IMDb RATING
6.1/10
537
YOUR RATING
In 1944, the family lives of three San Francisco Marines are affected by their personal experiences on the front lines in the Pacific and at home.In 1944, the family lives of three San Francisco Marines are affected by their personal experiences on the front lines in the Pacific and at home.In 1944, the family lives of three San Francisco Marines are affected by their personal experiences on the front lines in the Pacific and at home.
- Awards
- 1 win total
Edit Angold
- Maid
- (uncredited)
Edith Barrett
- Mrs. Lenaine
- (uncredited)
James Bell
- Sidney Lenaine
- (uncredited)
Barry Bernard
- Hotel Clerk
- (uncredited)
Barry Brown
- Minor Role
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
10paforten
I grew up during the years of WWII and always enjoy movies made about that time. This movie is exceptionally great. TCM (Turner Classic Movies) shows it now and then. I like the choice of actors/actresses for the parts. Robert Wagner, Bradford Dillman, Jeffrey Hunter and Hope Lang are especially great. I like the scenes of early San Francisco shown in the film. I also think it's a great character study, most of the men in the U.S. felt it was their duty to enlist in the military to avenge our country. The struggle is show in the character of Alan Newcome (Bradford Dillman). And also the expectations put on Alan by his father. Then there is the internal struggle of "Frankie" (Robert Wagner) to measure up to the character of the men he is serving with. Then comes the noble gesture by Jeffrey Hunter's character to "do the right thing," and marry his pregnant girlfriend. I can't seem to find the right words to talk about this great movie, it's so exceptional. See it yourself, I think you'll like the life lessons it has.
"In Love and War" was one of that group of Hollywood films of the 1950's based on best selling novels about WW2. They were written by men who had experienced the war first hand: "The Young Lions", "Between Heaven and Hell" and "Battle Cry" among others.
Being around 10 years of age at the time, they were the kind of movies I couldn't wait to see. However they usually had as much time devoted to the bedroom as to the battlefield - lots of mushy stuff. "In Love and War" wasn't kidding when it put 'Love' first in the title. At the time though, I thought Dana Wynter was about the most beautiful woman in the world - I'm not sure that I still don't.
These days I can handle the mushy stuff better and actually appreciate it more than the rather bloodless, unrealistic action scenes that were the norm for those films.
"In Love and War" had an overload of beautiful people. Along with Dana Wynter there was Robert Wagner, Jeffery Hunter, Hope Lange, Bradford Dillman, Sheree North and France Nuyen - stunning in her second movie.
The story is about three marines from different backgrounds. Their lives reflect different levels of society, but there are problems all around: the spoilt rich girl bored with life (Dana), a bit of interracial tension (France Nuyen) and an evil stepfather for Robert Wagner's character. By 1958, anti-war sentiment was de rigueur - Brad Dillman's character rages against the senselessness of war. Unfortunately the various strands of the story seemed plucked from a file of alphabetically listed stock plots.
The island the marines storm is unnamed. The author, Anton Myrer, was wounded serving with the marines on Guam, but the battle here seems to be representative, not specific.
Many war films at the time combined documentary footage with the re-creations, and it was never seamless. That was the case in this film despite a few gritty scenes. However they pale when compared to the 2010 mini series, "The Pacific".
"In Love and War" has one element that pulls the whole thing together, a magnificent score by Hugo Friedhofer. It captures the heroism and tragedy of war, the epic along with the intimate. The score for this film is one of its stars.
I can still enjoy this movie even if nostalgia plays a part. As for modern audiences, this is what a big glossy movie of the time looked like with stars who seemed better than life.
Being around 10 years of age at the time, they were the kind of movies I couldn't wait to see. However they usually had as much time devoted to the bedroom as to the battlefield - lots of mushy stuff. "In Love and War" wasn't kidding when it put 'Love' first in the title. At the time though, I thought Dana Wynter was about the most beautiful woman in the world - I'm not sure that I still don't.
These days I can handle the mushy stuff better and actually appreciate it more than the rather bloodless, unrealistic action scenes that were the norm for those films.
"In Love and War" had an overload of beautiful people. Along with Dana Wynter there was Robert Wagner, Jeffery Hunter, Hope Lange, Bradford Dillman, Sheree North and France Nuyen - stunning in her second movie.
The story is about three marines from different backgrounds. Their lives reflect different levels of society, but there are problems all around: the spoilt rich girl bored with life (Dana), a bit of interracial tension (France Nuyen) and an evil stepfather for Robert Wagner's character. By 1958, anti-war sentiment was de rigueur - Brad Dillman's character rages against the senselessness of war. Unfortunately the various strands of the story seemed plucked from a file of alphabetically listed stock plots.
The island the marines storm is unnamed. The author, Anton Myrer, was wounded serving with the marines on Guam, but the battle here seems to be representative, not specific.
