El hombre y el monstruo

"The Man and the Monster" is another supreme Mexican horror accomplishment from the vintage late 50's/early 60's era. It's not as brilliant as "The Black Pit of Dr. M" or as petrifying as "The Curse of the Crying Woman", but nonetheless this movie benefices from a compelling storyline as well as from terrific scenery and devoted acting performances. Reminiscent of the legendary "Faust" as well as "Dr. Jekyll and Mr. Hyde" tales, the script revolves on a middle-aged pianist who sold his soul to the devil (extendedly explained during a fabulously macabre flashback) in order to become the greatest musician in the world. Of course, since all deals with Lucifer soon turn out to be fishy, Samuel quickly discovers his success comes at a high price. Whenever his finest composition of music is played, Samuel transforms into an aggressive werewolf-like monster that can only be tamed by his domineering mother. They conceal corpses in their house and attempt to break the curse by training a gifted female acolyte on the piano, but journalist Ricardo Souto comes close to uncovering the horrific secrets. The continuously uncanny atmosphere of "The Man and the Monster" is simply irresistible to avid fans of Gothic horror cinema and, even though many people criticize the make-up effects, I personally thought the monstrous effects were rather acceptable, especially considering the film's year of release. Several sequences are beautifully choreographed and almost artsy, like for example when Samuel literally begs his mother to play the piano and she eventually silently consents by handing him the key to the front door. "The Man and the Monster" is a beautiful, enchanting and immensely atmospheric period piece. Perhaps not intended for the nowadays horror-audiences, but undeniably a masterful film.

El Hombre y el Monstruo, known to English audiences as The Man and the Monster is a great little horror flick. Raphael Baledon was responsible for a few great horror films during this period and this is one of them although the makeup used on the monster is often criticized because of a lack luster job they did on it. All I can say is, if you can get passed the corny mask it's a very well made horror movie. See the monster for what he is and get into the whole faustian story of the film. I think it's very well directed, edited and photographed. THe Man and the Monster is very brooding, serious and morbid and contains all the great elements that Mexi-horror had to offer at this period. Enrique Rambal is a joy and gives a fantastic performance as the isolated, desperate and jaded man willing to sell his soul to the devil for a shot at greatness. If you like classic horror then El Hombre y el Monstruo is a perfect film for one of those evenings when your in the mood for something different.

A mixture of the story 'Dr Jekyil & Mr Hyde' by British writer Robert Louis Stevenson, & the classic novel by German writer Thomas Mann, but leaving the intellectual stuff out, 'Dr Faustus', a frustrated music teacher sells his soul to the devil to be 'the greatest pianist of the world'. He gets it but the price he pays is turning into a hideous 'Mr Hyde' Samuel Magno, the name of the music teacher & composer, murdering women pianists. And, the disgusting scenes of the mummified body of a woman pianist he kept hidden plus the murder of a 11 years old girl. Maybe Baledon's daughter playing a role, can leave a few of us disgusted. But not entirely bad. But not an outstanding movie. At least Stevenson & Thomas Mann didn't lower themselves in such morbid scenes.

When the snoopy reporter of a music magazine Ricardo Souto (Abel Salazar) travels from Mexico City to the countryside to pay a visit to the former pianist and conductor Samuel Magno (Enrique Rambal), he finds that he lives secluded in a house with his mother Cornelia (Ofelia Guilmáin) and his protegee Laura (Martha Roth). Ricardo briefly interviews Samuel and learns that he is preparing Laura to be introduced in a Tchaikovsky concert where he will be the conductor very soon. What Ricardo does not know is that the envious Samuel has made a pact with the devil to be the best pianist of the world, and he killed the number one, Alejandra (Martha Roth). However, the devil has played a prank on Samuel and, when he plays piano, he becomes a monster. Now Samuel wants to prepare Laura to become the best pianist and break the curse.

"El hombre y el monstruo (1959)" is an unknown Mexican film with a plot that entwins Faust, Dr. Jekyll and Mr. Hyde and Werewolf. The musician becomes a werewolf-like monster when he plays piano or hears the music that Alejandra was playing when he killed her. The devil, instead of keeping his soul, prefers to play a prank in this story. In addition, the black and white cinematography is wonderful and the exhibition of a great part of Piano Concerto No. 1 by Tchaikovsky gives a touch of class to this movie. My vote is seven.

Title (Brazil): "O Homem e o Monstro" ("The Man and the Monster")

A friend of mine found this DVD at a flea market, and thought the cover looked pretty cool. He popped it in while I was there, and we prepared for a gorefest. What we didn't prepare for was a 50's mexican horror about someone selling their soul. Not bad, actually, except the dubbing sounds silly sometimes, and the monster is more laughable than frightening.

However, this film gets props as having the funniest methods of having a cat jump out of a womens arms. Three times throughout the movie, a woman is holding a cat, and instead of just letting it down, the filmmakers decided to tie some fishing line to the thing, and yank it out of her arms. The funniest thing had to be the noises that came from the cat. That alone made this movie more than worth it. If you can ever find it cheap, it's worth a good laugh.