3 BAFTA Awards
- 7 nominations total
Michael Anthony
- Oscar
- (uncredited)
Ernest Blyth
- Dignitary
- (uncredited)
- …
Martin Boddey
- Albert
- (uncredited)
Pauline Chamberlain
- Woman in Audience
- (uncredited)
Diane Clare
- Young Woman
- (uncredited)
David Coote
- Charles
- (uncredited)
Robert Desmond
- Young Man
- (uncredited)
Eric Francis
- Elevator Operator
- (uncredited)
Frank Hawkins
- William
- (uncredited)
Stratford Johns
- Waiter
- (uncredited)
Oliver Johnston
- Mr. Finleigh
- (uncredited)
Emile Stemmler
- Waiter at Spring Dance
- (uncredited)
Featured reviews
I can't believe that some people thought any part of this film was boring! It isn't an action movie. It's about the developing relationship between two mature people and it is, indeed, a comedy. There are some great lines from Ingrid, who holds one spellbound throughout - with her acting, with her beauty and with those elegant gowns. Sorry, don't even mention those other actresses in the same breath as Bergman! She is in a class of her own - and shows it in this film. She was 42 when she filmed it - and it really doesn't make any difference. She's not pretending to be a young girl with her first lover. As for any comparison with "Notorious" - no! You can't compare these two films. Both are great, both star Bergman and Grant - similarity ends there! I would like to add that the supporting roles are admirably played by all - especially the brilliant Cecil Parker [Alfred Munson], who had me in stitches. Mary Hutchings [founder, Ingrid Bergman International at Yahoo Clubs]
A British-based light romantic comedy,adapted from a stage play,INDISCREET is basically a gossamer-thin opus which is often constrained by it's theatrical origins,but is totally redeemed by the incomparable Cary Grant and the almost-as-incomparable Ingrid Bergman.The settings,story and characters are frightfully upper-middle class,an often resistible brew,but Grant's matchless skill as a light comedian and actor,allied with immense charm and ever-youthful handsomeness,and a surprisingly deft comic performance by Bergman,not at her peak of attractiveness but still striking in her early forties,give the sometimes under-nourished script a resonance it didn't really have.The result is a enjoyable and very pleasant hour and a half.It dosen't provoke guffaws or hearty roars of laughter,more a lengthy,admiring smile throughout it's running time,but this is not to it's detriment.Stanley Donen's direction is perfectly adequate,though a greater opening out and use of exterior scenes would have reduced the sometimes static quality of the narrative.The supporting cast consists of familiar British character actors like Cecil Parker,Megs Jenkins,Phyllis Calvert and David Kossoff,always welcome contributors and they add invaluably to the fun.But it is Grant and Bergman who carry the film all the way,also making a potentially maudlin final scene(despite ending rather abruptly)rather sweet and touching.
Average romance/comedy made above average by the mere presence of two legendary movie stars.The story moves along quite slow but romance comedy fans will be rewarded during the second part of the movie as the complications stir up the energy a bit.The script and screenplay could have been much better but the cinematography,despite limited settings,was good enough to capture the charm of the two lead superstars.Only for fans of the lead stars and big fans of romance/comedy movies.......
Cary Grant and Ingrid Bergman give a masterclass in screen chemistry, and look very much like a couple in the throes of new love. That strange fascination you have for each other, the long, almost quizzical stares, comfortable moments of silence - it's all there, given ample time to breathe and play out naturally by director Stanley Donen's unhurried camera.
The ending feels a little rushed though, especially in the final moments, and the film as a whole feels considerably longer than its runtime but those flaws are far from fatal. What's a little more disappointing is the lack of any really remarkable humour. It nails the romance, but seems undecided as to whether it wants to be a comedy or not. Before the jarring switch to semi-farce in the final act most of the humour comes from supporting actors and consequently feels like something of an afterthought.
Overall this is a class act. A sophisticated, quiet romantic comedy that sees everyone involved at the top of their game. And while it's not a perfect confection it's sweet enough to satisfy even the most helpless of romantics.
The ending feels a little rushed though, especially in the final moments, and the film as a whole feels considerably longer than its runtime but those flaws are far from fatal. What's a little more disappointing is the lack of any really remarkable humour. It nails the romance, but seems undecided as to whether it wants to be a comedy or not. Before the jarring switch to semi-farce in the final act most of the humour comes from supporting actors and consequently feels like something of an afterthought.
Overall this is a class act. A sophisticated, quiet romantic comedy that sees everyone involved at the top of their game. And while it's not a perfect confection it's sweet enough to satisfy even the most helpless of romantics.
In general, I liked Indiscreet. Starting with the film's problems, the story is very slight and some scenes are non-eventful. While not the only film to suffer from this problem, the pacing has a tendency to become very pedestrian, and finally the film's length(100 minutes) may try the viewer's patience, especially with the slow pacing. But even with its problems, it is a charming film, not as good in my opinion as An Affair to Remember but there are a lot of good things about it. Indiscreet is lovely to look at, Ingrid Bergman looks really elegant in her dresses and her apartment is drop dead gorgeous! The cinematography and scenery is also really lovely. I also really liked the score, it was haunting and beautiful and had the hypnotic power than Rachmaninov has in his piano concertos. Stanley Donen directs efficiently, and the dialogue does sparkle. As does the performances and chemistry of Cary Grant and Ingrid Bergman, who are great together and each of them are believable in their roles. In terms of effective scenes, the party scene was great fun, it was a real joy to see Grant making "a fool of himself" dancing. Overall, charming if very slight, elevated by the two lead performances. 7/10 Bethany Cox
Did you know
- TriviaCary Grant said that this was his personal favorite film.
- GoofsAbout 24 minutes into the movie, the Big Ben clock tower shows six o'clock, and a character remarks that it is six o'clock while its chimes are heard. However, seven clock chimes are sounded, not six.
- Quotes
Anna Kalman: How dare he make love to me and not be a married man! Damn!
- Crazy creditsAll of the opening credits appear as if engraved on calling cards.
- ConnectionsFeatured in The 42nd Annual Academy Awards (1970)
- SoundtracksINDISCREET
by Sammy Cahn and Jimmy Van Heusen
Details
- Release date
- Country of origin
- Language
- Also known as
- Indiscreet
- Filming locations
- Painted Hall, Old Royal Naval College, King William Walk, Greenwich, London, England, UK(Banquet scene in the Painted Hall)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 40m(100 min)
- Color
- Aspect ratio
- 1.85 : 1
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