Many war films at the time combined documentary footage with the re-creations, and it was never seamless. That was the case in this film despite a few gritty scenes. However they pale when compared to the 2010 mini series, "The Pacific".
"In Love and War" has one element that pulls the whole thing together, a magnificent score by Hugo Friedhofer. It captures the heroism and tragedy of war, the epic along with the intimate. The score for this film is one of its stars.
I can still enjoy this movie even if nostalgia plays a part. As for modern audiences, this is what a big glossy movie of the time looked like with stars who seemed better than life.
There are many familiar faces in this one, from their younger days: Robert Wagner, Bradford Dillman, Jeffrey Hunter, Hope Lange, Dana Wynter and Sheree North. They're all affected by the war, as well as their own personal lives, which aren't always a pretty picture. There are some realistic battle scenes, as well as family conflict, alcoholism, love vs. Duty, as three servicemen, their families, and the women in their lives all interconnect.
Some scenes stay with you, like the enemy tank relentlessly forging ahead that needed to be destroyed, the enemy soldier begging for a drink of water, the self-destructive socialite whose wild ways caught up with her, and an adorable little boy who'll never see his father. There's drama without the melodrama.
Worth checking out!
Some scenes stay with you, like the enemy tank relentlessly forging ahead that needed to be destroyed, the enemy soldier begging for a drink of water, the self-destructive socialite whose wild ways caught up with her, and an adorable little boy who'll never see his father. There's drama without the melodrama.
Worth checking out!
I'm easily bothered by films that are set during a certain decade (and now century) with costuming, design, styling, etc., that don't match the period portrayed. If you pay close enough attention, there's very little that's 1940s about this film in its depiction. That being said, it actually was more satisfying than I anticipated.
The first act of this two-act film is clunky in nature. I agree with the reviewer who wrote that Wagner's portrayal of intoxication is well over the top and therefore, at least to me, unconvincing, but there's moments in the second act in which he shows his acting chops. Dillman unsurprisingly does not disappoint, and Hunter delivers a pleasing surprise.
This movie tends to vacillate between hokey, soap-opera elements and cerebral, emotionally intense components. Once you get past the obvious on-set shooting typical of the '50s and the forcing of "topical" issues, such as unwed pregnancy, interracial relationships, and philosophical objection to war, there's a final product that's actually touching.
I'm truly surprised I liked it.
The first act of this two-act film is clunky in nature. I agree with the reviewer who wrote that Wagner's portrayal of intoxication is well over the top and therefore, at least to me, unconvincing, but there's moments in the second act in which he shows his acting chops. Dillman unsurprisingly does not disappoint, and Hunter delivers a pleasing surprise.
This movie tends to vacillate between hokey, soap-opera elements and cerebral, emotionally intense components. Once you get past the obvious on-set shooting typical of the '50s and the forcing of "topical" issues, such as unwed pregnancy, interracial relationships, and philosophical objection to war, there's a final product that's actually touching.
I'm truly surprised I liked it.
Although made in 1958, this is one of those patriotic WWII movies that are a hit with Americans who appreciate the sacrifices made for our freedom. Yet, there was plenty of home front footage as well with very good acting. Dana Wynter, whom I had just seen in Sink The Bismarck, did a wonderful job in a difficult part. The writing for the part was superficial and the reasoning behind it not believable. And yet, Ms. Wynter took it and made it believable. What an actress! And darn good looking too! The male leads were all well done, Jeffrey Hunter, Robert Wagner and Bradford Dillman. One finds oneself rooting for all three Marines to make it through the battle scenes. Hope Lange, a great actress as always and a real beauty. Remember her in the TV version of The Ghost and Mrs. Muir? France Nuyen, a sweet face and good acting, what more could we want? One face popped up that I recognized right away - a Corcoran boy! This one is Brian who played Israel Boone on the old Daniel Boone TV show. But it was his brother Kevin Corcoran whom I thought about - the great child actor who did Old Yeller, Pollyanna and others. His sister in the movie is Veronica Cartwright, the real life sister of Angela Cartwright of the Danny Thomas show, Lost in Space and Brigitta in the Sound of Music movie. Of course Veronica made news herself as Jimima Boone on the same TV show as Brian, Lumpy's sister on Leave It To Beaver, Spencer's Mountain and other good parts. All in all, excellent acting in this movie, good drama and exciting WWII action by the Marines. Well worth seeing.
Did you know
- TriviaFilm debut of Veronica Cartwright.
- GoofsAlthough the film is set during the final days of World War II, which ended in 1945, outside the San Francisco hotel where Jeffrey Hunter and Hope Lange spend their honeymoon are parked, among other vehicles, a 1954 Ford and a 1952 Plymouth; CinemaScope panoramas of San Francisco streets, and the San Francisco skyline are all contemporary 1958 views.
- ConnectionsReferenced in What's My Line?: Robert Wagner (2) (1958)
- How long is In Love and War?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- In Love and War
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,590,000 (estimated)
- Runtime
- 1h 51m(111 min)
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content